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Pierpont
DULCIMER
String Quartet: 2 violins, viola, cello
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Michael Nyman: String Quartet No. 3 Parts: String Quartet: Instrumental Work
String Quartet: 2 violins, viola, cello
[Part]
Chester
String Quartet No.3 was written for and first performed by the Balanescu Quarte...
(+)
String Quartet No.3 was written for and first performed by the Balanescu Quartet February 1990 at the Queen Elizabeth Hall London. Duration 16 minutes. A score is available on sale..Quoting composer: In the summer of 1989 Icomposed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake which devastated Armenia theprevious December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanian revolution on television duringthe later part of December 1989.The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed quite often stretched into newintervallic shapes though the demands of the completely performed harmonic structure.
42.50 GBP - Sold by Musicroom UK
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Michael Nyman: String Quartet No. 3 Score: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
String Quartet No.3 was written for and first performed by the Balanescu Quarte...
(+)
String Quartet No.3 was written for and first performed by the Balanescu Quartet February 1990 at the Queen Elizabeth Hall London. Duration 16 minutes. Instrumental parts are available on sale.Quoting composer: In thesummer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake whichdevastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian Alex Balanescu suggested turning Out of the Ruinsinto a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanianrevolution on television during the later part of December 1989.The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed quite often stretched into new intervallic shapes though the demands of the completely performed harmonic structure.
19.99 GBP - Sold by Musicroom UK
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Quatuor A Cordes #2 Crescent Scratches
String Quartet: 2 violins, viola, cello
Jobert
Mon deuxième quatuor à cordes, Crescent Scratches, s'inscrit dans la continuit...
(+)
Mon deuxième quatuor à cordes, Crescent Scratches, s'inscrit dans la continuité du premier, Scratches, sans toutefois recourir au dispositif électronique qui, dans le premier quatuor, me permettait d'amplifier les timbres et de transformer le son en temps réel.Le terme de 'crescent scratch' provient des techniques de jeu développées par les DJ sur leurs platines vinyles ('scratch' ou 'scratching') que l'on retrouve dans le hip-hop et les musiques industrielles.Crescent Scratches est conçu à partir de deux principales idées : le glissando saturé (fréquemment pulsé), assimilable au 'scratch', provoqué par l'aller-retour du disque sur la platine, et la notion de boucle qui consiste à reproduire une même séquence, variée ou non. J'ai conçu des boucles et agi sur leur vitesse d'exécution, sur leur superposition en strates et leur traitement par caractéristiques de timbre. Cela finit par rendre quasiment imperceptible le retour des boucles - un phénomène qui m'a particulièrement intéressé dans cette composition. La boucle se meut en micro-élément, moteur d'une intense activité dans une macrostructure, cette macrostructure elle-même étant dès lors perçue comme une masse totalement saturée en évènements.La continuité entre ces deux quatuors se situe pour moi du côté du timbre et plus précisément dans la notation des différentes positions et pressions d'archet engendrant une large palette de sonorités saturées créant comme une aura autour du son des instruments. L'idée de 'scratch' comme onomatopée décrivant une rayure, une éraflure, une rupture ou une déchirure reste également au centre du propos de Crescent Scratches.Au-delà de l'électronique, l'endroit où se décèle la différence entre ces deux quatuors est dans la structuration de la forme et la gestion des événements. Crescent Scratches s'organise en un bloc d'une grande densité dans le traitement simultané des quatre instruments qui s'unissent là où, dans Scratches, j'articulais la forme en une succession de moments en solo, duo, trio et tutti.Yann Robin / Quatuor A Cordes
52.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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