These four pieces were written separately between 1901 and 1910 for cello and piano. They subsequently appeared in print in different versions, ranging from piano solo to full orchestra. The composer was himself a fine viola player, and, it is hoped, would have welcomed these transcriptions for viola and piano, published here for the first time.

Sixteen favorite Christmas hymns and songs for viola. These arrangements are easily accessible with no page turns or double stops. Suggested bowings are included. This book contains both melody and harmony parts with pianoaccompaniment which can be used with the violin and cello books in the same series. The pieces can be enjoyed in a number of instrumental settings either as solos duets or in ensembles with other string instruments. Suggesteduses are: solo viola with piano accompaniment viola duets with cello violin and/or piano and trios with cello and violin. Pull-out viola part.

Viola and Piano was commissioned for the Hindermith Viola Festival and Kim Kashkashian and written during the summer of 1995 Viola and Piano is the third in an erratic series of virtuoso works for solo instrument andpiano. The first performance was given by Kim Kashkashian and Peter Nagy London 1995. Duration 10 minutes. Score and separate viola part included.

Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Alto et Piano

This book/CD pack features the complete Piano score plus pull-out solo part. The CD is playable on both your CD player and computer. It is enhanced so that when used in computers it has tempo adjustment software to aid inpractice.

Cette partition 6 SOLOS DE CONCERTOS - 3E SOLO EN FA MAJEUR OPUS 141 No 3 de Dancla Charles a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8122. Cette oeuvre d'une durée de 00:03:00 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Cette partition 6 SOLOS PROGRESSIFS OPUS 62, SOLO C EN SOL MAJEUR de Leonard Hubert a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7647. Cette oeuvre d'une durée de 00:03:45 est idéale pour les musiciens pratiquant Alto. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Alto Et Piano / Partition

Description Solos For The Viola Player The purpose of this anthology is to make available to the viola player a substantial body of work, and introducing a valuable and enticing literature. Songlist Adagio (Arpeggione Sonata) [Schubert, Franz] Allegretto Grazioso [Bach, Carl Phillipp Emanuel] Andante (Violin-viola Duo No.2) [Mozart, Wolfgang Amadeus] Boston Fancy (Hornpipe) Choralprelude (O Mensch Bewein Dein Sunde Gross) [Bach, Johann Sebastian] German Dance (Landler) [Dittersdorf, Karl Ditters Von] I'm Just A-going Over Jordan March (Notturno) [Beethoven, Ludwig Van] Menuetto [Handel, George Frideric] Romance [Mehul, Etienne-nicolas] Shenandoah Tambourin [D'hervelois, Louis De Caix] Tema Con Variazioni (Couplets Des Folies D'espagne) [Marais, Marin] Verborgenheit (Renunciation) [Wolf, Hugo] Von Ewige Liebe (Love Is Forever) [Brahms, Johannes] Were You There?

Category: String Series Format: Book & CD Instrument: Viola Instrumentation: Viola (with Piano Acc.) Level: Level 2-3 This incredibly versatile new collection was written especially for violin, viola, and cello. Each book features a piano accompaniment and a carefully crafted removable string part complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD, with demo tracks (featuring live string performances) and play-along tracks, completes each package. The string books are completely compatible with each other and can be played together or as solos. Due to level considerations, the string books are not compatible with the books in the wind series. Titles are: Can You Read My Mind? (Love Theme from Superman) * Cantina Band (Star Wars®) * Double Trouble (Harry Potter and the Prisoner of Azkaban) * Duel of the Fates (Star Wars®: Episode I The Phantom Menace) * Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * The Imperial March (Star Wars®: The Empire Strikes Back) * May the Force Be with You (Star Wars®: The Empire Strikes Back) * Olympic Fanfare and Theme (1984 Olympic Games, Los Angeles) * Star Wars (Main Title) (Star Wars®) * Theme from Superman (Superman) * A Window to the Past (Harry Potter and the Prisoner of Azkaban).

One of Mozart's many celebrated pieces Adagio for Violin and Orchestra In E Major K.261 has been wonderfully transcribed for Viola and Piano accompaniment by Alan H. Arnold. The solo viola part is also included on a separate insert.

Jenkinson's Elfentanz - Danse Des Sylphes is a fantastic piece which has been beautifully arranged for Viola with Piano Accompaniment by Alan H. Arnold. The solo viola part is also included on a separate insert.

for Viola and Piano-This volume is based on the Urtext of the New Schubert Edition; the solo part has been arranged for performance on the viola while the piano part is identical to Schubert´s original as presented in the New Schubert Edition. „Ulrich von Wrochem´s editing gives clear indications of bowings fingerings phrasing and dynamics; …“(Louise Grattan ESTA Summer 1998)

These four pieces were written separately between 1901 and 1910 for cello and piano. They subsequently appeared in print in different versions ranging from piano solo to full orchestra. The composer was himself a fine viola player and it is hoped would have welcomed these transcriptions for viola and piano published here for the first time.