Folk Song-A witty and enjoyable arrangement for SATB unaccompanied of this humorous English folk-song which has been the 'encore' in many choral concerts.

Irish Folk Song-Instrumentation (HMC2349a): Full Score Piano Violin 1 & 2 Mandolin Tin Whistle and Guitar_x000D_Please note: piano plays from choral score it is not included with instrumental parts._x000D__x000D_Included in the Andre Thomas Choral Series composer Rollo Fisher arranges this Irish folk love song for mixed chorus with piano optional violins mandolin and guitar. The melodic charm pleasing harmonic structures and lilting rhythms make for a lovely work. Suitable for high school or college/university ensembles many will find this arrangement quite attractive.

Cajun Folk Song-This moderately easy Cajun folk-song would be a spectacular addition to a Jr. high or high school choral program fun and lively with spoken parts in typical upbeat Cajun style.

American Folk Song-This sorrowful folk tune from our James Jordan Choral Series is a sure winner with young and old alike.

Appalachian Folk Song-Folk Songs Of America is a choral cycle by Dan Forrest and this is the first installment in this ongoing series. The characterization and dialogue between the male and female singers provide a sweet dramatic element-all wrapped in the lovely lyrical writing of Dan Forrest. Consider programming it with a group of early American pieces.

In this fifth volume of Warlock’s Choral works a set of three songs on poetry of Hilaire Belloc have been arranged for Chorus SATB and Piano as well as The Birds a fourth setting of Belloc originally written as a unison song for boys’ Voices. The Rich Cavalcade and The Spring of the Year were written and published in Warlock’s lifetime. Written in his maturity these songs show Warlock’s idiosyncratic Voice influenced by Elizabethan and folk music Delius and the music of his time.Composer writer and musical scholar Peter Warlock (Philip Heseltine) was active in the early decades of the twentieth century when he distinguished himself by his rediscovery and transcriptionof early English music his writing on Delius Gesualdo and other many other musicians and for his Choral works and songs among them the carol Bethlehem Down.

This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch End Festival Chorus in 1993. John Woolrich interweaves various folk texts in his lilting musical setting which juxtaposes the peacefulness of sleep with moments of anxiety and tension for the parent whose son is far from home.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

Argentinian folk music composers Los Hermanos Abal are best known for founding a folk group in 1939. Their career high point came in 1942 when their song Carnavalito Quebradeño was used in the film La Guerra Gaucha. Virtu Maragno (1828-2004) sublimely harmonises the song for SATB choir. Argentinian born Maragno was a composer of classical opera and film music as well as a teaching and national academic. His harmonisation of Carnavalito Quebradeño displays elements of South American folk music. For aspiring four-part choirs Maragno's harmonisation of Los Hermanos Abal'sCarnavalito Quebradeño makes for an exciting alternative performance work.

Par PORTER COLE. Written by Cole Porter, I’ve Got You Under My Skin became a signature song for Frank Sinatra and was one of his most requested songs at concerts. In 1966, the song became a top ten hit for the Four Seasons and has also been covered by countless others since. A key piece to include in any programme celebrating the Great American Songbook. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric ?Sanuit d'ete ? several melodic themes are supported by dense colorful harmonies in both the choral and piano parts leading to a climactic section where all are combined and stated simultaneously. Neruda's ?Soneto de laNoche ? from his Cien Sonetos de Amor speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet serene and folk-like utilizing directharmonies accompanying long lyrical vocal lines. Agee's wondrous ?Sure on this Shining Night? is set much like a song from the American musical theater a genre for which I have held a life-long esteem. Rilke'spoignant ?Voici le soir? recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue quietly concluding this cycle of night songs as darkness descends.--MortenLauridsen

Par KANDER JOHN / BEALE CHARLES (Arr.). This is a vibrant and accessible arrangement of All I care about, from the Broadway hit Chicago! With opportunities for whistling, staging and lyrics full of double meanings, this will add a bit of spice to your concert programme. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3 part choirs (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

The struggle and suffering described in spirituals go hand in hand with an overwhelming sense of hope for a better life. Deep River is one of the most popular spirituals; its long-phrase melody calls for sustained breath control and a real sense of shape. Much contrast can be made between the first and second sections of the melody, and enjoy the more adventurous harmony around the words ‘where all is peace’ (both times!). The idiomatic ‘rippling’ piano part should be played very legato, but with a steady, clear tempo. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

Par EBB FRED / KANDER JOHN. First performed in 1975, Chicago has become a true classic, and no other show better portrays decidedly questionable human characteristics. Razzle Dazzle features big-shot lawyer Billy Flynn. The lovely but naïve Roxie Hart stands accused of murder, which we know she committed. Here, Billy gleefully explains how to ‘razzle dazzle’ a jury and indeed newspaper readers, using legal tricks to get your client off the charge. The law is portrayed as a glamorous show, with the trial participants as actors. The excess in the song slowly builds, so begin quietly but with excitement. This song is an opportunity to explore different vocal qualities – from stage whispering and full voice speaking to pure singing and belting. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

Mark Hayes' arrangement of the folk song The Water Is Wide for SATB Choir.This new arrangement is destined to become a classic and a favorite of choral groups of any age. It's fresh inventive yet rich in choral tradition - hallmarks of Mark Hayes' writing. The first verse is strong unison writing the second features an echo section the third is voiced with lush fluid harmonies and the fourth scores the female voices in counterpoint with the men. The arrangement fades away 'like the morning dew'.A SoundPax and SoundTrax CD is available to accompany this vocal score.

We Wish You a Merry Christmas-This arrangement of “We Wish You a Merry Christmas” was written for the legendary American folk group Peter Paul and Mary by the great choral conductor and arranger Robert De Cormier. With a special set of lyrics this wonderful SATB setting makes a plea for peace and brotherhood throughout the world.Available separately: SATB and Piano. Performance Time: Approx. 2:30