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SAXOPHONE
Cello
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2 Clavecins Et Cordes (21)
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Bassoon (21)
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Baritone voice, Piano (19)
Bassoon, Piano (duet) (19)
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Medium voice, Piano (18)
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Solistes SATB, Choeur SATB, (a… (17)
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Travaux Pour Choeurs (17)
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Alto, Cordes et Basse Continue… (17)
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3 Recorders (trio) (17)
Mandolin (17)
Tenor voice, Piano (17)
Choeur SATB/SATB, 3 Trompettes… (16)
Solistes SATB, Choeur SATB, 2 … (16)
Hautbois, Basson et Piano ou O… (16)
Solistes SATB, Choeur SATB, (C… (16)
3 Guitars (trio) (16)
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Flûte Traversière, Clarinett… (16)
Choeur Mixte, Soprano et Orche… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Solistes ATB, Choeur SATB, 2 H… (16)
Choeur SATBB/SATBB, 4 Trompett… (16)
2 Flûtes Traversières et Vio… (16)
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Orchestra, Violin (16)
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Recorder, Piano (16)
Saxophone and Piano (16)
Descent (Soprano) Recorder, Pi… (16)
Piano Accompaniment (16)
Melody line, (Lyrics) and Chor… (16)
Flûte Traversière, Hautbois,… (15)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Double Choeur Mixte, Soprano e… (15)
Solistes TB, Choeur SATB, 2 Ha… (15)
Solistes SATB, Choeur SATB, Ba… (15)
Choeur Mixte (SATB) Et Instrum… (15)
2 Violons, Alto, Violoncelle o… (15)
Solistes STB, Choeur SATB, 3 C… (15)
2 Violins, Piano (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Instruments Cuivre (15)
Solistes SATB, Choeur SATB, 2 … (15)
Clavecin (15)
Choeur SAATB, 2 Hautbois, Haut… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Soli (ATB), Choeur Mixte (SATB… (15)
Basse, Choeur Mixte et Orchest… (15)
Solistes SATB, Choeur SATB, 2 … (15)
2 Euphoniums et Piano ou Orgue… (15)
Viola and orchestra (15)
Soli (T (Evangelist), B (Jesus… (15)
Cello Ensemble (15)
3 Violons, Instruments à Cord… (14)
Solistes ATB, Choeur SATB, (Ct… (14)
Solistes STB, Choeur SATB, 2 C… (14)
Solistes SAB, Choeur SATB, 2 H… (14)
Flûte Traversière, Violon, I… (14)
Solistes STB, Choeur SATB, Tro… (14)
Solistes SATB, Choeur SATB, 3 … (14)
Solistes ATB, Choeur SATB, 2 H… (14)
Solistes ATB, Choeur SATB, (Tr… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Solistes SATB, Choeur SATB, (C… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Solistes STB, Choeur SATB, (Co… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Flûte Traversière, Cordes Et… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Choeur de Femmes (14)
Choeur Mixte (SATB/SATB) Basse… (14)
Solo S, Flûte Traversière, 2… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Solistes SATB, Choeur SATB, (C… (14)
Alto, Ténor, Choeur Mixte et … (14)
Solistes ATB, Choeur SATB, 2 F… (14)
Treble (Alto) Recorder, Piano (14)
Flute, Harpsichord (14)
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Solistes STB, Choeur SATB, Cor… (13)
Solistes STB, Choeur SATB, Cor… (13)
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Choeur SATB/SATB (2 Hautbois, … (13)
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Flûte Traversière, Violon, A… (13)
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Solistes AT, Choeur SATB, Trom… (13)
Basse, Choeur Mixte (SATB) Et … (13)
Solo B, Choeur SATB /2 Hautboi… (13)
Soli (STB), Choeur Mixte (SATB… (13)
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Soli (SATB), Choeur Mixte (SAT… (13)
Solistes SAB, Choeur SATB, (2 … (13)
Solistes SATB, Choeur SATB, 2 … (13)
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Solistes SATBar, Choeur SATB, … (13)
Solistes ATB, Choeur SATB, Tro… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Choeur SATB, 3 Trompettes, Tim… (13)
Solistes ATB, Choeur SATB, Hau… (13)
Tenor Saxophone and Piano (13)
Guitare, Violon, Alto (12)
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Ensemble de Vents (12)
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Choeur SSAM, (4 Instruments Co… (12)
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Flûte Traversière, 2 Clarine… (12)
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Solistes SATB, Choeur SATB, Co… (12)
Guitar Ensemble (12)
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Choeur Mixte (SATB, Partie(s) … (12)
Solistes STB, Choeur SATB, (Ct… (12)
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Solistes SAB, Choeur SATB, 2 H… (12)
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Trompette, Trombone et Piano (12)
Solistes SATB, Choeur SATB, 2 … (12)
2 Violons Et Orchestre (12)
Clavecin, 2 Violons, Alto et V… (12)
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Piano and Orchestra (12)
Cordes et Basse Continue (12)
Flûte Traversière, Violon et… (12)
Cor ou Hautbois et Trompette, … (12)
2 Violons, Basse Continue et O… (12)
Soprano, Trompette, 2 Violons,… (12)
Flute Quartet: 4 flutes (12)
Bass Trombone and Piano (12)
Solistes ATB, Choeur SATB, Fl… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
2 Violins and Basso (11)
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Choeur SATB, 2 Hautbois, 2 Cor… (11)
Choeur SATB/SATB, 2 Hautbois (… (11)
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Choeur SSATB, 2 Clarines, 2 Vi… (11)
4 Parties Solo, Choeur Et Orch… (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Solistes SAT, Choeur SATB, 2 H… (11)
4 Cellos (11)
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Solistes STB, Choeur SATB, 2 H… (11)
Choeur SATB/SATB, (2 HautboiSB… (11)
Choeur SATB/SATB, 2 Hautbois, … (11)
Soli (AB), Choeur Mixte (SATB)… (11)
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Solistes SATB, Choeur SATB, Ha… (11)
Choeur SATTB et Basse Continue… (11)
3 Clarinets (trio) (11)
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Ensemble à Cordes (11)
Solistes SATB, Choeur SATB, 2 … (10)
Solo S, Choeur SATB, 2 Cors, 2… (10)
Solistes (STB), Choeur Mixte (… (10)
Soprano, Choeur Mixte et Piano… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Choeur SSATTB et Basse Continu… (10)
Choeur SATB, 2 Trompettes, Tim… (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Choeur SSATTB, 2 Trompettes, 4… (10)
Solistes SB, 2 Hautbois, Taill… (10)
4 Clavecins Et Cordes (10)
Orgue, 2 Hautbois, Cor Anglais… (10)
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Choeur SATB/SATB (8 Instrument… (10)
Clavecin, 2 Flûtes A Bec Et I… (10)
Solistes et Choeur SSATTB, 2 V… (10)
Violon 3 (Partie Séparée) (10)
2 Trompettes, Cordes Et Basse … (10)
Cello, String Bass (duet) (10)
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Hautbois, Cordes et Basse Cont… (10)
Marimba (10)
Descant (Soprano) Recorder, Ba… (10)
Flute ensemble (10)
Guitare et Musique de Chambre (10)
Partition D'Orchestre (10)
Music Theory (10)
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Banjo (10)
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Alto (Partie séparée) (9)
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Violon, Violoncelle Et Orchest… (9)
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Solistes SATB, Basson, 2 Violo… (9)
Choeur SATB et Basse Continue (9)
Clavecin, Flûte Traversière,… (9)
Choeur SSATB, Violon, Orgue (C… (9)
2 Violons, Instruments A Corde… (9)
Tenor, Basse, Choeur Mixte Et … (9)
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Solo S, Trompette, Instruments… (9)
Solistes STB, Choeur SATB, 3 T… (9)
Solistes SATB, SATB et Orchest… (9)
3 Parties Solo, Choeur Et Orch… (9)
Hautbois, Violoncelle Et Orche… (9)
2 Flûtes A Bec Alto, 2 Hautbo… (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
Voice, Guitar (9)
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Contrebasse (Partie séparée)… (9)
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Musical Awakening (9)
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Choeur De Chapelle, Choeur Mix… (9)
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Clavecin (Ou Flûte Traversiè… (9)
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Mezzo-Soprano voice, Piano (9)
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Flute, Clarinet, Horn and Bass… (8)
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Hautbois, Violon (2 Violons) E… (8)
2 Trompettes Et 2 Trombones (8)
Soli (SSATB), Choeur Mixte (SA… (8)
Flûte Traversière, Violon et… (8)
Flûte Traversière et Trio à… (8)
Solistes SATB, Choeur SATB, (2… (8)
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Flûte Traversière et 4 Clari… (8)
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Flûte Traversière (Ou Violon… (8)
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Solistes SB, Choeur SATB, Haut… (8)
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Choeur SATB et Basse Continue,… (8)
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Flûte Traversière, 2 Violons… (8)
Choeur SATB (4 Instruments) et… (8)
Trombone, Organ (8)
Hautbois, Instruments à Corde… (8)
Hautbois et 4 Clarinettes (8)
Guitare, Flûte Traversière A… (8)
Flute, Violin and Violoncello (8)
Choeur Mixte (SATB, Partie(s) … (8)
Hautbois, Instruments à Corde… (8)
Clarinette et Quatuor à Corde… (8)
Alto, Basse, Choeur Mixte et O… (8)
Pocket, Study conductor (8)
Orgue, Soprano, Alto, Tenor, B… (8)
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2 Violons Et Instrument(s) A C… (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Trio à Cordes (8)
Choeur SATB/SATB, 2 Trompettes… (8)
Organ and Brass Quartet (8)
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Violoncello, Basso continuo (8)
Flûte Traversière et Quatuor… (8)
Flûte Traversière ou Violon)… (8)
Choeur Mixte (SSATB) Et Instru… (8)
Trompette ou Cornet, Trombone … (8)
String Trio: 3 violins (8)
Solo instrument and Organ (8)
Viola da Gamba, Harpsichord (8)
Jazz Ensemble (8)
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Hautbois, Hautbois D'Amour et … (7)
Choeur Mixte (SATB), Choeur De… (7)
Cor en Fa (7)
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Choeur SATB/SATB ou Basse Cont… (7)
2 Hautbois, Cor Anglais et Bas… (7)
Flûte à Bec C2, F1, C1 et F … (7)
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Solistes SAB, Choeur SATB, ou … (7)
Choeur Mixte (SATB, Partie(s) … (7)
Flûte à Bec Alto ou Flûte T… (7)
4 Euphoniums (7)
Oboe, Clarinet, Bassoon (trio)… (7)
Solistes SATTB, 2 Violons, 2 A… (7)
Flûte Traversière Solo (7)
2 Hautbois, Hautbois D'Amour e… (7)
Hautbois, Cor Anglais et Basso… (7)
Vibraphone (7)
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Solistes SATB, 2 Violons, 2 Al… (7)
CD only (7)
Soli (SB) Et Orchestre (7)
Solistes ou Choeur SATB, c.-f.… (7)
Ensemble à Vents (7)
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Flûte Traversière et Claveci… (7)
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Livre Musical (7)
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Concert band, Choral (7)
Baryton (7)
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Quintette (6)
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Choeur SATB, (4 Instruments et… (6)
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Chant et Guitare (6)
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Bach Favourites Arranged For Solo Violoncello
Cello
Musicland
Peter Freyhan a pris cinq oeuvres, principalement de morceaux de clavier, par J....
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Peter Freyhan a pris cinq oeuvres, principalement de morceaux de clavier, par J.S. Bach et leur arrangé pour violoncelle non accompagné. Bach était lui-même un arrangeur invétéré de sa propre musique d'autres personnes, y compris les concertos pour violon Vivaldi dont il a organisé pour la harpe sichord - l'habileté est en rendant les arrangements aussi crédible que les originaux. Freyhan le fait avec son habileté - par exemple, son arrangement de Jesu joie de l'homme désirant donne l'impression de la mélodie de la chorale et de le oeuvre sont jouées simultanément. / Violoncelle
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The Student Cellist: Bach (DUNCAN CRAIG)
Cello
Mel Bay
Par DUNCAN CRAIG. Cette collection comprend les deux compositions didactiques de...
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Par DUNCAN CRAIG. Cette collection comprend les deux compositions didactiques de J.S. Bach ainsi que des arrangements faciles de plusieurs de ses oeuvres les plus populaires. Le livre commence avec des plus facile et progresse dans son niveau de difficulté. Tous les morceaux sont joués en première position. La plupart des pièces piano double du violoncelle pour aider à la performance. Les titres comprennent: ' Bouree I' français Overture - et les autres favoris. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Violoncelle
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Johann Sebastian Bach: Six Suites For Cello Solo BWV 1007-1012: Cello:
Cello
[Sheet music]
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Intermediate/advanced
Barenreiter
Six Suites for Violoncello BWV 1007-1012-August Wenzinger's edition of Johann Se...
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Six Suites for Violoncello BWV 1007-1012-August Wenzinger's edition of Johann Sebastian Bachs famous cello suites has become the recognized edition for cellists today. Wenzinger's year-long experience in the field of the performance practice of early music has left its mark on this edition and makes an outstanding guide for an authentic interpretation.
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6 Suites For Violoncello Solo Bwv 1007-1012
Cello
Barenreiter
Urtext edition with articulation markings - Soft-cover performing editionWhen yo...
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Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle
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Johann Sebastian Bach: Six Suites For Violoncello Solo: Cello: Instrumental
Cello
Barenreiter
Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing ...
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Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical
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Johann Sebastian Bach: Suite I G Major BWV 1007: Cello: Instrumental Album
Cello
Wiener Urtext
This separate edition of the first suite for Cello solo by Johann Sebastian Bach...
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This separate edition of the first suite for Cello solo by Johann Sebastian Bach contains the musical text of the well-regarded Wiener Urtext edition with all six Cello suites of Bach by Ulrich Leisinger. Thanks to new findings Leisinger managed to re-evaluate the sources which did not leave the structure of the musical text and the associated delicate problem of the slurs untouched. His re-evaluation gave reasons for a stronger freedom from the manuscript copy of Anna Magdalena Bach which had always been cited as main source until then despite its being very unreliable with regard to the articulation; thus the new edition leads to moreconvincing solutions. This separate edition is the perfect starting point to study Bach's suites for Cello solo in class and provides amateurs with a technically accessible masterpiece in Cello literature.
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Six Suites for Violoncello solo BWV 1007-1012 Set 2 Volumes (BACH JOHANN SEBASTIAN)
Cello
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, ...
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Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident. Andrew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time./ Répertoire / Violoncelle
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6 Suites Bwv 1007-1012 Cello Solo (BACH)
Cello
[Sheet music]
EMB (Editio Musica Budapest)
Par BACH. Source of the cello suites composed c. 1720 in Cöthen is the manuscri...
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Par BACH. Source of the cello suites composed c. 1720 in Cöthen is the manuscript of Anna Magdalena Bach which, according to certain scholars, is supposed to be in Bach's own hand. The editorial additions to the present volume by Ede Banda, professor at the Academy of Music of Budapest, founding member of the Tátrai String Quartet are based on the editor's experiences as performing artist and teacher for nearly fifty years and on the development of the cello technique which took place in the field of fingering and ligatures in the meantime. The trilingual preface of the practical edition provides the performer with innumerable useful and concrete advice concerning bowing sings, fingering, dynamics, chords, trills, tempo, character and phrasing./ Répertoire / Violoncelle
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From Notebooks For A.M.Bach &: Instrumental Album
Cello
-
Easy
Universal Edition
Well known pieces from the notebooks by Johann Sebastian Bach for Anna Magdalena...
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Well known pieces from the notebooks by Johann Sebastian Bach for Anna Magdalena Bach; and by Leopold Mozart for Wolfgang Amadeus Mozart. Arranged for beginners on the cello in the first position. All of the pieces have been selected and arranged by Alfred H. Bartles. The flexible arrangements allow all of the pieces to be played either as Cello solo Cello duet or Cello with Piano accompaniment.
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Casals/Tobel: Violoncelloschule Bach (BACH JOHANN SEBASTIAN)
Cello
[Sheet music]
Carus Verlag
Par BACH JOHANN SEBASTIAN. With his cello technique Pablo Casals set standards n...
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Par BACH JOHANN SEBASTIAN. With his cello technique Pablo Casals set standards new at the time, and with his interpretation and warm, singing tone he helped even little, improbable compositions achieve great effectiveness. By means of his interpretative art he rescued Bach's Cello Suites from oblivion, and he occupied himself with them throughout his life, fascinating his public with his renditions of these suites over and over in new ways./ Répertoire / Violoncelle
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2 Suiten Für Flöte Nach Den Suiten Für Violoncello Solo Bwv 1007 Und 1009
Cello
Barenreiter
Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the ...
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Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition
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Leonardo Balada: 3 Transparencies of a Bach Prelude: Cello and Accomp.:
Cello
Schirmer
Spanish composer Leonardo Balada dresses Bach's melodies in musical finery that ...
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Spanish composer Leonardo Balada dresses Bach's melodies in musical finery that examines thematic variation shifting tonal centers sharply contrasting timbres and instrumental balance. Described as 'a work in continual nervous motion full of contrasting interlocking speeds and rhythm' by the New York Times this advanced work for Cello and Piano is an exploration of both Bach and of the two instruments. Leonardo Balada serves as University Professor of Composition at Carnegie Mellon University.
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Johann Sebastian Bach: Complete Suites: Cello: Instrumental Album
Cello
Dover Publications
For Viola Da Gamba-This superbly produced volume brings together nine of Bach's ...
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For Viola Da Gamba-This superbly produced volume brings together nine of Bach's most performed compositions: six Cello Suites and three Sonatas for Viola da Gamba and Harpsichord. Reprinted from the definitive Bach-Gesellschaft edition.
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Carl Philipp Emanuel Bach: Violoncello Concerto in A Minor Wq170/h432: Cello
Cello
[Sheet music + CD]
Music Minus One
Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Phili...
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Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Philipp Emanuel Bach youngest son of J.S. Bach. We can't recommend this gorgeous work enough - filled with beautiful opportunities for the soloist and a magnificent accompaniment. No baroque enthusiast will want to miss out on this rewarding work. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus you the soloist. Performed by Marcy Chanteaux violoncello Accompaniment: Stuttgart Festival Orchestra
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Johann Sebastian Bach: 6 Suites BWV 1007-1012 - Cello: Cello: Instrumental Work
Cello
[Sheet music]
Peters
Urtext edition of Six suites by Bach for Cello. Set for the ABRSM Cello Syllabus...
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Urtext edition of Six suites by Bach for Cello. Set for the ABRSM Cello Syllabus Grade 8.
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Johann Sebastian Bach: Bach For The Cello - 10 Easy Pieces: Cello Solo:
Cello
[Sheet music + CD]
-
Easy
Schirmer
The purpose of these transcriptions in the first position is to enable the young...
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The purpose of these transcriptions in the first position is to enable the young violoncello pupil to play and enjoy Bach after one year or less of instruction.Bach's Suites for Solo Violincello and Sonatas for Violoncelloand Piano are so difficult technically that years of practice are required before a student can attempt to play them.It is hoped that these pieces will prove to be a useful addition to the limited repertoire of thebeginning cellist.
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Julian Lloyd Webber: Cello Moods: Cello: Instrumental Album
Cello
-
Intermediate/advanced
Kevin Mayhew
Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Juli...
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Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Julian Lloyd Webber: Franck 'Panis Angelicus' Elgar 'Chanson De Matin' Elgar 'Salut D'Amour' Debussy 'Reverie' Bach 'Air On A G String' Massanet'Meditation From Thais' Japanese Traditional 'Sakura-Sakura' Caccini 'Ave Maria' Glazunov 'Melodie Op20 no1' Chopin 'Nocturne Op9 No2' Boccherini Adagio' Rheinberger 'Cantilena' Bruch 'Kol Nidei'. This title is included in the Trinity College London Cello Grade 7 Syllabus 2016-2019.
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Six Suites for Violoncello solo BWV 1007-1012 Synoptic Facsimile (BACH JOHANN SEBASTIAN)
Cello
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, wit...
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Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers. Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing. This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bach’s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources./ Répertoire / Violoncelle
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Johann Sebastian Bach: Six Suites For Cello: Cello: Study Score
Cello
[Study Score / Miniature]
G. Henle
The most important source for Bach’s Cello Suites is a copy made by his w...
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The most important source for Bach’s Cello Suites is a copy made by his wife Anna Magdalena because the autograph is no longer extant. As further copies show the actual musical text is scarcely problematic. However the slurs which are particularly important for string instruments are very inexact and compel the editor to make difficult decisions.Henle's practical edition HN666 is in two parts. It not only offers the Urtext edition withpreface and critical commentary but also a part for playing. The new study edition contains the Urtext part but in addition offers a reproduction of Anna Magdalena’s copy. This means that both cellists and music lovers alikeare able to form their own opinion about the much discussed problems.
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Johann Sebastian Bach: Cello Suites BWV 1007-1012: Cello: Instrumental Album
Cello
Wiener Urtext
Johann Sebastian Bach's Cello Suites BWV 1007-1012.
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John Corigliano: Fancy On A Bach Air: Cello Solo: Instrumental Work
Cello
[Sheet music]
-
Intermediate/advanced
Schirmer
This piece for unaccompanied cello solo transforms the gentle arches of Bach's t...
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This piece for unaccompanied cello solo transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase lengths. It was premiered by Yo-Yo Ma in Boston in 1997 in memory of RobertGoldberg.
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Johann Sebastian Bach: 6 Suites BWV 1007-1012: Cello: Score
Cello
Zen-on
J.S. Bach's 6 Suites BWV 1007-1012 for Cello.
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Suite I G Major Bwv 1007
Cello
[Singles]
Wiener Urtext
Cette édition séparée de la première Suite pour violoncelle solo de Johann S...
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Cette édition séparée de la première Suite pour violoncelle solo de Johann Sebastian Bach contient le texte musical de l'édition de Wiener Urtext réputé avec tous les six suites violoncelles de Bach par Ulrich Leisinger. Grâce à nouvelles découvertes, Leisinger géré de réévaluer les sources qui n'ont pas quitté la structure du texte musical et le problème délicat associé des insultes intacte. Sa réévaluation a motivé une liberté plus forte de la copie manuscrite de Anna Magdalena Bach, qui avait toujours citée comme source principale jusqu'alors malgré qu'il soit très peu fiable à l'articulation - donc la nouvelle édition mène à des solutions plus convaincantes. Cette édition séparée est le point de départ idéal pour l'étude des suites -s Bach
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The Very Best of Bach: Cello Solo: Instrumental Album
Cello
[Sheet music + Audio access]
-
Intermediate
Hal Leonard
Instrumental Play-Along-15 selections of some of J.S. Bach's most treasured comp...
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Instrumental Play-Along-15 selections of some of J.S. Bach's most treasured compositions in accessible arrangements for budding instrumentalists with online demo and backing tracks for download or streaming with the popular Playback features allowing the player to adjust pitch change keys slow down audio and more.Pieces include Adagio Bist Du Bei Mir Bourrée in E Minor Jesu Joy of Man's Desiring Minuet in G Major Polonaise in G Minor Sheep May Safely Graze Sleepers Awake (Wachet Auf) and more.
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Cello School 7
Cello
[Sheet music + CD]
Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...
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The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. Titles: Largo and Allegro from the Sonata in G Minor (Eccles) * Bourrées from Suite in C Major, BWV 1009 (Bach) * Gavotte, Op. 23, #2 (Popper) * Sicilienne (von Paradis). / Violoncelle
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Bach Carl Philipp Emanuel - Cellokonzert B-dur Wq 171 - Cello, Orchestra
Cello
Breitkopf & Härtel
Composer : Bach, Carl Philipp Emanuel Edition : Score, urtext Editor : Leising...
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Composer : Bach, Carl Philipp Emanuel Edition : Score, urtext Editor : Leisinger, Ulrich Separate Parts available on demand
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Adrian Cruft: Homage to JS Bach: Cello: Instrumental Work
Cello
Alfred Lengnick
Homage to JS Bach
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Bach 6 Unaccomp Vlc Suites Gtr Cd: Cello: Instrumental Work
Cello
Mel Bay
Bach 6 Unaccomp Vlc Suites Gtr Cd
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Bach Johann Sebastian - Sechs Suiten Bwv 1007-1012 - Cello
Cello
Breitkopf & Härtel
Composer : Bach, Johann Sebastian Instrumentation : Vc Editor : Klengel, Julius
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6 Suites Bwv 1007-1012
Cello
Zen-on
Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ...
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Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ', Maurice Gendron, ayant rédigé ces, met principalement l'accent sur l'utilisation de l'archet comme sur les schémas de doigté. La principale demande qu'il phrases doit être correcte avec les instructions sur l'utilisation de l'archet. Selon sa déclaration c'est comment la 'pureté du style de Bach' continue d'exister. Gendron édité les Suites sur les patrons de doigté pour être jouable pour chaque violoncelliste. Sur ce compte, il tente d'éviter ' extensions de doigt inutiles '.Dans la notation originale, Bach forbeard de donner des instructions sur la dynamique des romantique comme crescendo ou diminuendo. Pour cette raison, Maurice Gendron a seulement ajouté quelques suggestions dynamiques dans les 1 à 5 de Suites. Tout aussi important que l'évitement de la dynamique romantique est, selon sa propre déclaration, d'éviter les ' un vide de sens rubato '. Il est particulièrement important pour lui que les violoncellistes voient l'importance de ' prendre le temps de changer sans heurt ' d'un... / Violoncelle
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