Une collection des meilleures oeuvres classiques tirées des collections d'anthologies. Comme à chaque fois, chaque morceau est présenté avec soin pour piano solo, avec au choix des chefs d'oeuvres reconnus, dont ceux de Bach et son Air pour instrument à cordes en sol, l'Entertainer de Joplin et le Clair de Lune de Debussy à apprendre, à maîtriser et à apprécier. / Classique / Partition /

Vingt ragtime classique, sélectionné et chansons folkloriques pour piano. Trois CD, contenant audio et MIDI format pistes sont inclus. Les deux CD audio contiennent une piste de performance de concert et une piste d'étude spéciale pour chaque pièce. Le CD du MIDI contient deux canaux pour chaque chanson : une pour la main gauche et une pour la main droite. Ainsi, le joueur peut facilement muette des canaux d'entendre ou de pratiquer une part seule. Le tempo est également modifiable. / Piano

Anfang des 20. Jahrhunderts erfreuten sich in den Pariser Salons langsame Walzer besonderer Beliebtheit - worauf Debussy mit einem leichten Augenzwinkern seinen Klavierwalzer ?La plus que lente' (?Noch langsamer als langsam') vorlegte. Der im Juli 1910 erschienenen Erstausgabe dieses Klavierwalzers ließ der Pariser Verleger Durand zur weiteren Verbreitung noch im selben Jahr einen Sonderabdruck im Figaro sowie (fremde) Arrangements für Violine und Klavier und Klavier zu 4 Händen folgen. Debussy selbst lieferte später noch eine Orchestrierung des Stücks und spielte es 1913 sogar - übrigens mit durchaus zügigem Tempo - auf einer Lochstreifenrolle der Firma Welte-Mignon ein. Das mit ?molto rubato con morbidezza' überschriebene Werk ist nun auch einzeln als Henle-Urtext erhältlich - ein gegenüber den Sammelbänden HN 1194 und 404 erweitertes Vorwort macht auf diese charmante Walzer-Miniatur neugierig. / Piano / Chanson En Séparée

Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe. Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe.

The work was originally intended as part of the Suite bergamasque (HN 381) like L’Isle joyeuse (HN 386). Yet in the end Debussy chose other pieces for the Suite and published Masques and L’Islejoyeuse separately in September and October 1904 as new compositions. Both pieces were written in summer 1904 a particularly turbulent period in Debussy’s life as he had just left his first wife Lilly for Emma Bardac.The Masques appear to be much more reserved and at the same time more mysterious than the Isle joyeuse. The Catalonian virtuoso Ricardo Viñes gave the premières of both works which have remained extremelysuccessful to this day.

Gabriel Fauré?s 13 Barcarolles composed over a period of almost four decades (1882 1921) are highly representative of his output for piano and are regarded as his most characteristic works. They reflect his breaking free from the Romantic idiom particularly that of Chopin and Mendelssohn developing an independent musical language in which he combined tradition and the emerging modernism.These important works are now made available in scholarly-critical Urtext editions based on the ?uvres complètes de Gabriel Fauré and reflect the latest state of research. Detailed forewords offer information on the genesis and significance of thecompositions as well as valuable suggestions on historical interpretation.All the available manuscript and printed sources as well as piano rolls containing recordings by the composer have been taken into consideration leading to new discoveries particularly regarding the Valses-Caprices.Based on the ?uvres complètes de Gabriel FauréBased on the latest research findings and extensive source studiesInformative forewords with advice on performance practice (Fr/Eng/Ger)Christophe Grabowski is a French pianist and doctor of musicology and studied in Warsaw and Paris. He has edited a volume of the ?uvres complètes de Gabriel Fauré and is Series Editor of the Complete Chopin: A New Critical Edition as well as two volumes of the Édition Complète des ?uvres de Claude Debussy. Together with John Rink he published the Annotated Catalogue of Chopin?s First Editions in 2010.

Rosemary Brown (1916 - 2001) was a medium who sensationally claimed that dead composers were dictating new musical works to her. She created a small media sensation in the 1970s by claiming to produce works dictated to her by Franz Liszt Johannes Brahms Johann Sebastian Bach Rachmaninov Franz Schubert Edvard Grieg Claude Debussy Chopin Schumann and Ludwig Beethoven. The opinions of musical critics were varied on the merit of Rosemary's transcriptions but most agreed that in their style they bore a great resemblance to the composers' published works.Opinion is still divided about her claims and although there is scepticism many musicians of note such asRichard Rodney Bennett who said A lot of people can improvise but you couldn't fake music like this without years of training. I couldn't have faked some of the Beethoven myself have shown great interest.In 1969 she was put to a test by the British Broadcasting Corporation who set her at a piano where she waited for the spirit of Liszt to contact her. In due course she produced a piece that she said had been dictated to her by the dead composer. It proved too hard for her to play so another pianist was engaged to play it. The piece was subsequently studied by a Liszt expert who said it had definite similarities to Liszt's work.

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin Claude Debussy and Gabriel Fauré the works represented heretruly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume arranged for solo Piano for your sheer playing pleasure. Like the Baroque and Classical periods before it Romantic music existed within a broader artistic intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical spiritual legendary andsupernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era including: Albéniz Berlioz Bizet Brahms Chopin Dvorák Debussy Elgar Fauré Grieg Mahler Liszt Mendelssohn Puccini Ravel and so many more. Spanning the 19th century the Romantic movement was a reaction to what had come before. Music proved to be aparticularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created the period proved to be a very broadchurch indeed. This makes The Library Of Romantic Music?particularly exciting because the extraordinarily rich and expressive music is collected here in a single volume that is durable convenient and issure to be a mainstay of your music stand. For a simply stunning compendium of some incredible pieces of music composed by the masters The Library Of Romantic Music?is essential. Thegreatest compositions from such a fantastically rich period have been collected in this single volume perfect for pianists looking for beautiful additions to their repertoire.

Une collection de 50 musiques de film spécialement arrangées pour piano et pour tous niveaux. / Musiques de films