SKU: CF.YAS230
ISBN 9781491162781. UPC: 680160921539. Key: E minor.
The phoenix is a mythical symbol that dates back to ancient times, representing the idea of rebirth and being born again out of the ashes. This piece explores the idea of taking a rhythmic motive and developing it in such a way that it gains momentum, then dies away before rising to even greater heights. Set in E minor, this piece works in particular on the finger pattern for D-sharp accidentals in all parts. The fiery theme builds slowly using accented accompaniments and dramatic dynamics to build intensity. A brief lull reveals a lyrical melody, allowing players to perfect four-note slurs with optional shifting in first violin. Then the opening theme returns with even greater fire, growing to a glorious finale.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.YAS230F
ISBN 9781491163122. UPC: 680160921874. Key: E minor.
SKU: BR.OB-15143-16
ISBN 9790004342015. 10 x 12.5 inches.
The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).
SKU: BR.OB-15143-19
ISBN 9790004342022. 10 x 12.5 inches.
SKU: BR.OB-15143-30
ISBN 9790004342046. 10 x 12.5 inches.
SKU: BR.OB-15143-26
ISBN 9790004342039. 10 x 12.5 inches.
SKU: BR.OB-15143-15
ISBN 9790004342008. 10 x 12.5 inches.
SKU: BR.OB-15143-12
ISBN 9790004342169. 10 x 12.5 inches.
SKU: CA.3106619
ISBN 9790007134075. Key: D major / f sharp major. Language: German/English.
The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work (the basis of the parody) was Der Himmel lacht auf Anhalts Ruhm und Gluck, which was a cantata for the birthday of Count Leopold von Anhalt-Kothen (1718, BWV 66a), with a text by Christian Friedrich Hunold, alias Menantes. Score and parts available separately - see item CA.3106600.
SKU: CA.3106609
ISBN 9790007043971. Key: D major / f sharp major. Language: German/English.
SKU: FG.042-08206-5
ISBN 979-0-042-08206-5.
A set of parts for Ilkka Kuusisto's Christmas carol arrangement including parts for strings (33221) and two harps.
SKU: XC.HRMG1941
UPC: 785147100553. English. Text by Joseph Mohr.
This beloved tune and text are partnered with new material sung by the descant. The result is a fresh look at one of the most beloved carols. The added oboe obbligato gives a unique color to the piece. Available for SATB, SSA, and SA with piano reduction and oboe, oboe/harp/strings or full orhcestra. A fresh and captivating addition for the holiday season. Â .
SKU: XC.HRMG2148
UPC: 785147104858. English. Text by Joseph Mohr.
Now for SSA voices, beloved tune and text are partnered with new material sung by the descant. The result is a fresh look at one of the most beloved carols. The added oboe obbligato gives a unique color to the piece. Available for SATB, SSA, and SA with piano reduction and oboe, oboe/harp/strings or full orhcestra. A fresh and captivating addition for the holiday season.
SKU: BA.BA04599-01
ISBN 9790006451555. 33 x 26.1 cm inches. Text Language: Italian. Pietro Metastasio.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05807
ISBN 9790006495580. 33 x 26 cm inches. Text Language: Italian. Anonymus.
Generalbassaussetzung: Eckhart Kuper.
SKU: BA.BA07814-01
ISBN 9790006498161. 33 x 26 cm inches. Text Language: French, German. Preface: Christin Wollmann.
Continuo realization: Wolfgang Hirschmann.
SKU: BT.WHCO00018
SKU: BT.WHND00067
SKU: HL.291300
UPC: 888680926588. 5.0x5.0x0.15 inches. II Corinthians 9:15, Luke 2:11, Luke 2:14.
Christmastime is a modern Christmas carol that has quickly become part of the standard holiday songbook. Dancing joyfully between a neoclassical vibe and a light jazz pop idiom, this piece pushes all the right buttons for a happy holiday moment in your concerts or worship services. The text celebrates bells and the inclusion of Ding Dong! Merrily on High adds a special sparkle. Present with piano only or full orchestra, or with the optional handbell part to open this anthem to even more possibilities! Yes! Score and Parts (fl 1-2/pic, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn, timp, perc, chm, glock, harpsi/syn, hp, vn 1-2, va, vc, db) available as a digital download. Part for Handbells (3-5 oct.) also available as a digital download.
SKU: PR.111403210
UPC: 680160687947.
With an original text by the composer, Nkeiru Okoye’s WE MET AT THE SYMPHONY is a monodrama in three songs for soprano and string quartet or piano. The songs tell the story of a Black woman surprised to find a Black man in the sea of white faces at an orchestra concert, their subsequent romance, and her struggle to trust another Black man after betrayal and heartbreak. Okoye’s poignant, insightful, and sharp-witted poetry is set to dramatic and striking music that blends sensibilities from jazz, Broadway, and contemporary classical styles, with an unforgettable solo role for the soprano.
SKU: CA.2800907
ISBN M-007-24883-3. Latin.
A sacrilege or a stroke of genius? The composer and music director Gottlob Benedict Bierey (1772-1840) orchestrated the first movement of the famous Moonlight Sonata' by Beethoven (transposed to C minor) and added a four-part choral movement to it, which he underlaid with the text of the Kyrie from the Latin mass. The result is as astounding as it is harmonious! Versions for choir and organ, and choir and piano (both like the original version in C sharp minor) are also available (Carus 28.009/45 and in 28.009/03). Score available separately - see item CA.2800900.
SKU: CA.3106614
ISBN 9790007044015. Key: D major / f sharp major. Language: German/English.
The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work (the basis of the parody) was Der Himmel lacht auf Anhalts Ruhm und Gluck, which was a cantata for the birthday of Count Leopold von Anhalt-Kothen (1718, BWV 66a), with a text by Christian Friedrich Hunold, alias Menantes. Score and part available separately - see item CA.3106600.
SKU: CA.3106649
ISBN 9790007206666. Key: D major / f sharp major. Language: German/English.
SKU: CA.3106605
ISBN 9790007043957. Key: D major / f sharp major. Language: German/English.
The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work (the basis of the parody) was Der Himmel lacht auf Anhalts Ruhm und Gluck, which was a cantata for the birthday of Count Leopold von Anhalt-Kothen (1718, BWV 66a), with a text by Christian Friedrich Hunold, alias Menantes. Score available separately - see item CA.3106600.
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