Par BALBASTRE CLAUDE / CURTIS. Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C. B Ballastre is a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d'Hericourt - La Segur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - LaGenty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - Prelude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d'Esclignac - Marche des Marseillois et l'Air C; a ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ./ Répertoire / Clavecin

Pour Deux Clavecins. Par PLANYAVSKY PETER. Ein mit 'Valse inégale” überschriebener 2. Staz§ Berceuse in wiegenden Achteln ('ein wenig träumerisch”)§ 'Hastig, aber nicht hektisch” das Finale: 'Caprice fuguée”/ Répertoire / Clavecin

Par COUPERIN LOUIS / CURTIS. The complete Harpsichord work - Volume 2 by Louis Couperin is the second of a series of volumes with suites for Harpsichord. Composed in a Baroque style, the whole series features 133 pieces for advanced players. Louis Couperin (1626-1661) was a French composer and performer, who created many pieces for Organ and for Harpsichord who later became musician at the court. He invented the genre of Unmeasured Prelude for which he created a form of notation where the harpsichordist can choose how long each note lasts. François Couperin, Louis' nephew, is also a very famous musician who played the Harpsichord./ Répertoire / Clavecin

Ed. Critica E. Fadini - M. Moiraghi-This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author’s intentions (in so far as this can be reconstructed through acomparative study of the surviving printed and manuscript sources) and which is presented as authentically as possible free from editorial interference or suggestions for performance or interpretation.

Mit Leisem Lächeln Zu Spielen. Par PLANYAVSKY PETER. Widmungsträger ist Johann Sonnleitner mit seiner charakteristischen Spielweise, und auf ihn bezieht sich auch der Untertitel, der zugleich den Dualismus des Stückes unterstreicht: Traurigkeit, die noch nicht ausweglos ist./ Répertoire / Clavecin

Par PLATTI GIOVANNI BENEDETTO. Editeur(s) d'origine: Hoffmann-Erbrecht, L./ Répertoire / Clavecin

Selected for the ABRSM Harpsichord examinations grades 4 and 5. Par PURCELL HENRY. Le deuxième livre de la musique de Henry Purcell clavier complet, édité par Christopher Kite. Sélectionné pour les classes d'examens ABRSM Clavecin 4 et 5. / Rép Classique / Répertoire / Clavecin

Par FORQUERAY / TILNEY. This edition of Harpsichord Work by Antoine Forqueray has been reviewed and edited by Colin Tilney. Dedicated to ; Madame la Dauphine (i. e. The King's daughter, here, the daughter of Louis XV), this volume includes six suites for a total of 32 pieces. Each of these pieces is actually named after the Courtesans of the Dauphine. With different degrees of complexity, these pieces would fit the skills of players with an upper intermediate level and above. The mark-ups in this edition are quite close to those used on Rameau, his pieces being popular and well commented. AntoineForqueray was a harpsichordist under the King Louis XV period. Professor of the Dauphine Henriette-Anne, he dedicated this piece to her./ Répertoire / Clavecin

Della Sonate per Clavicembalo. Par SCARLATTI DOMENICO. Della Sonate Per Clavicembalo / Date parution : 1905-06-06/ Répertoire / Clavecin

Canaanite Fantasy No. 3. Par LEEF YINAM. Similiar to its two sister-works, ELEGY looks back to the past and to ancient musical colors and ideals, combining musical ornamentations of nature within contemporary Western modes of expression. The composer accounts that 'the most interesting and attractive challenge for me was to try to relate to the special characteristics of the harpsichord - its rather confined range of dynamics on the one hand, and the great richness of the single tone on the other - and to attempt to formulate a contemporary view towards the historical and stylistic connotations of this instrument. The work combines some typical music structures, such as repetitions and sequential patterns, within ageneral improvisatory feeling, and leads, as the climax resolves, to a short quation from J.S. Bach's 'The Art of Fugue', which gradually disintegrates into the central motif of the work. The title ELEGY invokes a looking backwards, with a sense of longing and maybe even sadness, to a world of sounds that has perhaps lost its glitter, to a past era, but not without a certain hope for its renewal.'/ Répertoire / Clavecin

Par FROBERGER / SCHOTT. The first volume of the second tome of the Complete Harpsichord Work by Johann Jakob Froberger, this volume is a set of sixteen pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features sixteen pieces features eight Toccatas, five Capriccios, a Fantasia and two Ricercars. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) was a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them./ Répertoire / Clavecin