Twelve Fantasias for Flute without Bass TWV 40:1-12 . Par TELEMANN GEORG PHILIPP. The Fantasias For Flute Without Bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them. - Urtext of the Telemann Edition. / Répertoire d'Examen / Répertoire / Flûte Traversière

Diese Stücke deutscher Komponisten des 20. Jahrhunderts für Soloflöte sind freie Fantasien über bekannte Choralmelodien. Sie eignen sich für den Gottesdienst oder für Konzerte mit geistlicher Musik./ Répertoire / Flûte Traversière

Teil 2 Für Fortgeschrittene. Braun, Gerhard / Wurz, Hanns (Trad. )/ Répertoire / Flûte Traversière

Par BACH JOHANN SEBASTIAN. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / Flûte Traversière

Par VALADE PIERRE-ANDRE. Sélection: Pierre-André Valade. / Niveau : Difficile / classique / Date parution : 1987-06-10/ Répertoire / Flûte Traversière Solo

Par HARTMANN FRANK. / Niveau : Fin 2ème Cycle / Répertoire / Flûte Traversière

Arrangeur: Peter Stöhr. Par VIVALDI ANTONIO. / Répertoire / Ensemble de Flûtes Traversières

Par TULL JETHRO. One of the most idiosyncratic bands to develop during the 1960s, Jethro Tull remain a distinctive musical voice adored by fans everywhere. In Ian Anderson, Jethro Tull boast a folk hero and Flute virtuoso with a playing style that is as unique as his stage performances. This exciting folio of transcriptions gives you the chance to learn Anderson's groundbreaking Flute solos with transcriptions of 18 of his very best, including Bungle In The Jungle, Cross-Eyed Mary and Thick As A Brick. One of the most idiosyncratic bands to develop during the 1960s, Jethro Tull remain a distinctive musical voice adored by fans everywhere. In Ian Anderson, Jethro Tull boast a folk hero and Flute virtuoso with a playing style that is as unique as his stage performances. This exciting folio of transcriptions gives you the chance to learn Anderson's groundbreaking Flute solos with transcriptions of 18 of his very best, including Bungle In The Jungle, Cross-Eyed Mary and Thick As A Brick . / Musique traditionnelle / Répertoire / Flûte Traversière

Par BASSINGTHWAIGHTE SARAH. Left Behind for Solo Flute (left-hand only) by Sarah Bassingthwaighte. From the composer: 'I was approached with the idea of composing a piece for solo flute using only the left hand. This could be played by someone with a right-hand or wrist injury, or for anyone interested in trying a new flute adventure. My first thought is that the options would be very limited, and then I thought of something Stravinsky said that has rolled around in my head for years: ?The more constraints one imposes, the more one frees one?s self. And the arbitrariness of the constraint serves only to obtain precision of execution.? He spoke often about the necessity of imposing restrictions to creating great music.' / Date parution : 2022-11-29/ Répertoire / Flûte Traversière

Arr. Robin De Smet. Par SAINT-SAENS CAMILLE. This beautiful, serene piece comes from Saint-Saëns’ “Carnival of the Animals” and is an ideal performance piece for flute and piano. The Swan a beautifully lyrical and expressive piece from Saint-Saens Carnival of the Animals, and has been skilfuly arranged for Flute with Piano accompaniment by Robin de Smet. The solo flute part is also included on a separate insert. / Niveau : Intermédiaire / Répertoire / Flûte Traversière

Par COLQUHOUN MICHAEL. Salsa is a popular Hispanic-American urban dance music with deep African and Cuban roots. Charanga is a style of Salsa which was popular from the 1920's through the 1970's. What made Charanga unique was that along with the usual percussion section (congas, bongos/cowbell, timbales, maracas/guiro and clave) there was a string section and a flute lead. When the music was cocinando (or 'cooking”), the percussion, piano, bass and strings would play a powerfully swinging, polyrhythmic patter over which the Charanga flutist was free to improvise complex and intricate riffs. These days, while Salsa is popular as ever, the Charanga as a separate entity is rare. The flute, however,continues to be an important solo instrument. This piece is a cubist portrait of Charanga, and is dedicated to all the great Latin Charanga flutists./ Répertoire / Flûte Traversière

Solo Flute. Par HILLBORG ANDERS. Anders Hillborg's Close Ups unfolds as an exhilarating flurry of notes - in part ingeniously generated from a prime number series. An enthralling 7-minute addition to the solo flute repertoire./ Répertoire / Flûte Traversière

An Introduction to the Native American Flute. Par CRAWFORD TIM R.. Ce livre contient 20 chapitres traitant tout de l'origine et la conception de la flûte American Native à une méthode pour apprendre à jouer de l'instrument et de lire sa musique. Avec les exercices de doigté présentés dans huit leçons, un certain nombre de morceaux est inclus pour deux des cinq et six trous les flûte amérindienne. Normes de vieux, la musique indigène et compositions originales sont présentées, répondant aux besoins de début de joueurs avancés. Ce guide pratique et utile pour le flûte amérindienne est convenable pour l'enseignement de l'individu ou de salle de classe. / Niveau : Débutant / Native American - Methods / Méthode / Flûte Traversière