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Cello, Orchestra
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2 Hautbois, 2 Clarinettes, 2 B… (28)
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Quatuor de Cuivres et Orgue (24)
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Hautbois et 4 Clarinettes (24)
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Saxhorn and Piano (21)
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Viola da Gamba (21)
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Soprano, Basse, Choeur Mixte e… (19)
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Descant (Soprano) Recorder, Ba… (15)
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Violoncellokonzert B-Dur (BOCCHERINI LUIGI)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par BOCCHERINI LUIGI. Editeur(s) d'origine: Fritzsch, Thomas/ Répertoire / Viol...
(+)
Par BOCCHERINI LUIGI. Editeur(s) d'origine: Fritzsch, Thomas/ Répertoire / Violoncelle et Orchestre
36.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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Violoncellokonzert B-Dur (BOCCHERINI LUIGI)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par BOCCHERINI LUIGI. Editeur(s) d'origine: Grützmacher, Fr./ Répertoire / Vio...
(+)
Par BOCCHERINI LUIGI. Editeur(s) d'origine: Grützmacher, Fr./ Répertoire / Violoncelle et Orchestre
23.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Adagio Op. 38 (BARGIEL WOLDEMAR)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par BARGIEL WOLDEMAR. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Viol...
(+)
Par BARGIEL WOLDEMAR. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Violoncelle et Orchestre
22.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Lydie's Blues - Partition
Français
Cello, Orchestra
[Sheet music]
Billaudot
Voici une partition musicale pour Orchestre et plus spécialement pour Grande Fo...
(+)
Voici une partition musicale pour Orchestre et plus spécialement pour Grande Formation que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Jazz & Blues, cette partition dont le titre est LYDIE'S BLUES - PARTITION a été composée par le célèbre compositeur Barbet Patrick. C'est l'éditeur Billaudot sous la référence EDFR0021 1 qui a les droits pour éditer cette partition. / Grande Formation / Partition
10.77 EUR - Sold by LMI-partitions
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Violoncellokonzert A-Dur (DVORAK ANTONIN)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par DVORAK ANTONIN. Editeur(s) d'origine: Raphael, Günter/ Répertoire / Violon...
(+)
Par DVORAK ANTONIN. Editeur(s) d'origine: Raphael, Günter/ Répertoire / Violoncelle et Orchestre
26.50 EUR - Sold by LMI-partitions
(Seller in french langage)
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Cellokonzert A-Moll Wq 170 (BACH CARL PHILIPP EMMANUEL)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Cembalo Cont.. Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, ...
(+)
Cembalo Cont.. Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Violoncelle et Orchestre
23.60 EUR - Sold by LMI-partitions
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Violoncellokonzert G-Dur (FILTZ ANTON)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par FILTZ ANTON. Editeur(s) d'origine: Klug, Heinrich/ Répertoire / Violoncelle...
(+)
Par FILTZ ANTON. Editeur(s) d'origine: Klug, Heinrich/ Répertoire / Violoncelle et Orchestre
56.80 EUR - Sold by LMI-partitions
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Violoncellokonzert C-Dur (STAMITZ CARL)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par STAMITZ CARL. Editeur(s) d'origine: Gradenwitz, Peter E./ Répertoire / Viol...
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Par STAMITZ CARL. Editeur(s) d'origine: Gradenwitz, Peter E./ Répertoire / Violoncelle et Orchestre
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Violoncellokonzert B-Dur (BOCCHERINI LUIGI)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par BOCCHERINI LUIGI. Editeur(s) d'origine: Fritzsch, Th -Schornsheim, Chr/ Rép...
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Par BOCCHERINI LUIGI. Editeur(s) d'origine: Fritzsch, Th -Schornsheim, Chr/ Répertoire / Violoncelle et Orchestre
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Violoncellokonzert C-Dur (MOLTER JOHANN MELCHIOR)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Par MOLTER JOHANN MELCHIOR. Editeur(s) d'origine: Längin, Folkmar/ Répertoire ...
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Par MOLTER JOHANN MELCHIOR. Editeur(s) d'origine: Längin, Folkmar/ Répertoire / Violoncelle et Orchestre
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Violoncellokonzert H-Moll (DVORAK ANTONIN)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Vl I. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Viol...
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Vl I. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Violoncelle et Orchestre
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Violoncellokonzert H-Moll (DVORAK ANTONIN)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Vc. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Violon...
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Vc. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Violoncelle et Orchestre
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Cellokonzert B-Dur Wq 171 (BACH CARL PHILIPP EMMANUEL)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Cemb. Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ R...
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Cemb. Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Violoncelle et Orchestre
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Violoncellokonzert H-Moll (DVORAK ANTONIN)
Cello, Orchestra
[Sheet music]
Breitkopf & Härtel
Harm. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Viol...
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Harm. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Violoncelle et Orchestre
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Alfred Schnittke: Cello Concerto No.1: Cello: Study Score
Cello, Orchestra
Sikorski
für Violoncello und Orchester-Schnittke?s first cello concerto was written duri...
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für Violoncello und Orchester-Schnittke?s first cello concerto was written during a near fatal time in his life after having suffered a severe stroke in 1985 during which his heart stopped three times. Upon recovery he completed the concerto the music becoming more dissonant and discordant with the melodies more contorted.The first cello concerto was a monumental endeavor for large orchestra and approximately 40 minutes in duration. The work was written for Schnittke?s close friend Russian cellist Natalia Gutman. The solo part is most feverish and virtuosic exhausting the performer both technically and emotionally. The last fourth movement creates an unusual structuralprogression ending in what feels like a celestial hymn-like prayer. Schnittke himself said: Suddenly I was given this finale from somewhere and I?ve just written it down.Available here is the study score for Schnittke?s emotionally and technically demanding Cello Concerto No.1. This Sikorski edition study score is well presented and provides an excellent resource for study or perusal use.
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Concerto No. 2: Cello: Study Score
Cello, Orchestra
Schott
Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contri...
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Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contribution to the genre but he does not include the early Cello Concerto dating back to 1925 in his own list of works: this composition only received its very much delayed first performance in Milan in November 2010. The much later Cello Concerto No. 2 was created around the same time as Rota???s work on the soundtrack for The Godfather II for which the composer received an Oscar in 1975. Although there are no direct quotations from the film-track in this concerto the section in 6/8-time displays a slight hint of the well-known Sicilian Pastorale.
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Fanfares
Cello, Orchestra
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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Sergei Prokofiev: Concertino Op.132 (Miniature Score). Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Study Score / Miniature]
Chant du Monde
Sergei Prokofiev's Concertino Op.132 for Cello and Orchestra.
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Alfred Schnittke: Concerto No. 1. Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Score]
Chant du Monde
Alfred Schnittke's Concerto No. 1 for Solo Cello and Orchestra.
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AntonÃn Dvo?ák: Cello Concerto In B Minor Op.104 (Critical Report): Cello: Score
Cello, Orchestra
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
33.50 GBP - Sold by Musicroom UK
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AntonÃn Dvo?ák: Cello Concerto In B Minor Op.104 (Full Score): Cello: Score
Cello, Orchestra
[Sheet music]
Barenreiter
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cell...
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b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
62.00 GBP - Sold by Musicroom UK
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