S?il fallait ne choisir qu?un seul adjectif pour qualifier cette pièce de Wim Laseroms nous choisirions le terme de « varié ». Variousity développe une série de variations sur un thème donné qui apparaît sous différentes formes dans différents tempi et dans divers chiffrages de mesure irréguliers. La diversité un remède sûr contre l?ennui.

Calling for the band to be divided into four separate ensembles (and spread apart if space permits) Villages explores a wide range of harmonic and rhythmic interplay between each of these musical “villages.”The opening creates a dense canopy of sound out of which the unique identity of each group variously emerges then melts back into the texture. As the fast pace continues melodic fragments are bounced from group to group withinterjections from the percussion. A slower lyric section provides contrast before the frantic pace returns leading to the exciting conclusion. Innovative in its conception this stunning work will expose your students andaudience to dramatically new sounds for band! Dur: 8:15

Par BULLA STEPHEN. This rhapsody for concert band describes programmaticallythe period of history when knights fought bravely in suits ofshining armour. The tournament was a time of fierce joustingfor the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the variousinstrumental sections, each fighting for attention with ‘calland response’ patterns. Each section of the band has its ownmoment of glory in this heroic concert work / Niveau : 3 / Répertoire / Concert Band ou Harmonie

This rhapsody for concert band describes programmaticallythe period of history when knights fought bravely in suits ofshining armour. The tournament was a time of fierce joustingfor the favour of royalty as well as a duel of mortal combat.The music portrays this battle by showcasing the variousinstrumental sections each fighting for attention with ‘calland response’ patterns. Each section of the band has its ownmoment of glory in this heroic concert work

This amazing work opens with the sounds of distant villages as their drumming echoes through the African rain forests (or school gymnasium). As the players return to their “normal” seats in the band the variouselements of this composition gradually come together in a joyous unified celebration. Thoroughly researched to include authentic African patterns Michael Sweeney has created a stunningly effective work that is playable by youngensembles. Includes performance and program notes on how to make your own percussion instruments and involve other departments in your school. Not just a piece of music...this is an event! Dur: 4:45

You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.

A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets horns and trombones resound in rhythmic patterns buttressed by restless motifs in the percussion. A second theme in the woodwinds begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town and people should know about it.There followsa rhythmic turbulent passage: in the course of history Peer has not been spared the ravages of war arson occupation epidemic and other evils. In contrast a slow pastoral lyrical part expresses the periods of peace and prosperity the town has known as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when via a surprising almost chaotic transitional passage we are in effect transported back to our own time. A hopeful festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen the 95 members of the concert band have experienced an extended period of good fortune and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.

Arr. Wil Van Der Beek. Par FUCIK JULIUS. Julius Fucik (1872-1916) was born in Prague, Czech Republic. He studied under Antonin Dvorák and at a young age played in military bands and later became bandmaster, a profession he practiced in various cities with many bands. In 1913 he settled in Berlin where he started his own music publishing house. As a composer Fucik is known for his light entertaining music however he also wrote chamber music, songs, choral works, a mass, a requiem and an unfinished opera. Many of his works have fallen into oblivion but many of his marches such as Einzug der Gladiatoren, Regimentskinder and Florentiner Marsch are still often played. With the concert overture Marinarella, Fucik takes us toan imaginary seaside resort on a beautiful spring day. Marinarella, a girl of the sea, accompanies us on our stroll. Leisurely walking couples on the boulevard, the murmur of the sea, fragments of a waltz melody from a café and a concert band performing a promenade concert pass you by. A fantastic opening work for any concert. / Niveau : 4 / Transcription / Répertoire / Concert Band ou Harmonie

for Solo Bb Euphonium (or Baritone ad lib.) and Concert Band-Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities. Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities.

Par CURNOW JAMES. Certain to become a staple of Grade 3 band literature this great new composition represents James Curnow at his finest. Beginning and ending with an exciting fanfare that contrasts various melodic, rhythmic, harmonic and stylistic concepts, The Spirit Soars captures the enduring spirit of today’s youth in music. The joyous scherzo energized with buoyant energy and an exquisite contrasting lyrical theme, many moods, and a grandioso finale all combine to ensure this piece becomes a landmark of literature for this level. Plan your next concert around this great new piece from CMP!Take wing! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Written as a commission for the Palmetto Consortium of South Carolina this expansive work explores the delight wonderment and excitement of a young boy's hopes and dreams. Several stylistic elements combine to depict variousemotions and imaginings. In the words of the composer “a boy's dreams are fantastical and mysterious show great curiosity and yet most importantly they are innocent and credulous.” A terrific and fresh work forwinds! Dur: 6:45

Perfect for a presentation of your band at a concert or a presentation on a (music) school. The orchestra and the various sections introduce themselves to the public. A wonderful showpiece for your band to the public!

Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties. The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright). Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian. / Date parution : 2022-05-31/ Répertoire / Concert Band