Ten superb concert pieces in a wide variety of styles arranged by Bernice and Robin De Smet for the Cello and Piano.The pieces include traditional folk melodies such as Floral Dance and Scarborough Fair alongside popular tunes by Holst Joplin and other musical greats. An ideal resource whatever you performance occasion!

Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Julian Lloyd Webber: Franck 'Panis Angelicus' Elgar 'Chanson De Matin' Elgar 'Salut D'Amour' Debussy 'Reverie' Bach 'Air On A G String' Massanet'Meditation From Thais' Japanese Traditional 'Sakura-Sakura' Caccini 'Ave Maria' Glazunov 'Melodie Op20 no1' Chopin 'Nocturne Op9 No2' Boccherini Adagio' Rheinberger 'Cantilena' Bruch 'Kol Nidei'.   This title is included in the Trinity College London Cello Grade 7 Syllabus 2016-2019.  

The first volume of a method in 4 books  Cello Method - Scales and Arpeggios (Volume 1) was composed by Paul Bazelaire(1886-1958) based on scales and arpeggio studies.This set of works covers all the scales and can therefore be used to introduce beginners to scales and arpeggios or by advanced Cello players to master the perfect technique on this particular subject. This book of 47 pages is definitely a must-have for developing the basics and is followed by volumes of daily exercises and twelve studies of velocity. Paul Bazelaire was a French cellist and composer who won many literature andpoetry prizes.

Le jeune violoncelliste dynamique Natalie Haas, avec deux violonistes virtuoses, apporte un arsenal d'idées musicales, des exercices, des rythmes, des accords, des gorges et des grands airs de cette leCon complète sur la faCon de sauvegarder instruments mélodiques jouant de la musique celtique.Tunes comprennent Highland Laddie (mars), Athol Brose (strathspey), entre (gabarit), Brose et beurre (slipjig), où j'étais la nuit dernière (gaélique air) et plus.Pour le niveau intermédiaire précoce. / Violoncelle

Par NEWTON ABBY. Aujourd'hui le violoncelle est habituellement considéré comme un instrument classique, mais la fin XVIIe au début du XIXe siècle, il a été utilisé dans des ensembles folkloriques à fournir des rythmes faibles, conduites danse tunes et à rendre haunting airs écossais. Au sein de la Renaissance de la musique folklorique du passé quarante ans il y a eu un mouvement petit mais dédié à restaurer la richesse unique du violoncelle à la musique traditionnelle et Newton Abby a été à l'avant-garde de ce mouvement. Abby a été profondément impliqué avec la musique écossaise depuis, voyageant à et d'effectuer, en Ecosse, plusieurs fois. Les airs, les planxties et les bobines, cet ouvrage proviennent de sources traditionnelles et contemporaines, y compris le violoneux du XVIIIe siècle Neil Gow, harper Turlough O'Carolan, Daithi Sproule, David Hornung, Alasdair Fraser, Ronnie Aimes et autres. Tous les 19 de la mélodie sont écrites pour violoncelle solo avec corde symboles inclus sur la plupart des airs pour un instrument d'accompagnement. Le texte comprend également des notes de l'auteur sur l'origine de chaque morceau. / Niveau : Débutant à Intermédiaire / Scottish - Transcribed Solos / Recueil / Violoncelle

Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto)and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann's Etude-caprice and Jenkinson’s Dance of the sylphids the lighter kind include Joplin's Ragtime. Book II Contents: 1. Aldrovandini G. A. V.: Sonata2. Bella Domenico dalla: Sonata 3. Boni Pietro Giuseppe Gaetano: Sonata Op. 1 No. 5 4. Passionei Carlo: Sonata 5. Bach Johann Sebastian: Air BWV 1068/II 6. Tartini Giuseppe: L'arte del arco 7. Haydn Joseph: Sonatina Hob. XI:101 5 108 8. Albrechtsberger Johann Georg: Scherzando 9. Boccherini Luigi: Minuetto 10. Mozart Wolfgang Amadeus: Divertimento from KV 487 11. Beethoven Ludwig van: Andante con variazioni WoO 44b 12. Schubert Franz: Ave Maria Op. 52 No. 6 13. Mendelssohn-Bartholdy Felix: Lied ohne Worte Op. 19 No. 4 14. Schumann Robert: Schlummerlied Op. 124 No. 16 15. Goltermann Georg: Étude-caprice Op. 54 No. 4 16. Tchaikovsky P. I.: Chanson triste Op. 40 No. 2 17. Dvorák Antonín: Appassionato Op. 75 No. 3 18. Massenet Jules: Air de Ballet (Scene pittoresque)

Today the cello is usually considered a classical instrument but from the late 17th to early 19th centuries it was used in folk ensembles to provide low driving rhythms for dance tunes and to render haunting Scottish airs.Within the folk music revival of the past forty years there has been a small but dedicated movement to restore the unique richness of the cello to traditional music and Abby Newton has been on the forefront of that movement. Abbyhas been deeply involved with Scottish music ever since traveling to and performing in Scotland many times. The airs planxties and reels in this book come from traditional and contemporary sources including the 18th-centuryfiddler Neil Gow harper Turlough O'Carolan Daithi Sproule David Hornung Alasdair Fraser Ronnie Aimes and others. All 19 of the tunes are written for solo cello with chord symbols included on most tunes for an accompanyinginstrument. The text also includes the author's notes on the origin of each tune.

Allez plus loin dans le monde captivant du violoncelle, et explorez de nouveaux horizons musicaux avec ce troisième volume de la méthode de Jeanne Dorche. Destiné aux élèves de niveaux intermédiaires et avancés, cet ouvrage vous aidera à repousser les limites de la maîtrise de l'instrument. Découvrez des exercices innovants et efficaces qui vous feront progresser vers des objectifs plus exigeants. Vous pourrez également travailler des pièces soigneusement sélectionnées du répertoire, ainsi que des compositions originales, permettant d?approcher les grands classiques et d'explorer de nouvelles sonorités.L'approche claire et progressive de Jeanne Dorche facilite l'apprentissage du violoncelle pour tous, et grâce à ses vidéos YouTube et ses formations en ligne,elle a su créer une communauté francophone internationale active et passionnée.Ne tardez pas à rejoindre cette aventure musicale, et laissez-vous guider au fil des pages ! / Violoncelle / Billaudot

Traditional Tunes For Cello From Scotland And Ireland. Par NEWTON ABBY. This is the second popular book of beautiful Celtic tunes compiled and arranged for the cello by Abby Newton. Most of the tunes in this collection are from her recent recordings, Castles Kirks and Caves and Ferintosh. The book is organized in three parts: Tunes, Sets, and Duos. The first part, Tunes, contains an assortment of twenty-eight tunes culled mostly from the well know Scottish and Irish traditional tune books including collections by Capt. Simon Fraser, Patrick McDonald, Niel Gow and James Oswald. The second part, Sets, consists of several tunes played in succession. Part three, Duos, includes two part scores (with treble and bass lines) that come mainly from James Oswald's Airs for the Seasons and Burke Thumoth's Collection of Scots and Irish Tunes 1745. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Violoncelle

Hotel Suite (ABRSM grade level 2-7) is an exciting new work for cello and piano from performer and composer Mats Lidström.As with Traffic Spooky Pieces and Ballroom Dances Hotel Suite makes a point of introducing less experienced players to the air of a professional recital through a corresponding piano part (full throttle!). The pieces contain passion and lyricism wide dynamic range and swift musical contrasts.Cover Design by Sebastian Örnemark www.ornemark.se