Early Intermediate Level-Gillock's popular piano solo Carnival in Rio is now available for 2 pianos 4 hands! This recital pleaser is newly engraved and includes a duplicate insert for the 2nd piano. Key: G Major.

Piano Reduction-A talented pianist and composer it stood to reason that Camille Saint-Saëns would engage with the Piano concerto genre early on particularly as in France the 'concerto brilliant' was very popular at that time.Saint-Saëns did indeed begin to compose his own concertos however; he gave a clear renunciation of the 'concerto brilliant' declaring instead that 'the solo part of a concerto must be set out and treated like adramatic role'. He realised this concept of a 'symphonic concerto'; in his Piano Concerto No.2 In G Minor composed in 1868.The solo part is technically very challenging and at the same time closely boundup with the Orchestra. Johannes Umbreit is responsible for the Piano reduction based on the composer's own version for Two Pianos; Pascal Rogé supplies the fingerings for the solo part.

Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major op. 19 Details Edition no.: BA 9022-90 ISMN: 9790006544141 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano (2) Binding: Paperback Pages / Format: 46/35 S. - 31,0 x 24,3 cm Although the sources to Beethoven?s piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic sources into account. Jonathan Del Mar?s scholarly-critical edition corrects misreadings of Beethoven?s autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work. ? First Urtext edition based on the authentic sources ? Numerous corrections in the orchestral parts ? Piano reduction with a separate solo piano part

Work for Piano and Orchestra here arranged for Two Pianos composed in Paris in the early 1920's by the female member of 'Les Six'.

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

None other than András Schiff is collaborating with Henle Publishers for the edition of Mozart?s Piano concertos. His Piano reductions are aimed at amateurs rather than professionals; his fingerings forMozart?s solo part have been exquisitely fine-tuned and are inspiring; and where Mozart?s original cadenzas are missing Schiff?s stylistically perfected ones have been included. In so doing we aspire to set anew precedent. First and foremost Mozart?s handwritten scores have been consulted being the most important sources. Moreover we know today that in addition to Mozart?s own manuscripts early copies in parts andprints also contain important information regarding the musical text. A co-production with Breitkopf & Härtel Mozart?s Piano concertos are not only available as attractive and affordable Piano reductions there are alsoan accompanying Urtext conductor?s score orchestral parts and a study score.