Aka Moodys Blues. Par GERNOT WOLFGANG. Eine Aufnahme ist auf David Breidenthals CD 'Bassoon Power' zu hören / Date parution : 2001-01-01/ Répertoire / Basson

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.

Ce cahier a pour but de replacer les traits d'orchestre dans leur contexte musical. Il permet de préparer les passages difficiles que nous pouvons rencontrer à l'orchestre ou lors de concours et ainsi d'avoir une meilleure connaissance de ce qui les environne. Connaître et s'approprier ce contexte permet d'intégrer et de travailler ces passages de manière plus approfondie et ainsi de les maîtriser avec plus d'aisance.
Par ailleurs, on peut aussi voir ces partitions comme des pièces à part entière et les proposer dans un programme de concert ou comme un travail d'étude du répertoire avec de grands élèves.
Ce cahier est essentiellement axé sur des passages que l'on pourra qualifier de virtuoses dans le répertoire orchestral du basson, et permet ainsi d'associer un travail technique à un travail musical.
Contenu
1. BACH J.S. : Ouverture en Ut BWV1066 - 2. HAYDN J. : Symphonie nº 88 (premier mouvement) - 3. HAYDN J. : Symphonie nº90 (quatrième mouvement) - 4. MOZART W.A. : Les noces de Figaro K.492 (ouverture) - MOZART W.A. : Symphonie nº 41 K.551 (quatrième mouvement) - 6. MOZART W.A. : Cosi fan tutte K.588 (ouverture) - 7. MOZART W.A. : La flûte enchantée K.620 (ouverture) - 8. BEETHOVEN L. van : Symphonie nº3 op. 55 (Scherzo) - 9. BEETHOVEN L. van : Symphonie nº4 op. 60 (quatrième mouvement) - 10. ROSSINI G. : Barbier de Séville (ouverture)
/ Méthodes et pédagogie / Bois / Basson / LEMOINE

From Works by: Ravel Rabaud Stravinsky Boieldieu W.A.Mozart Ibert G.Pierné Saint-Saëns Rimsky-Korsakov Mascagni Bizet Smetana Borodin Balakirev Delvincourt Debussy Beethoven Chabrier Bach Brahms Purcell Mendelssohn Wagner and Puccini

Bassoon Hub is a collection of colourful and quirky new pieces studies duets and trios for bassoons. The book will inspire elementary and intermediate players providing new music that will support exam preparation as well as fun arrangements of well-known tunes. There are also duets and trios to play with other bassoonists. Bassoon Hub is a highly useful resource with plenty of new material for teachers and students.