One of Tavener's most famous works The Protecting Veil for solo cello and string orchestra was commissioned by the BBC for the 1989 series of Henry Wood Promenade Concerts. The first performance was given in September 1989at the Royal Albert Hall London by Steven Isserlis and the BBC Symphony Orchestra conducted by Oliver Knussen.Study Score. Duration c. 42mins.

Piano Reduction and Parts for Quintet-It is a bit of a paradox: one of Dragonetti?s favourite pieces and also his showpiece The Famous Solo originally for Double Bass and Orchestra is largely unknown today. This cannot be down to thevirtuoso work itself but is more likely due to the unclear source situation with its different versions.In this edition Tobias Glöckler presents Dragonetti?s autograph arrangement for Double Bass and StringQuartet for the first time. For those who would like to study the orchestral version there is also a Piano reduction based on a contemporary model. Using this edition The Famous Solo can be performed as neededin the solo and orchestral tuning Piano scores and quartet parts in e minor and f sharp minor are also included.

ans cette nouvelle édition de la pièce dramatique maîtresse de Stravinsky, Histoire du soldat, les publicateurs ont cherchés à rationaliser tous les divers et parfois conflictuels amendements faits par le compositeur durant sa vie. Cette édition convient a ceux qui s'intéressent aux grandes pièces musicales du vingtième siècle. A être lue, jouée et dansée en deux parties. Écrite pour clarinette, Basson, Cor, Trombone, Violon, Contrebasse et Percussion. / [Igor Stravinsky: The Soldier's Tale] / Classique / Partition /

for String Orchestra. Par WHITACRE ERIC. A brand new orchestration of Eric Whitacre's popular composition for concert band, Sleep for String Orchestra is a lush and achingly beautiful work. This haunting chorale begins softly and slowly then blossoms to a powerful climax. Can also be performed with optional SATB chorus, with original text by celebrated American poet Charles Anthony Silvestri. / Date parution : 2023-07-31/ Répertoire / Orchestre à Cordes

FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVING ROBERT (Arr.). Robert Sieving\'s arrangement of Allegro for Double String Orchestra by Antonio Vivaldi, RV593, originally a motet featuring the vocal setting of Psalm 69 for soprano, 2 oboes, 2 SATB choirs, and double string orchestra, provides the opportunity for two orchestras to perform in opposition and have a musical conversation through fugal writing. Sieving has maintained Vivaldi\'s writing and sound, as the two orchestras battle it out to be the reigning orchestra. Each orchestra and section have interesting parts, with string crossings, minimal shifting, stylistic Baroque bow use, and call and response sections or echo sections. Invite a neighboring orchestra to perform this wonderful double string piece or divide your orchestra in two groups. Such a wonderful addition to our Vivaldi repertoire by Robert Sieving at Level 3. / Date parution : 2022-07-30/ Répertoire / Orchestre

Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night” after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoilee is a work for Orchestra, also named ; The Starry Night after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Munch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nebuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word)./ Répertoire / Orchestre

Part II of Carion Triptych-The second work from the Clarion Triptych for wind quintet and orchestra. The work was premiered by the Carion Wind Quintet and the Latvian National Symphony Orchestra at the Latvian National Symphony Orchestra Summer Festival in August 2019. The second work from the Clarion Triptych for wind quintet and orchestra. The work was premiered by the Carion Wind Quintet and the Latvian National Symphony Orchestra at the Latvian National Symphony Orchestra Summer Festival in August 2019.

Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.

for String Orchestra Score and Parts. Par NISHIMURA YUKIKO. Mimosa Shower was written with a sense of anticipation for spring. The brightness of D Major is perfect for string orchestra, and the yellow color of the mimosa flower reminds me of this key. Mimosa Shower opens with a vivid impressionistic introduction, followed by a gently flowing theme. Every instrument plays the melody which flows side to side. Yukiko Nishimura creates a dialogue between the sections of the orchestra, asking each part to have awareness of the conversation and to respond musically. The orchestra creates harmonies which ebb and flow as the wind blows through the mimosas. This level 4 piece is expressive, legato, intricate, with minimal time signature changes, and a memorable expression of the expectancy of mimosa blossoms in spring. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes

Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans

The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument