from J. B. Duvernoy (Op. 176) and H. Lemoine (Op. 37)-A worldwide innovation in the field of piano teaching: studies by Duvernoy and Lemoine with orchestral accompaniment. The freshly composed orchestral accompaniments for these well-known studies give rise to piano concertos in miniature. They turnpracticing into an entirely new experience and are a special source of pleasure for beginners.With fingering and two 3 Tempi Play Along CDsDOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more thanconventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concertversion in a first-class recordingwith solo instrumentand orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo.Finally you can play at theoriginal tempo to the accompaniment of an orchestra piano or basso continuo.All versions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 J. B. Duvernoy (1800-1880): op. 176 Nr. 2 in C-Dur2 J. B. Duvernoy (1800-1880): op. 176 Nr. 3 in C-Dur3 J. B. Duvernoy (1800-1880): op. 176 Nr. 8 in F-Dur4 J. B. Duvernoy (1800-1880): op. 176 Nr. 10 in D-Dur5 J. B. Duvernoy (1800-1880): op. 176 Nr. 6 in G-DurJ. B. Duvernoy (1800-1880): op. 176 Nr. 13 in C-Dur6 J. B. Duvernoy (1800-1880): op. 176 Nr. 15 in A-Dur7 H. Lemoine (1786-1854): op. 37 Nr. 3 in C-Dur8 J. B. Duvernoy (1800-1880): op. 176 Nr. 17 in F-Dur9 H. Lemoine (1786-1854): op. 37 Nr. 4 in G-Dur10 J. B. Duvernoy (1800-1880): op. 176 Nr. 18 in a-moll11 H. Lemoine (1786-1854): op. 37 Nr. 9 in C-Dur12 H. Lemoine (1786-1854): op. 37 Nr. 10 in a-moll

Mozart, Wolfgang Amadeus Concerto for Pianoforte and Orchestra no. 26 D major K. 537 Coronation Concerto This new piano reduction of Mozart?s ?Coronation Concerto? K. 537 is based on the music text from the New Mozart Edition and is fully compatible with the already existing performance material (BA 5318). A separate Urtext solo piano part is included in this piano reduction edition allowing the soloist not only to play the work as customary in recent decades, but also, for the first time since Mozart?s era, to improvise above the tutti basses and to conduct the ensemble from the piano. The new edition is supplemented by a separate booklet containing cadenzas and selected lead-ins by August Eberhard Müller, Carl Reinecke and Max Reger. ? Urtext edition based on the New Mozart Edition (NMA) ? Separate Urtext solo piano part included ? Enclosed booklet with cadenzas ? Provides new impetus for period performance practice

Solo piano part for Lutoslawski's 1941 work for piano and orchestra (orchestrated in 1978).

Music Minus One Piano-Keyboardist/arranger Jim Odrich has created great keyboard stylings of these magnificent opera classics against full orchestral accompaniments! Suitable for beginning to intermediate pianists! Includes a complete printed music score on high-quality ivory paper and a compact disc containing the complete version of each piece with soloist and accompaniment then a second performance with accompaniments minus you the soloist. Performed by Jim Odrich piano Accompaniment: Plovdiv Philharmonic Orchestra Coductor: Nayden Todorov

This is the Piano reduction for Concerto For Saxophone Piano And Orchestra composed by Anders Koppel in 2006.

for Piano and Orchestra-This oft-requested Mozart piano concerto is truly one of his treasures. Written in 1784 it is written in typical three-movement form (Allegro vivace · Andante · Allegro vivace) and features a beautiful orchestration of strings.

aus der Symphonie Classique op. 25-Orchestra (Piano Conductor's Score). Prokofiev S

This is the first time that a version of Gustav Holst's The Planets for solo Piano has been published. In this glorious publication the emotional rollercoaster that is this seven-movement orchestralsuite can be played on a single Piano with those crashing chords and textural melodies sounding just fantastic on the solo keys. Originally scored for two pianos and four hands this epic orchestral workcontinues to astound and astonish audiences around the world even a century after Holst begun work on the first movement Mars the Bringer of War. This volume allows the solo pianist to emulate those gloriousmelodies wonderful harmonies and dynamic rhythms bringing the wonder of The Planets to the keys. This unique arrangement of The Planets reduces the entire orchestra tojust a solo Piano with some fingering hints throughout. The lovely engraving is an absolute pleasure to read from and the sound of those thunderous rhythms and sweet melodies sounds absolutely brilliant coming from the purityand clarity of a solo Piano. With all seven movements included in this The Planets sheet music you'll be able to learn Mars Venus Mercury Jupiter Saturn Uranus and Neptune in theentire work that's sometimes thunderous occasionally calm often bombastic but always beautiful. With the full-colour astrophotography of the cover the detailed accurate and clear engraving and theinherent uniqueness of such an arrangement befits the timeless and enduring achievement of a work like this. The compositional history and musical qualities of The Planets are fascinating and the lengthyintroduction details the rhythms the harmonies and the personality that Holst injected into his work so you can learn about this glorious work before delving into the stunning arrangement of each of the seven

Introduction and Concert Allegro op. 134-Introduction And Concert Allegro Op.134 Piano Reduction was composed in 1853 and was one of the last works completed by Robert Schumann. This Piano duet is the reduction from the fullOrchestral score with Piano 1 taking the solo and Piano 2 representing the Orchestra in a beautiful and technically challenging piece.

Music Minus One Piano Deluxe 2-CD Set-Together in one package Music Minus One brings you two of nineteenth-century Russia's greatest works for piano and orchestra Rimsky-Korsakov's Piano Concerto (1883) and his protege Anton Arensky's Fantasia on Russian Folksongs for Piano and Orchestra (1899). Both of these short concerted works are single-movement fantasias on Russian folk themes filled with the thunderous orchestrationa and big Russian sounds one associates with Imperial Russia. Both of these works present a perfect opportunity for the pianist or advancing student who wants to tackle a big Romantic-era concerted work but may not be ready for the full-scale concerto. With their relatively short lengths and onlymoderately-difficult piano parts they give the thrill of full-scale performance with significantly less investment than would be otherwise possible with longer works. This Music Minus One edition includes a CD containing the complete performance of the concerto in digital stereo a second digital stereo version of the concerto minus the soloist voluminously indexed for ease of practice and performance and a fully annotated score especially prepared for this MMO release printed on high-quality ivory paper with informative liner notes.

Les caractéristiques de l'oeuvre pianistique de Dynam-Victor FUMET sont diverses : le piano est traité orchestralement, la pensée musicale dicte sa logique à l'instrument, la technique d'écriture nécessite une dextérité de jeu de premier ordre. Evitant de se conformer aux langages de l'époque, cette oeuvre se singularise par un coloris harmonique bien français que l'on ne retrouve cependant chez nul autre. Les formes traditionnelles sont renouvellées ou bannies au profit d'oeuvres à titre poétique. Point de sonate, point de fantaisie, point de concerto. Seul un scherzo déroge ironiquement à la règle et l'échappatoire symbolique traduit à sa manière toute liberté dans la musique de Dynam-Victor FUMET. / Piano

Performed by David Syme pianoAccompaniment: Stuttgart Symphony OrchestraConductor: Emil KahnBrilliantly written for the instrument this C-minor concerto is unusual when compared to most otherMozart concerti. A passionate work filled with originality Mozart employs his largest orchestra utilizing woodwinds extensively giving a beautiful effect. Highly recommended. Includes a high-quality printed music score and acompact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment minus the soloist.

Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe. Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe.