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You've Selected:
Beethoven
DULCIMER
Violin and Piano
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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Romance En Sol Op. 40 (BEETHOVEN LUDWIG VAN)
Français
Violin and Piano
[Sheet music]
Combre
Par BEETHOVEN LUDWIG VAN. Révisé par Ferras / classique / Répertoire / Violo...
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Par BEETHOVEN LUDWIG VAN. Révisé par Ferras / classique / Répertoire / Violon et Piano
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Ode To Joy Vln Pft (BEETHOVEN LUDWIG VAN)
Violin and Piano
[Sheet music]
Theodore Presser Co.
Par BEETHOVEN LUDWIG VAN. / Répertoire / Violon et Piano
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Romance En Fa Op. 50 (BEETHOVEN LUDWIG VAN)
Français
Violin and Piano
[Sheet music]
Combre
Par BEETHOVEN LUDWIG VAN. / classique / Répertoire / Violon et Piano
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Romanza Op. 50 (Abloniz) (BEETHOVEN LUDWIG VAN)
Violin and Piano
[Sheet music]
Berben Edizioni Musicali
Par BEETHOVEN LUDWIG VAN. / Répertoire / Violon et Piano
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Menuet En Sol Majeur (BEETHOVEN LUDWIG VAN / JAMRY)
Violin and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par BEETHOVEN LUDWIG VAN / JAMRY. / Répertoire / Violon et Piano
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Sonate #9 Kreutzer (BEETHOVEN LUDWIG VAN)
Français
Violin and Piano
[Sheet music]
-
Intermediate
Lemoine, Henry
Par BEETHOVEN LUDWIG VAN. / Niveau : Intermédiaire / classique / Répertoir...
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Par BEETHOVEN LUDWIG VAN. / Niveau : Intermédiaire / classique / Répertoire / Violon et Piano
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10 Violin Solos from the Masters: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
Interm. Pieces by Bach Beethoven Corelli Dancla Mozart Sarasate Schubert ...
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Interm. Pieces by Bach Beethoven Corelli Dancla Mozart Sarasate Schubert Schumann Vivaldi-With two CDs of performances and accompaniments. Baroque Classical and Romantic violin solos suitable for the intermediate student violinist. The two enhanced CDs include performances and accompaniments of each piece and can also be used in computers to adjust the tempo. Content - Bach J.S.: Allegro from Sonata in B minor - Beethoven: Andante Scherzoso from Sonata op. 23 - Beethoven: Scherzo from Sonata op. 30 no. 2 - Corelli: Preludio and Allemanda from Sonata in E minor op. 5 no. 8 - Dancla: Air varie on a theme by Donizetti op. 89 no. 4 - Mozart: Adagio and Allegro from Sonata K.379 - Sarasate: Playera from Spanish Dances op.23 - Schubert: Finale from Sonatina op. 137 no. 3 - Schumann R: Phantasiestück op. 73 - Vivaldi: Largo from Winter (The Four Seasons)
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Sonates Pour Piano Forte Et Violon Op. 30
Violin and Piano
Barenreiter
Beethoven?s ten sonatas for piano and violin, along with those by Mozart, consti...
(+)
Beethoven?s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart?s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown?s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today?s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven?s ?Tempo di Minuetto? from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach?s ?Versuch über die wahre Art das Clavier zu spielen? to denote a rest. This musical symbol, which was included in the first edition published during Beethoven?s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.
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Sonates Pour Piano Forte Et Violon Op. 12
Violin and Piano
Barenreiter
Beethoven?s ten sonatas for piano and violin, along with those by Mozart, consti...
(+)
Beethoven?s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart?s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown?s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today?s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven?s ?Tempo di Minuetto? from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach?s ?Versuch über die wahre Art das Clavier zu spielen? to denote a rest. This musical symbol, which was included in the first edition published during Beethoven?s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.
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Georges Catherine: Famous Pieces for Violin and Piano: Violin: Instrumental
Violin and Piano
Leduc, Alphonse
Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition t...
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Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition to the Violin repertoire. Including pieces by Schumann Rameau Lully Handel Couperin Byrd Beethoven and Bach Catherine ensures that the best Violin works of the Baroque genre are compiled in one essential volume. In the first volume of his compilation Famous Pieces for Violin and Piano Catherine transcribes and arranges famous works by the great composers of all eras for the Violin ensuring that necessary additions and edits are made. Pieces include Lully's Menuet from Les Bourgeois Gentilhomme and a J. S.Bach Menuet and Gigue. The changes by Catherine include articulation phrasing tempo marks dynamics and other performance directions. Famous Pieces for Violin and Piano compiled by Georges Catherine provides excellent expansion to the repertoire of Violin beginners ensuring that students are inspired by the works of the great composers from the start of their instrumental study.
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Sonate Pour Piano Forte Et Violon Op. 24
Violin and Piano
Barenreiter
In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas...
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In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas op. 23 and 24 as being ?... among the best Beethoven has written, which is to say that they are among the best being written at all. The composer?s original, fiery and bold spirit ... becomes more and more apparent now ...? The time during which Beethoven composed his ?Spring Sonata?, which was to become increasingly popular during the course of the 19th century, was marked by a frantic surge of compositional creativity. ?I live only in my notes, and with one work barely finished, the other is already started; the way I write now I often find myself working on three, four things at the same time.?, he wrote in a letter to Wegeler on 29 June 1801. However during this time, Beethoven also suffered from the rapid deterioration of his hearing, a fact he was still trying to hide and that the enchanting ?Spring Sonata? certainly does not divulge.
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Schirmer's Library Of Musical Classics Violin Classics Intermediate - Violin
Violin and Piano
[Score and Parts]
-
Intermediate/advanced
Schirmer
Description Compilations of Violin literature appropriate for students, arran...
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Description Compilations of Violin literature appropriate for students, arranged by difficulty level. Songlist Adagio (Sonata In D Minor) [Brahms, Johannes] Air Varie No.2 [Dancla, Charles] Air Varie No.5 [Dancla, Charles] Air Varie No.6 [Dancla, Charles] Allegro (Concerto No.3 In G) [Mozart, Wolfgang Amadeus] Allegro (Sonata In D) [Leclair, Jean-Marie] Allegro Appassionato (Four Romantic Pieces Op.75) [Dvorak, Antonin] Allegro Maestoso (Four Romantic Pieces Op.75) [Dvorak, Antonin] Canzonetta (Violin Concerto In D Op.35) [Tchaikovsky, Pyotr Ilyich] Concerto No.2 In E [Bach, Johann Sebastian] Finale (Sonatina In G Op.100) [Dvorak, Antonin] La Folia Variations Serieuses [Corelli, Arcangelo] Romance In F Op.50 [Beethoven, Ludwig Van] Sonata In E Minor [Mozart, Wolfgang Amadeus] Sonata In F Op.24 (Spring) [Beethoven, Ludwig Van] Sonata No.2 In G Minor [Handel, George Frideric] Un Poco Andante (Sonata In D) [Leclair, Jean-Marie]
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First Solos Pieces 1: Violin: Instrumental Album
Violin and Piano
Schott
First solo pieces for violin. 1st book in the series for violin and piano (schot...
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First solo pieces for violin. 1st book in the series for violin and piano (schott edition)D. Gabrieli: Ploughman's SongJ. Brahms: Folk SongJ. Brahms: The HunterA.T. Gretchaninoff: Morning StrollA.T. Gretchaninoff: The JesterE. Humperdinck: Sleep SongJ.A. Hasse: Bourée and MenuetE. Grieg: Watchman's SongE. MacDowell: To a Wild RoseF. Schubert: AndanteF. Schubert: WaltzJ. Danbé: Minuet in DF. Schubert: Country DanceF. Schubert: Minuet and Trio (Symphonie No.5)L.v. Beethoven: Menuetto and TrioJ.P. Kirnberger: CarillonG.P. Telemann: Andante and AllegroW.A.Mozart: Minuet and Trio
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Craig Duncan: Solo Pieces For The Beginning Violinist: Violin: Instrumental
Violin and Piano
[Sheet music + Audio access]
-
Easy
Mel Bay
Teacher and recording artist Craig Duncan has penned yet another excellent solo ...
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Teacher and recording artist Craig Duncan has penned yet another excellent solo collection for the Violin student. These solos are well within the capabilities of the beginning Violin student playing in first position. The compositions feature works by Bartok Purcell Haydn von Gluck Handel Telemann Corelli Kabalevsky Beethoven Mozart C.P.E. Bach J.S. Bach and Dandrieu. These pieces are excellent for recitals or contests and can be used to teach important techniques. The Piano accompaniment is included in the book and also is available as an online download.
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Isaac Albéniz: Pavana - Capricho Op.12: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Advanced
Unión Musical Ediciones
Pavana – Capricho is one of the last pieces from Isaac Albeniz’s ear...
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Pavana – Capricho is one of the last pieces from Isaac Albeniz’s early period before he turned to Spanish influences – a style that would characterise the rest of his compositions. In this earlier period Albeniz who was a child prodigy on the Piano composed ‘salon style’ music and experimented with traditional styles in the manner of Rameau Bach Beethoven Chopin and Liszt. His shift towards Spanish music occurred after meeting the teacher and composer Felipe Pedrell a leading figure in the development of nationalist Spanish music.Pavana-Capricho is graceful andlight-hearted at the same time. The playfulness that arises from the alternating moods is best achieved when the proper technique and articulation is applied. Arranged for Violin and Piano and with a performance time of ca. 3:30 this piece of Romantic chamber-music is a perfect addition to any concert programme.
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Sheila M. Nelson's Classical Violinist: Violin: Instrumental Album
Violin and Piano
Boosey and Hawkes
A progressive selection of fifteen popular and celebrated works from the Classic...
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A progressive selection of fifteen popular and celebrated works from the Classical period for the confident Violin soloist. A wide variety of pieces have been chosen from the great works of Haydn Mozart Schubert and Beethoven that demonstrate the elegance and symmetry of the Classical approach with pieces thatr challenge all manner of technique and authentic style. Generous and detailed performance notes are included by the distinguished and world-renowned Violin teacher Sheila M. Nelson.
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The Young Symphonist Volume 1: Violin: Instrumental Album
Violin and Piano
-
Easy
Spartan Press
The symphony is often regarded as the pinnacle of orchestral composition and un...
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The symphony is often regarded as the pinnacle of orchestral composition and undoubtedly it is a musical form used by composers to write some of their most famous and best-loved melodies. This three-volumed Young Symphonist was created in order to introduce the budding violin student to these wonderful tunes.The music has been carefully selected arranged and adapted and incorporates relevant finger patterns position changes and bowing techniques in order to meet the technical challenges of specific exam levels. The piano accompaniments have been kept quite simple and idiomatic.The symphonic themes are presented in chronological order and eachcollection includes examples from the 18ths 19th and 20th centuries. There is an opportunity to become familiar with the works of the great masters - Mozart Haydn Beethoven Brahms Mahler Schubert Elgar - and also experience the music of some less familiar composers such as Myslivicek Vanhal and Salieri.
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Easy Classics For Violin
Violin and Piano
-
Easy
Mel Bay
With Piano Accompaniment. The Easy Classics books were written to provide beginn...
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With Piano Accompaniment. The Easy Classics books were written to provide beginning to intermediate violinists with an enjoyable introduction to some of the greatest classical melodies. This book features 16 solos and duets in keys suitable for the Violin with Piano accompaniment. Some of the popular titles include: Ode to Joy by Beethoven, Sleeping Beauty Waltz by Tchaikovsky, Eine kleine Nachtmusik by Mozart and more. A solo part is provided with Piano accompaniment as a PDF download online. / Niveau : Facile / Recueil / Violon et Piano
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Camille Saint-Saëns Robert Schumann: Repertoire Classics for Violin: Violin:
Violin and Piano
[Sheet music + CD]
Carl Fischer
27 Recital Pieces from Baroque to Modern-Carl Fischer’s Repertoire Classi...
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27 Recital Pieces from Baroque to Modern-Carl Fischer’s Repertoire Classics series consists of comprehensive and progressively graded collections of classic solos with piano accompaniment. Each book contains a fine mix of transcriptions of familiar classics along with solos written specifically for the instrument. Many of the pieces in these collections appear on state contest/festival required music lists. The pieces featured cover the performance levels of grade 2 through 4 representing all style periods and include works by some of the greatest composers of all time.As an added bonus the included data CD contains MP3 audio files of the piano accompaniments to make practicing more fun. Italso contains piano accompaniment parts for all pieces in the collection in PDF format. Our innovative and unique packaging allows Carl Fischer Music to provide you with large and useful collections of solo literature at affordable prices and players will find them useful for years to come.Examples of works in this volume include: Kreisler’s Rondino on a Theme by Beethoven Haydn’s Minuet in D Major Debussy’s Beau Soir and many more.
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Tunes You'Ve Always Wanted To: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Intermediate
Chester
Easy classics for violin with piano accompaniment. Over 20 all-time favourites i...
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Easy classics for violin with piano accompaniment. Over 20 all-time favourites including Beethoven's 'Minuet In G' 'Eine Kleine Nachtmusik' and 'The Four Seasons'. Grades 3-5.
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Widger: Jazz In The Classics 1: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Spartan Press
Well loved classics for easy violin with spicy piano accompaniment. Beethoven's ...
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Well loved classics for easy violin with spicy piano accompaniment. Beethoven's 5th Symphony theme Toreador Song from Carmen and five other naughtily arranged numbers.Grade: 1 - 3.
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Für Elise Jazz (Lettre à Elise)
Violin and Piano
Schott
A typical example of the music of Fazil Say, packed with musical motifs by Beeth...
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A typical example of the music of Fazil Say, packed with musical motifs by Beethoven. Great fun for both violin and piano players and a delightful encore! / Violon Et Piano
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