for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.2-Piano reduction.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly criticalcriteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Pour Deux Pianos-At the time Reynaldo Hahn (1874-1947) tackled music for two pianos Belle Époque salons were already vying for this gifted 17-year-old who had made himself known by publishing a song whose success was going to be crowned by a place in posterity: Si mes vers avaient des ailes. Dated 1891 the Scherzo lent surprises with its very title a veritable oxymoron since the scherzo is normally distinguished by its rapidity. From it the composer kept only the three-beat rhythmic pattern and the tripartite structure (ABA) with B serving as a trio. Previously unpublished this expressive dance with its moderate tempo had its world premiere recordingby Leslie Howard (with Mattia Ometto) who prefaced the present publication. Built on an improvised theme while dusk was wrestling with night the Caprice mélancolique of 1897 takes the form of a waltz-fantasy in quadruple time its originality being heightened by the contrasting central part. The moving triptych Pour bercer un convalescent dedicated in 1915 by Private Reynaldo to 'Henri Bardac sergeant in the 306 th infantry seriously wounded at the battle of the Aisne' combines modesty and melancholy with infinite delicacy: its healing powers are of all times.

piano reduction for 2 pianos. Par SHCHEDRIN RODION. Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity./ Répertoire / 2 Pianos

A Selection of George Gershwin's seven major compositions for 2 pianos 4 hands. George Gershwin became part of the Tin Pan Alley music scene of the 20's 30's and 40's and made a name for himself in Broadway in the end-20s. A few years later George and Ira his elder brother decided to wrote together; to offer us great songs and themes.

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

Bartok wrote his Piano Concerto No.3 during the summer of 1945 intending it as a birthday present to his wife Ditta on 31st October. By this time he was already gravely ill; however he was able to finish the score with the exception of the last seventeen bars which he notated in a kind of musical shorthand. These last bars were later deciphered and scored by his pupil and friend Tibor Serly. This is a reduction for 2 Pianos four hands by Matyas Seiber.

During his time Rachmaninov's Piano Concerto No.4 was continually dogged by criticism that it was work desperately seeking a style. Critics said the Fourth did not seem know where it was coming from or knew which way it was going. Concert goers who were swept away by the lyrical beauty of the Second and storming brilliance of the Third were expecting Rachmaninov's Fourth Concerto to have that similar emotional impact. Nevertheless there is a wonderful rhythmic tautness to this outstanding piece. The finale contains some of the Fourth's most attractive music. This particular work is a reduction for 2 pianos where the music's potency isn't compromised by it's lack ofan orchestra.

La partition Concertino (Piano/Orchestre) de Lantier a été composée pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos (Réduction D'Orchestre). Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 2 Pianos (Réduction D'Orchestre) / Partition

La partition Concerto (Piano Et Orchestre) de Brenta Gaston a été composée pour Piano 4 mains et Plus et plus particulièrement pour 2 Pianos (Réduction D'Orchestre). Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 2 Pianos (Réduction D'Orchestre) / Partition

David Lang the prolific enthusiastic and complicated composer embodies the restless spirit of invention. Musically adventurous yet deeply versed in the classical tradition Lang is determined to make a music that resists categorization. He is constantly in search of new musical forms. Many of his pieces resemble each other only in the fierce intelligence and clarity of vision that inform their structures.

Par CROCKETT DONALD. The original Capriccio was commissioned in 2005 by the University of Southern California as a short piano concerto. Capriccio II is a response to, a re-thinking of, the original Capriccio, now for two pianos instead of piano and orchestra. The overall mood is one of joyous abandon, with fast, rather athletic music surrounding a central chaconne of lyric intensity. Capriccio II was completed in March 2016, with premiere performances by HOCKET in Fall 2016. / Date parution : 2022-02-17/ Répertoire / 2 Pianos

Oscar Strasnoy, invité d?honneur ? du 13 au 22 janvier 2012 ? au Festival de Création musicale de Radio-France (Théâtre du Châtelet), à la fois compositeur, chef d?orchestre et pianiste, est né le 12 novembre 1970 à Buenos-Aires.

Depuis ses études aux Conservatoires de Paris et Francfort, titulaire de nombreuses distinctions, il assume une carrière internationale. Auteur de nombreuses ?uvres scéniques, il a aussi écrit pour son instrument, entre autres, deux volumes intitulés : Bloc-notes d?Ephemera.

Le second propose Sept petites pièces pour deux pianos : Valse, Peri, Rock, Mélodie, Épisode, Pinball, Twist. À cause de sa lecture difficile et des débauches de jeux rythmiques complexes, chaque pianiste doit faire preuve paradoxalement à la fois d?une indépendance totale pour sa partie et d?une sujétion à l?autre. Sans sens inné du rythme : s?abstenir. « Petites pièces » certes, mais de grande exigence technique, permettant toutefois d?enrichir le répertoire pour 2 pianos.

in Lettre d'information de l'Education musicale , Edith Weber

/ Classique / Partition /

A suite of seven preludes and fugues, where the memory of bachian counterpoint merges with linguistic and rhythmic structures of non-european music (from Africa, Bali, India, Brazil). Highly communicative virtuosity. / 2 Pianos