L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Variation Sur Une Gavotte De Rameau/4 Saxos S.A.T.B./Partition Et Parties. C'est une partition musicale composée par Bouvard Jean et qui est destinée aux joueurs de Saxophone. Le détail de l'instrumentation 4 Saxophones (Soprano, Alto, Tenor, Baryton) vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / 4 Saxophones (Soprano, Alto, Tenor, Baryton) / Partition Et Parties

Veni Emmanuel - Il est né - Ding Dong! - Nu zijt wellekome - Gloria in excelsis - In dulci jubilo. Par DE HAAN JAN. A Christmas Collage is a selection of internationally known Christmas songs. The following songs are included either in their entirety or as extracts: Veni Emmanuel, Il est né le divin enfant, Ding Dong! Merrily on High, Nu zijt wellekome, Gloria in excelsis Deo and In dulci jubilo. The first part can be played either by soprano or alto saxophone. The additional voices are for alto, tenor and baritone saxophone. / Niveau : Intermédiaire / Répertoire / 4 Saxophones

La référence GB4733 de l'éditeur Billaudot dont l'auteur célèbre est Dubois Pierre-Max, qui a pour titre 3 PETITES SONATES A SCARLATTI, a été écrite et composée pour Saxophone et plus particulièrement pour Quatuor De Saxophones. Cette partition musicale appartient à la catégorie Classique. / Quatuor De Saxophones / Partition

A.A.A.T.. Par TCHAIKOVSKI PIOTR ILITCH. Cet arrangement du deuxième mouvement de la symphonie de Tchaïkovski Little russe incarne à la fois des idées principales thématiques dans le mouvement. Cette édition est une addition bienvenue au répertoire pour quatuor de saxophones. / Niveau : Elémentaire / Répertoire / 4 Saxophones

Disney Songs contient quatre mélodies extraites de célèbres productions des studios Disney. It's a Small World (Que le monde est petit) est le thème de l'une des nombreuses attractions que l'on trouve dans les parcs Disney · The Bare Necessities (Il en faut peu pour être heureux) - bande originale du Livre de la jungle · One Last Shot extrait du film Pirates des Caraïbes · A Pirate's Life (La vie d'un pirate), la quatrième et dernière mélodie est extraite du conte magique Peter Pan. / Quatuor De Saxophones (Alto, Tenor, Baryton) / Partition

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Par YI CHEN. Originally commissioned by the American Choral Directors Association Endowment in memory of Raymond W. Brook in 2012, Distance Can't Keep Us Two Apart is scored for a cappella mixed chorus (312-41863). The heartfelt tribute is here adapted for Saxophone Quartet (2019). Listen to the world premiere performance of the a cappella chorus version at YouTube. Originally commissioned by the American Choral Directors Association Endowment in memory of Raymond W. Brook in 2012, Distance Can't Keep Us Two Apart is scored for a cappella mixed chorus (312-41863). The heartfelt tribute is here adapted for Saxophone Quartet (2019). Listen to the world premiere performance of the a cappella chorus version at YouTube./ Répertoire / 4 Saxophones (SATBar)

Par BURNETTE SONNY. This Ain't Your Grandfather's Stinkin' Rondo was composed for the Osland Saxophone Quartet, based out of Lexington, Kentucky. It features the predictable return of the 'A' section sandwiched between contrasting sections... perhaps in a slightly more jazzy setting than grandfather was expecting, not to mention the improv section in the middle. Scored for SATB quartet./ Répertoire / 4 Saxophones

The Pavane for a Dead Princess is considered to be one of Ravel's most popular works. The solemn and stately court dance strutting along in an even pulse turns into a melancholic, yet not sombre dirge.This Pavane is dedicated to the Princess of Polignac. Trying to put a stop to rampant poetic interpretations of the composition's title, Ravel made a point of stating that ?When I phrased the title, I was merely interested in having the fun of creating a pun. Pavane pour une Infante Défunte - the alliterations can hardly be ignored.' The arrangement on hand is in line with the orchestral version written by Ravel himself in 1910 and constitutes part of the series Ravel for Saxophone Quartet including publications of, among others, Ma Mère L'Oye (Mother Goose), Trois Chansons (Three Songs) and Le Tombeau de Couperin. / 4 Saxophones (SATBar)

4 Saxophones - S.A.T.B.. Par STAICU PAUL CHRISTIAN. for SATBar saxophone quartet/ Répertoire / 4 Saxophones (Soprano, Alto, Ténor, Baryton)

4 Saxophones - S.A.T.B.. Par VISVIKIS DEMIS. for SATBar saxophone quartet/ Répertoire / 4 Saxophones (Soprano, Alto, Ténor, Baryton)

Par LIEBMAN DAVID. Trajectory explores all facets of the saxophone quartet sound in dense, choral-like harmonies as well as alternating voice combinations. Musical dialogues and improvisation open up a field for intense interactions. Available as a digital download from notafina.de./ Répertoire / 4 Saxophones

Par RAE JAMES. James Rae's eminently successful tutor Introducing the Saxophone was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now, complementing the tutor, James Rae has produced these three volumes to introduce the beginner to ensemble playing. The parts are of the same technical level and are written, with hints and tips along the way, to familiarize the beginner with a new set of considerations and become a good team player. easy pieces introducing the various aspects of music making with others all parts are of equal difficulty compatible with Introducing Duets, Trios and Quartets for clarinet especially suited to group teaching ideal material for concerts and examinations/ Recueil / 4 Saxophones

Three Jazz Settings. Par RICKER RAMON. This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does featuresections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will findsuccess working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes bluesy and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone. Medium-advanced. / Niveau : Intermédiaire à Avancé / Recueil / 4 Saxophones