SKU: BT.MUSVWP100199
UPC: 890346001454.
The Young Prince And Princess is a familiar melody by distinctive and influential Russian composer Nikolai Rimsky-Korsakov. This is a stunning composition set here for Viola and Piano, and comes from his most famous work, Scheherazade .
SKU: LM.28151
ISBN 9790230981514.
With Gab - Care-Free - Two stomp for you - Robert's tune - Around it - Goodbye Kate - One note for you - In the Emilie's eyes - For a blue note - As she like it - I prefer the blue - Ballad for Jodie - I'll be in the show - Leave me here - My friend Gabriell.
SKU: BT.YE0009
Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.
SKU: BT.MUSVWP000125
Born in Nottingham, England, in 1862, Edmund Severn moved to the United States at the age of four along with his family who settled in Hartford, Connecticut. Severn began to study the Violin with guidance fromhis father, who taught the instrument professionally. He later studied with Franz Milcke and Bernard Listemann, concertmaster of the Boston Symphony Orchestra, before moving to Berlin to study bowing technique under Emanuel Wirth,the first assistant of Joseph Joachim at the Berlin Hochschule.
As a composer Edmund Severn wrote mainly orchestral music, as well as many pieces for the Violin including a concerto; he also wrote threestringquartets.
To this day, the Polish Dance for Violin and Piano has remained Severnâ??s most famous work. The piece is arranged here by Alan Arnold for Viola and Piano.
SKU: HL.14042969
ISBN 9781783053919.
Portrait No.2 'E.B.B' is taken from Two Portraits for Strings composed by Benjamin Britten . This fantastic, flowing Viola solo over, soft, staccato Piano chords really expresses a range of gripping emotions. Here it is present in a version arranged for Viola and Piano by Martin Outram, violist of the Maggini Quartet.
SKU: BR.EB-9441
ISBN 9790004189184. 9 x 12 inches.
The two sonatas of Johannes Brahms's op. 120 are widely hailed as crowning points of the repertoire for clarinet and piano. Moreover, in the version for viola and piano arranged by Brahms himself, they rank among the most frequently played viola works of the 19th century. They far surpass in compositional substance the relatively few original sonatas written for these instrumentations during the same period.Of the two fellow works, the Sonata No. 2 in E flat major is the more accessible. Diverging from the classical-romantic tradition, Brahms used the key of E flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The serenade-like beauty of the principal theme, which opens the sonata, has always been particularly admired. In his review of the world premiere, the renowned Viennese music critic Eduard Hanslick, a friend of Brahms's, raves with the words it was as if it had fallen from the Heavens. The closing set of variations also follows with gentle gracefulness this lyrical character. However, the middle movement, with its tempestuous outer sections in E flat minor and the hymnic trio in B major provides a passionate and serious contrast, which allows the flanking idyll to unfold its beauties all the more insistently.
SKU: FL.FX072783
Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... - Pascal SAINT-LEGER ; Instruments: 1 Viola 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 50 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal SAINT-LEGER;.
SKU: BA.BA11058
ISBN 9790006558308. 30 x 21 cm inches.
The intimate atmosphere of the first of the “Trois Poèmes†op. 66 is evoked here in a purely instrumental form – technically easily accessible, with an expressive melodic and corresponding harmonic treatment.
SKU: HL.14030790
ISBN 9780853604488. 8.0x12.0x0.198 inches.
While Gordon Jacobs composed a vast amount of music - more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds, as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism, atonality and other avant garde effects in favour of Romanticism, Jacob was much morean adherent to the musical models of the classic and baroque eras, while still encompassing modern harmonies. His work Music for a Festival, for symphonic wind band and brass ensemble, was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II.
SKU: BA.BA11068
ISBN 9790006561988. 35.5 x 25 cm inches.
“... she stood leering hideously, and much dust sodden with tears lay upon her shoulders.â€â€œThese snippets from Johann Heinrich Voss's translation of Hesiod's Shield of Hercules, where the din of battle is brought to a standstill for the wink of an eye, made me think of music that describes the 'inwardness' of a particular feeling, close to the much-cited metaphor of an entire life flitting past the inner eye in the space of a second, when, as in Hesiod, Atropos severs the thread of life. Viola and piano join forces on an equal basis to inscribe ever more lines and shapes which, however, relate in their inmost essence to intertwining circles laden with melancholy.â€(Philipp Maintz)
SKU: IS.VAP6164BEM
ISBN 9790365099870.
This composition tells the story of a quest to find truth, which is relative and constantly changing. It is often to be found in the place where water becomes steam, somewhere in Between on the dividing line between Ying and Yang, somewhere in a twilight zone between dark and light, between Black and White. Black, White & In Between was conceived as a concertino for violin and string orchestra. It has been recorded by the London Philharmonic Orchestra under direction of the composer with Marta Abraham as soloist.
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