Ausgewählte Werke für den Junior- und D1-Bereich. Par L.CLARKE / ANTHONY PLOG / SIGMUND HERING / CHRISTO. Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer fruüher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stuück mit einerKlavierbegleitung notiert; urspruüngliche Solostuücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschuülern uübernommen werden kann. Ein großer Vorteil fuür die Vorbereitung auf die praktischen Leistungspruüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertfluügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stuücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören. Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung fuür alle Blasinstrumente und Klavier sowie fuür Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire fuür jede dieser Besetzungen bereichert. / Niveau : Facile / Recueil / Tuba et Piano

Tuba in C B.C. and Piano-This is a lyrical and rhythmic suite for Tuba with Piano accompaniment by Don Haddad comprising a magnificent set of movements that display the flexibility sonority and artistic capability of the instrument and challenge the player's technical ability.The solo tuba part is also included on a separate insert.

20 Progressive pieces for Euphonium or Baritone with Piano Accompaniment-Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can now experience theimportant aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone.

La référence GB5594 de l'éditeur Billaudot dont l'auteur célèbre est Proust Pascal, qui a pour titre LE CHENE-CHAT, a été écrite et composée pour Tuba, Euphonium et Saxhorn et plus particulièrement pour Tuba Et Piano. Cette partition musicale appartient à la catégorie Classique. / Tuba Et Piano / Partition

Harlequin was commissioned by and is dedicated to euphonium virtuoso David Childs. The piece takes as its inspiration the happy and sad masks which symbolise the Commedia dell'Arte (which features Harlequin as one of its main characters) and comprises two movements a slow modal ballad followed by a frenetic faster movement. A fantastic showpiece for any euphonium player.

A marvellous 6 movement Suite For Tuba and Piano accompaniment by Gordon Jacob. Set as part of the ABRSM Tuba Syllabus Grades 5-7.

Par PROUST PASCAL. Un minimum de notes pour un maximum de plaisir destiné aux jeunes musiciens du 1er cycle... - Pascal PROUST - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Tuba en Ut 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Facile / Classique, Pédagogique / Répertoire / Tuba et Piano

Tuba et Piano. Par CHARTON PASCAL / SAINT-LEGER PASCAL. / Niveau : 1er Cycle / Répertoire / Tuba et Piano

for Tuba and String Orchestra-American composer Arthur Frackenpohl (b. 1924) has written a significant amount of successful repertoire for the brass family. Concertino for Tuba and Piano reduction is no exception. Frackenpohl has won multiple awards for his compositions. Published in 1967 Concertino for Tuba added a significant work to the repertoire of an instrument which lacks in substantial solo compositions. Comprising three movements the first movement of Concertino is marked moderato followed by a lento second movement. The final movement is allegro. All three movements display fine aspects of the Tuba which areoften ignored. Suitable for intermediate Tuba players Frackenpohl's Concertino for the instrument is an exciting addition to the instrument's repertoire.

This work is dedicated to John Fletcher who gave the first performance on 24 April 1976. The concerto is in three movements the first in sonata-form shell with two contrasting themes. There is a reference made in the development section to the opening theme of Vaughan Williams Tuba Concerto. Set as part of the ABRSM Tuba Syllabus.

for Tuba Bass Saxhorn or Bass Trombone and Piano-To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Thème Varié for Tuba Bass Saxhorn or Bass Trombone with Piano accompaniment is an exquisite and unique addition to the repertoire. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1957 Bozza's Thème Varié reflects the composer's ability to compose for a variety of instrumentations. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

This work was written in the winter months of 2006 for Peter Smith to whom it is dedicated. It is in three short movements which are thematically related. The work received its first performance in June 2006 by Peter Smith and Jennifer Miles. The performance led to a commission from Professor James Watson on behalf of the Brass Faculty of the Royal Academy of Music for a further four sonatas for brass and piano (for Bass Trombone Tenor Trombone Horn and Trumpet/Flugelhorn) and a concluding Sinfonia Concertante for five solo brass brass ensemble and percussion; which form a series.