with Online Accompaniments. 12 songs from Disney films and shows from 2010-2019. Includes piano accompaniment tracks online for download or streaming. ALADDIN 2019: Speechless · BRAVE: Touch the Sky · DESCENDANTS: If Only · DESCENDANTS 3: Queen of Mean · FROZEN: For the First Time in Forever · FROZEN: THE BROADWAY MUSICAL: Let It Go (Broadway Version) · True Love · FROZEN 2: Into the Unknown · MARY POPPINS RETURNS: The Place Where Lost Things Go · MOANA: How Far I'll Go · NEWSIES THE MUSICAL: Watch What Happens · TANGLED: When Will My Life Begin?

Instrumentation : High voice - Pf (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols

per canto e pianoforte - for voice and piano - voce acuta - high voice. The 15 Composizioni vocali da camera by Vincenzo Bellini are presented here, in versions for high voice, in a new edition based on the most authoritative musical sources available.

Roger Quilter (1877-1953) was a British composer best known for writing many gentle and beautiful songs. Along with Henry Balfour Gardiner and Percy Grainger he was a member of the Frankfurt Group a group of friends who studied composition together at the Hoch Conservatory in Frankfurt. Three Pastoral Songs (Op.22) is a collection of three songs based on countryside scenes: I will go with my father a-ploughing - Cherry valley - I wish and I wish. They are arranged here for High Voice with Piano accompaniment.

Description A collection of eight of the finest pieces of classical Christmas music for high voice and piano. Accompanying CD features complete performances with and without vocals. Songlist Ermuntre Dich, Mein Schwacher Geist O Jesulein Suss (Bach) I Stand Here At The Cradleside (Karg-elert) In The Bleak Midwinter [Holst, Gustav] Jesus Of Nazareth [Gounod, Charles] O Holy Night (Cantique de Noel) [Adam, Adolphe] Schlafendes Jesuskind [Wolf, Hugo] Silent Night [Gruber, Franz] Silent Night [Gruber, Franz] [Mohr, Josef] The Birthday Of A King (Neidlinger) The Virgin's Slumber-song [Reger, Max]

Par BELLINI VINCENZO. The 15 Composizioni vocali da camera by Vincenzo Bellini are presented here, in versions for high voice, in a new edition based on the most authoritative musical sources available./ Répertoire / Voix Haute et Piano

21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

Singing in French-French is a language beset with problems especially for non-native speakers. Where should there be a liaison between one word and the next? What mouth shape is needed to produce a tricky vowel sound? What about nasal vowels - or all those silent consonants? This book contains all the tricks of the trade: the singer need never fear singing in French again.The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself.Each volume is devoted to singing in one particularlanguage. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.

Love and Time-Dring herself had perfect pitch and these songs make technical demands upon the singer to good effect.Twentieth century English composer singer and actress Madeleine Dring wrote songs that frequently employed jazz chords in their accompaniment which has been compared in the US to Gershwin. Here there are touches of artsong French chanson and some element that is Dring’s own idiomatic style.

Instrumentation : High voice - Pf

(Ger.) Music Partner backing CD available, see MP 3927b

Content :
Du mein einzig Licht; All' mein' Gedanken; Mein Mädel hat einen Rosenmund; Vor dem Fenster; Wach auf, wach auf, du junger Gesell; Schwesterlein; Maria ging aus wandern; Feinsliebchen; Jungfräulein, soll ich mit euch gehn; Es wohnet ein Fiedler; Erlaube mir, feins Mädchen; Wie komm ich denn zur Tür herein; Och Moder, ich well en Ding han; In stiller Nacht; Es steht ein' Lind'; Ich weiß mir'n Maidlein; Schöner Augen schöne Strahlen; Sagt mir, o schönste Schäf'rin mein; Trennung / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / EDITION PETERS

Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.

Original Keys for high Voice-'Faust' 'Wilhelm Meister' 'Egmont' even 'Erlkönig' - again and again Beethoven chose texts by Goethe for his song compositions. Now for the first time all of Beethoven?s songs with texts by the great Weimar writer areavailable in one volume. Alongside the famous setting of 'Wonne der Wehmut' and Mephisto?s satiric Flea Song op. 75 no. 3 there are also others to be discovered such as four different versions of Mignon?s Song 'Nur wer dieSehnsucht kennt'. The musical text in the Beethoven Complete Edition forms the basis for this volume. In addition the Flea Song has been revised following the autograph that recently reappeared.Original Keys for HighVoiceContents Goethe Songs Maigesang op. 52 4 Marmotte op. 52 7 Sehnsucht (4 versions) op. WoO 134 Kennst du das Land op. 75 1 Neue Liebe neues Leben (second version) op.75 2 From Goethe's Faust op. 75 3 Wonne der Wehmut (second version) op. 83 1 Sehnsucht op. 83 2 Mit einem gemalten Band op. 83 3 Freudvoll und leidvoll op. 84 4 Bundeslied op. 122 Appendix:

One dozen spirituals arranged for solo voice with accompaniment. Preserved in Burleigh's arrangements are the essential characteristics of these songs that generally derived from spontaneous outbursts of intense religious fervor. Includes: Couldn't Hear Nobody Pray * Were You There * Deep River and others.