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SAXOPHONE
|violin|cello|
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Lyrics only (51)
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2 Trompettes, Cordes Et Basse … (51)
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3 Percussions (50)
Balalaika (50)
Solistes SATB, Choeur SSATTB, … (50)
Quatuor De Cuivres Et Orgue (50)
2 Trompettes Et 2 Trombones (50)
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2 Saxophones Ténor et Piano (50)
Soprano, Piano (50)
Flûte Traversière Violon, Vi… (49)
2 Saxophones Alto et Piano ou … (49)
Trombone ensemble (49)
Parties (49)
Clavecin Et Instruments A Cord… (49)
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Quatuor à Cordes et Guitare (48)
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Flûte à Bec, Guitare et Musi… (48)
Quatuor à vent (48)
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3 Bassons (48)
Cor en Mib (48)
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Brahms J. - Complete Piano Trios
Piano Trio: piano, violin, cello
Dover Publications
Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (185...
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Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (1854) Allegro con moto Scherzo: Allegro molto Adagio non troppo Finale: Allegro molto agitato Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Revised Version (1891) Allegro con brio Scherzo: Allegro molto Adagio Allegro Trio No. 2 for Piano, Violin, and Cello in C Major, Op. 87 Allegro Andante con moto Scherzo: Presto Finale: Allegro giocoso Trio No. 3 for Piano, Violin, and Cello in C Minor, Op. 101 Allegro energico Presto non assai Andante grazioso Allegro molto Trio for Piano, Violin, and Natural Horn [Waldhorn] (or Cello or Viola) in E-flat Major, Op. 40 Andante Scherzo: Allegro Adagio mesto Finale: Allegro con brio Trio for Piano, Clarinet (or Viola), and Cello in A Minor, Op. 114 Allegro Adagio Andante grazioso Allegro
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Tarik O'Regan: Death Is Gonna Lay His Cold Icy Hands On Me: Violin: Parts
Violin, Cello (duet)
[Sheet music]
Novello & Co Ltd.
Violin Cello & Voices Version-These are the Violin and Cello Parts for the Viol...
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Violin Cello & Voices Version-These are the Violin and Cello Parts for the Violin Cello and Voices version of Tarik O'Regan's Death Is Gonna Lay His Cold Icy Hands On Me for Double SATB Choir Violin and Cello. The Vocal Score is available to purchase separately.
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Philip Glass: Double Concerto for Violin and Cello (Cello part): Other Strings:
Violin, Cello (duet)
Dunvagen Music Publishers
Double Concerto for Violin and Cello (Cello part). Philip Glass?s Double Concert...
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Double Concerto for Violin and Cello (Cello part). Philip Glass?s Double Concerto for Violin, Cello and Orchestra was composed in the spring of 2010 as a commission from the Netherlands Dance Theater, premiered by the Hague Philharmonic (Residentie Orkest) conducted by Jurjen Hempel on April 22, 2010 with violinist Cecilia Bernardini and cellist Maarte-Maria den Herder.
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Peter Maxwell Davies: Economies Of Scale: Chamber Ensemble: Score
Clarinet/Violin/Cello/Piano Chamber
[Sheet music]
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Advanced
Chester
This work for Clarinet in A Violin Cello and Piano was premiered in May 2002 i...
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This work for Clarinet in A Violin Cello and Piano was premiered in May 2002 in the Fitzwilliam Museum Cambridge. The piece has a fast rhythmic opening in which the violin and cello answer short statements by the pianowith the clarinet mediating between them. The work is decorated by rhythmic and melodic flourishes on the clarinet violin and cello and development sees the piece pick up in tempo and activity. Score edition of PeterMaxwell Davies 'Economies Of Scale'. Parts available: SOS15774
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Michael Nyman: Time Will Pronounce For Violin Cello And Piano: Chamber
Piano Trio: piano, violin, cello
[Sheet music]
Chester
For violin cello and piano'The title 'Time Will Pronounce'is taken from the las...
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For violin cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky’s poem 'Bosnia Tune' which deals with the horror of the unnecessary unacceptable daily deaths in Bosnia during 1992 (andstill in 1993): ‘Time whose sharp blood-thirsty quill parts the killed from those who kill will pronounce the latter tribe as your type’. The violin and cello are (generally) treated as a unit independent of the piano. Theform (generally) alternates slow and fast tempi without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic melodic and textual materials features third and semitonesderived (generally) from the movement of the bass part in the opening bars.
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Judith Weir: Night: Violin & Cello: Score
Violin, Cello (duet)
[Sheet music]
Chester
Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise M...
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Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise Music Scotland Night was written for High Heels and Horse Hair - comprised of Alice Rickards (Violin) andSonia Cromarty (Cello) who gave the first performance on 3rd November 2015 at Cottiers Theatre in Glasgow. Please note this item comes with two scores - one for the violinist and another for thecellist. Night was written for a late evening concert which aimed to use lighting design to explore aspects of life in the dark in three distinct but interrelated parts - NightMenagerie Night Anxiety and Late Night Radio.
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Judith Weir: O Viridissima: Piano Trio: Score and Parts
VLN/VLC/PFC::Violin, Cello, Piano Chamber
[Sheet music]
Chester
The score and parts for Judith Weir's O Viridissima scored for Violin Cello an...
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The score and parts for Judith Weir's O Viridissima scored for Violin Cello and Piano. The work lasts around 4 minutes and was written as a gift for the Late Music Concert Series being first performedon 6th June 2015 by the Albany Trio at St Saviourgate Unitarian Chapel in York. O Viridissima is a realisation/recomposition of Hildegard of Bingen's monodic hymn 'O ViridissimaVirga. Please note the score serves as the Piano part and there are separate Violin and Cello parts.
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Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS)
Piano Trio: piano, violin, cello
[Sheet music]
Carus Verlag
Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, ...
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Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano
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Georg Friedrich Händel: 6 Sonatas For Violin And Basso Continuo Volume 1:
VLN/VLC/CONT::Violin, Cello, Continuo
[Sheet music]
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Intermediate/advanced
Schott
Volume 1 comprises 3 of these 6 beautiful sonatas by Handel which have been edi...
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Volume 1 comprises 3 of these 6 beautiful sonatas by Handel which have been edited with a realised keyboard accompaniment by Erich and Elma Doflein. These sonatas can be played with a cello or viola da gamba continuo or they can be played with a keyboard accompaniment. The solo violin and cello (viola da gamba) continuo parts are also included on separate inserts.
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Kaija Saariaho: Kaija Saariaho: Light And Matter: Violin: Score and Parts
Piano Trio: piano, violin, cello
Chester
Light And Matter was jointly commissioned by the Library of Congress Britten Si...
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Light And Matter was jointly commissioned by the Library of Congress Britten Sinfonia Norrbotten NEO and the Aeolian Chamber Players in honour of the 50th anniversary of the Bowdoin International MusicFestival. Composed in 2014 by Finnish composer Kaija Saariaho the piece is for Violin Cello and Piano. Saariaho states that her inspiration for this work came from looking out of herwindow in New York at the changing lights and movements of Morningside Park. The piece manages to accurately represent the dynamism of movement and kinetic energy through the musical interplay of the threeinstruments. The piece saw its world premiere at Bowdoin International Festival on July 30th 2014 with Renee Jolles on Violin Nicholas Canellakis on Cello and Benjamin Hochman onPiano.
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Luigi Boccherini: Sonata: Violin & Cello: Instrumental Work
Violin, Cello (duet)
[Sheet music]
Leduc, Alphonse
Sonata for Violin and Cello and composed by Luigi Boccherini was transcribed and...
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Sonata for Violin and Cello and composed by Luigi Boccherini was transcribed and annotated by Paul Bazelaire a professor at the National Conservatoire. Ideal for a recital or for a contest this sonata in four parts is quite challenging for both instruments and would require advanced skills. The Cello score is written over the C and the F key and each of the four parts includes numerous repetitions and fast sections. These four parts are 1. Allegretto Spiritoso 2. Vivace 3. Grave and 4. Allegro Assai. This really nice Sonata will be a delight to play and to listen to. LuigiBoccherini (1743-1806) composed numerous pieces for various instruments including Cello duets chamber music cantatas ballets orchestral music masses and a large amount of music for strings.
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Per Nørgård: Three Nocturnal Movements: Violin: Score
VLN/VLC/ORCH::Violin, Cello, Orchestra
[Sheet music]
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Advanced
Wilhelm Hansen
Three Nocturnal Movements - For Violin Solo Violoncello Solo And Orchestra by P...
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Three Nocturnal Movements - For Violin Solo Violoncello Solo And Orchestra by Per Nørgård (2015). Based on Remembering Child for Viola and Orchestra(1986). Premiered by Peter Herresthal (violin) and Jakob Kullberg (cello) with Bergen Philharmonic June 6th 2015 in Bergen Norway. The original version was premiered by Pinchas Zukerman and the St. Paul' s Chamber Orchestra conducted by Arturo di Mecke on September 12th 1986.Programme Note:The news of the tragic death of Samantha Smith reached me in the early stages of preparation for the commissioned work for viola and chamberorchestra. Already an admirerer of this childworker for peace and nuclear disarmament I completed my work strongly inspired by this unique and uniquely symbolic fate of our time. Music from humble sources - including my composition Beach Poppy a choral work from 1960 - are woven into the texture of the composition. I was guided by the original meaning of the word 'remembering' (making whole healing) in opposition to 'dismembering' (tearing apart): The healing power of the child.(Per Nørgård)
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Per Nørgård: Out Of The Cradle Endlessly Rocking: Chamber Ensemble: Score
Clarinet, Violin, Cello, Piano
[Score]
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Intermediate/advanced
Wilhelm Hansen
Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Sco...
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Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Parts available: WH30883A Programme note The work was commissioned by the Ebb and Flow Ensemble for premiere at the Maui Arts and Cultural Center Kahului Hawaii 23 November 2008. The premiere performers will be (as of 241108: were) Scott Anderson clarinet Ignace Jang violin Mark Votapek cello and Robert Pollock piano.The title is borrowed from the first line of American poet Walt Whitman’s magnificent poem SEADRIFT a tribute to the sea. The poem forms part of Whitman’s magnum opus LEAVES OF GRASS which he revised extended and worked on practically all his writing life.I had previously drawn some lines from the poem SEADRIFT for another work of mine a work likewise entitled SEADRIFT (1978) for soprano and ensemble.In this present new piece I did not set out to depict in music ‘the soul of the sea’ or anything like that. I did however have an intention of making the piece a sort of outstretched hand from one small country with a multitude of islands and – necessarily – a lot of water around it (I am referring of course to my native Denmark) to another country with many islands: Hawaii with its far-away exotic appeal (at least for a Scandinavian) and its remoteness thousands and thousands of nautical miles away. Folkloristic Hawaiian chant (alluring samples of which were kindly forwarded to me from the commissioner of the work) fascinated and impressed me so much that my melodic repertoire in the new piece sometimes echo a Hawaiian Melodybrother.A latent wave-character is characteristic of the piece. You will hear a simultaneity of different ‘wavelengths’ and often a dense and complex melodic and rhythmic
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Wilfred Josephs: Trio of Trios op. 87: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
Boosey and Hawkes
A Trio of Trios was written for Josephs' two daughters who played the Cello and...
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A Trio of Trios was written for Josephs' two daughters who played the Cello and the Violin. Scored for Cello Violin and Piano.
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Simon Holt: Piano Trio - Los Ojos: Chamber Ensemble: Score and Parts
Piano Trio: piano, violin, cello
Chester
Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cell...
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Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt
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Double Act Violin And Cello: Violin & Cello: Instrumental Work
Violin, Cello (duet)
[Sheet music]
Kevin Mayhew
Double Act Violin And Cello
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