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Choral SATB
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Brendan Graham Rolf Lovland Secret Garden: Sleepsong (Soprano/SSATBB A
Choral SSATBB
SSATBB A Cappella
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Sleepsong is a rich Celtic-inspired song for choirs looking to test their abili...
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Sleepsong is a rich Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge.Released by Secret Garden in 2005 the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit You Raise Me Up. This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012.The piece is perfect for choruses looking to take their singing forward with specific directions for staggered breathing throughout offering an added challenge forensembles. Although designed to be sung A Cappella the arrangement includes a piano reduction for easy rehearsal.
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Paul Smith: Pas de deux: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Peters
Five dance-inspired movements for SATB and Piano-Written for SATB choir and pian...
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Five dance-inspired movements for SATB and Piano-Written for SATB choir and piano with optional audience participation Pas de deux is a work consisting of five movements by Paul Smith the co-founder of VOCES8 and author of The VOCES8 Method. The movements can be performed individually or as one complete work. Pas de deux is inspired by the dance duet found in ballet and the music takes the duet element of the dance to create a relationship between the performers and audience enabling interaction between them and giving the option for performers and audience to make music together. Suitable for all ages this piece offers opportunities both to create and to perform informed by Paul Smithâ??s expertise in leadingparticipatory music events with hundreds of thousands of people around the world. A five-movement work inspired by the dance pas de deux Incorporates a wide range of musical styles from contemporary classical to traditional Zulu Encourages a musical interaction between performer and audience Suitable for singers (and audiences) of all ages Incorporates well-known themes from the ballets of Tchaikovsky Paul Smithâ??s Pas de deux is part of the Edition Peters Choral Workshop Series.
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Sleepsong
Choral SSATBB
Novello & Co Ltd.
Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abili...
(+)
Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge. Released by Secret Garden in 2005, the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit, You Raise Me Up . This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012. The piece is perfect for choruses looking to take their singing forward, with specific directions for staggered breathing throughout offering an added challenge for ensembles. Although designed to be sung A Cappella, the arrangement includes a piano reduction for easy rehearsal. / Choeur SSATBB
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The Novello Shakespeare Choral Collection
Choral SATB
Novello & Co Ltd.
Music played an enormous role in the works of William Shakespeare, while his own...
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Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)
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Thomas Hewitt Jones: You Left Your Mark On Me: SATB: Vocal Score
Choral SATB
[Vocal Score]
Boosey and Hawkes
Nr. 1 aus The Same Flame-Commissioned by the Somerset England based charity Ch...
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Nr. 1 aus The Same Flame-Commissioned by the Somerset England based charity Churchill Music! The Same Flame was inspired by Pierre de Coubertin?s ideals of Olympism which gave rise to the modern Olympic and Paralympic values: Respect Excellence Friendship Courage Equality Determination and Inspiration. These seven values are celebrated in five movements so four of them had to double up ? Friendship with Equality and Courage with Determination. Each movement is scored for slightly different choral forces so the work is varied. Also individual movements may suit different choirs giving the opportunity for individual performance or collaboration between choirs. All fivemovements of The Same Flame are published as individual octavos. A complete vocal score is available on request from the publishers.This movement is essentially a surge of enthusiasm an outpouring of grateful hyperbole from one who?s inspired towards one who inspires. Though mostly homophonic this quick-moving movement will offer an element of challenge to a choir ? the reward will be an exciting and engaging piece of music.
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Lully, Lullay (Novello New Choral Series)
Choral SATB
Novello & Co Ltd.
Lully, Lullay was written at the request of Philip Reed, music director of the B...
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Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB
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Thomas Hewitt Jones: Guts And Grace: SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Intermediate
Boosey and Hawkes
No. 3 from The Same Flame-Commissioned by the Somerset England based charity C...
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No. 3 from The Same Flame-Commissioned by the Somerset England based charity Churchill Music! The Same Flame was inspired by Pierre de Coubertin’s ideals of Olympism which gave rise to the modern Olympic and Paralympic values: Respect Excellence Friendship Courage Equality Determination and Inspiration. These seven values are celebrated in five movements so four of them had to double up – Friendship with Equality and Courage with Determination. Each movement is scored for slightly different choral forces so the work is varied. Also individual movements may suit different choirs giving the opportunity for individual performance or collaboration between choirs. All fivemovements of The Same Flame are published as individual octavos. A complete vocal score is available on request from the publishers.Inspired by the title of a book by Mary Ann Radmacher ‘Courage doesn’t always roar’ Guts and Grace considers courage and determination as essentially private qualities mothered by dark necessity but on occasion needing to step up publicly especially in the sporting arena and ‘roar’. This movement is intense and charged with emotion and gives opportunity for sections of the choir to shine individually as well as a beautiful soaring soprano solo section in the middle.
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Choral collection Bruckner. Sacred choral music (BRUCKNER ANTON)
Choral SATB
SATB, Piano
Carus Verlag
Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works r...
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Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano
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Per Nørgård: A Choral Hymn: SATB: Vocal Work
Choral SATB
[Vocal Score]
Wilhelm Hansen
Per Nørgård's A Choral Hymn (On Frostbound Earth) from 1983 for Mixed Choir SA...
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Per Nørgård's A Choral Hymn (On Frostbound Earth) from 1983 for Mixed Choir SATBB. Based on 'Choral Hymn' and a fragment of 'The Year'. Orig. version 'Choral Hymn': WH32008 for SATB Orig. DK version 'Korsalme': WH32007 Programme note When in 1975 I had finished composing my 3rd Symphony (begun in 1973) I wrote three simple melodies for two psalm texts by Ole Sarvig “The Year” and “Choral Hymn”. One of these was later included in the Danish Hymnbook under the title “Året – Som året går” (The Year). Thesethree “Sarvig tunes” were derived from the same material as the second movement of the symphony and could be harmonized together in several different tempo relationships at the same time - like fractals. This inspired me to write several choral and instrumental works in the following decade based on these melodies for instance “Frost Psalm” “Winter Cantata” “Cycles” “Cantica” and this “A choral hymn (On frostbound earth) all coloured by the Nordic and mythic poem “The year” by Sarvig the beginning of which goes : The passing year will pass its deep So shall our mind reach winter´s sleep. And as the tree stands leafles bare Is winter´s realms: our minds aware. - Ole Sarvig (translated by Helen and Ole Sarvig) Per Nørgård
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The Novello Shakespeare Choral Collection: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Music played an enormous role in the works of William Shakespeare while his own...
(+)
Music played an enormous role in the works of William Shakespeare while his own sonnets poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection inspired by the 400th anniversary of the Bard's death in 2016 is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear. The collection features some beautiful settings that have well and truly stood the test of time such as Thomas Arne'sBlow Blow Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More Ladies Gary Carpenter's Lo Here The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass. Not only this the Shakespeare Choral Collection boasts several works that were specially commissioned including John Joubert's Be Not Afeard Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil I Haste Me To My Bed. Some pieces have never appeared before in print such as those by Kevin Olson Bernard Hughes and John Gardner. These songs truly are a joy to perform with some relatively simple arrangements that are purely fun to sing while some more complex settings that will be thoroughly rewarding for choirs and audiences alike. A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection which would work as a wonderful concert programme on its own or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating
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Morten Lauridsen: O magnum mysterium.: SATB: Vocal Score
Choral SATB
SATB divisi, A Cappella
[Vocal Score]
-
Easy
Faber Music Limited
For centuries composers have been inspired by the beautiful O Magnum Mysterium ...
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For centuries composers have been inspired by the beautiful O Magnum Mysterium text depicting the birth of the new-born King among the lowly animals and shepherds. This setting for unaccompanied SATB divisi by Morten Lauridsen one of America’s most loved and most performed living choral composers is rich in colour deeply spiritual and intensely moving. It is rated as 'reasonably straightforward' to sing so suitable for the majority of choirs. A Piano part is included in the score for rehearsal purposes only. Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs insearch of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
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Harriet Wybor: Lully Lullay (Novello New Choral Series): SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Lully Lullay was written at the request of Philip Reed music director of the B...
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Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for
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Per Nørgård Adolph Wolfli: Wölfi: SATB: Score
Choral SATB
[Sheet music]
Wilhelm Hansen
Per Nørgård's Wölfli - A Discarded MisfitDramatic Choir Montage for an Actor/...
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Per Nørgård's Wölfli - A Discarded MisfitDramatic Choir Montage for an Actor/Recitator and Chamber Chorus (2007). Extracts from the preface:No idyll without catastrophe – no catastrophe without idyll.Adolf Wölfli (1864-1931 Switzerland) is a central figure in the so called mad arts i.e. art created by patients who are certifyably mentally ill. Wölfli’s vast and eclectic production consists of approximately 20.000 pages of prose poetry pictures and fragmentary musical compositions. All of which was created at an institutionin Waldau Bern from 1900-1931 (...). Danish composer Per Nørgård (born 1932) discovered by accident Wölfli’s art at the Louisiana Museum while on his way to a Schönberg concert a concert he never made it to. The encounter with Wölfli’s art was to become a major source of inspiration for Nørgård in the 1980’s. The inspiration resulted in Nørgård’s SYMPHONY NO. 4 (1981) entitled Indischer Roosen-Gaarten und Chineesischer Hexensee (after the title on a planned Musikbüchlein by Wölfli) and the opera THE DIVINE TIVOLI (1982) and numerous choral works. Nørgård’s works from the 1980’s inspired by Wölfli are characterised by being wild dramatic and moving.The present work WÖLFLI has its point of departure in the choral works of the 1980’s and songs and interludes from the opera. All this is combined with additional prose poetry and pictures by Wölfli which come together to form a music-dramatic portrait of the confined his thoughts and artistic universe. Whereas the opera was a scenic tour de force of intense drama polyphonic scenarios and whirling instrumentation thefocus in WÖLFLI is monologue and
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Carl Rütti: Three Carols (SATB/Organ): SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Carl Rütti (b. 1949) studied music at the Zürich Conservatoire. Studies in Lon...
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Carl Rütti (b. 1949) studied music at the Zürich Conservatoire. Studies in London with Kendall Taylor and Richard Latham kindled a fascination with English choral singing and inspired works for unaccompanied chorus. A steady output of mostly sacred choral music has followed including the large-scale Requiem (2007).Rütti's music blends the English choral tradition with other genres including jazz and the blues in rich colourful textures and has been performed all over the world. He has worked with notable choirs including in the UK The Bach Choir BBC Symphony Chorus Norwich Cathedral Choir and Cambridge Voices and in the USA the St Louis ChamberChorus. Many of his works have beenrecorded.He teaches piano at the Zürich Conservatoire gives concerts and recitals as a pianist and organist and is the organist of the local church in Oberägeri Zug.
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I Love All Beauteous Things (WEIR JUDITH)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Jud...
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Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue
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Jeremy Thurlow: Of Noblest Cities (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SSATBB, Organ
[Vocal Score]
Novello & Co Ltd.
Of Noblest Cities is intended for a choir of between 12 and about 40 voices alt...
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Of Noblest Cities is intended for a choir of between 12 and about 40 voices although it may also be given by just six singers one to a part (SSATBB). The piece can be performed unaccompanied if no suitable organ is available simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next.Underlying the melody is a simple rhythm which is sometimes expanded or contracted. In the first verse the position of the main beats in this rhythm is made clear by the barlines. In the remaining verses however the barlines are only there to help the singers to keep together and forconvenience in rehearsal: singers should observe their own strong beats which fall in different places for each part and not regard the barlines as indicating downbeats. A few of the strong beats which underlie individual parts and appear to be contradicted by the barlines are marked by the symbol / .The words are a beautiful Victorian translation of a Latin hymn by Prudentius which meditates on the story of the three wise men. Each verse is set to the same melody in an increasingly rich counterpoint inspired by the wonderful sound of Tudor choral polyphony.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. Jeremy Thurlow is a composer writer and pianist. His music has been described as ‘seductive innovative full of freshness’ by Henri Dutilleux. It has been performed by the BBC Philharmonic the Fitzwilliam String Quartet Rolf Hind the BBC Singers Endymion Carmen Elektra Peter Sheppard Skaerved Matthew Schellhorn and Sequitur (New York) among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in
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Howells Magnificat & Nunc Dimittis Collegium Sancti Johannis Satb/Org
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Collegium Sancti Johannis Cantabrigiense- Magnificat & Nunc Dimittis is one of t...
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Collegium Sancti Johannis Cantabrigiense- Magnificat & Nunc Dimittis is one of the 20 evening canticles written by Herbert Howells for the choir of St John's College Cambridge in 1957. This sheet music is arranged for SATB Choir and Organ accompaniment. Herbert Howells was a renowned English composer of church music in the Anglican evensong tradition best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: a calm and atmospheric choral song whose divine and soaring melodies have inspired audiences for years. The interplay of the bass/tenor and soprano/alto melodiescombined with the powerful organ chords create a stirring and uplifting piece that builds to a glorious climax at its conclusion. The acoustics of Magnificat & Nunc Dimittis in a church or cathedral are second-to-none and your audience is guaranteed to be left stunned by this little-known masterpiece of choral church music.
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Per Nørgård Adolph Wolfli: D'Monstrantz Vöögeli: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Wilhelm Hansen
The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per ...
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The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per Nørgård. Work for bird voices (CD) and human voices (12 SATB soloists) with text (sung in German) by Adolf Wölfli (1864-1930). A CD of Bird Song is available separately - use product code KP00830. Text (sung in German): Adolf Wölfli (1864-1930).Programme note:'D´Monstrantz Vöögeli' is the main (and middle) movement of my three-movement choir suite 'The Alarming Duckling' the title of which is borrowed from a painting from 1959 by the Danish artist Asger Jorn apainting which - as this choral piece - is partly based on 'found objects': Asger Jorn painted on top of an idyllic old fashioned landscape painting with a house and trees - and he painted a very disturbing alarming duckling. It may be ugly the duckling but in any case it is most peculiar in its surroundings with spontaneous colorful wide painted feathers standing and looking dreamy beyond a birch in the golden light of the afternoon (a very big duckling indeed!) In 'D´Monstrantz Vöögeli' the dark nightly visions are unfolding with texts by the Swiss schizophrenic artist Adolf Wölfli (1864-1930). His transcending poems prose paintings and ideas inspired me for many compositions in the 1980s i.e. Symphony nr. 4 ('Indischer Roosen-Gaarten und Chinesischer Hexensee' - Hommage a Wölfli') The opera The Divine Circus and a series of choral works. The piece is written for 12 vocal soloists - singing whistling screaming and whispering. In 'D´Monstrantz Vöögeli' - for a choir of humans and birds - many 'found objects' are used: The tape/cd only contributes with unmanufactured birdsong - even though using full half and fourth speed so it is easier to understand and learn from the brilliant birds (especially the fantastic American Musician Wren
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Bob Chilcott: Furusato - 5 arrangements of Japanese songs: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
5 arrangements of Japanese songs-Furusato presents five evocative arrangements o...
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5 arrangements of Japanese songs-Furusato presents five evocative arrangements of Japanese songs. Each poem depicts the beauty of the Japanese landscape and familiar melodies and Chilcott's original style combine to create an enchanting fusion of East and West. Suitable for performance as a suite or as stand-alone pieces these charming and emotive songs will be a welcome addition to the repertoire of any choir.For SATB choir with Piano accompaniment and unaccompanied.Dual-language publication suitable for Japanese or English speaking choirs.Japanese texts included in the score and separately as an appendixEnglish singing translations by theprize-winning poet Charles Bennett.Bob ChilcottBob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.
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Joseph M. Martin: Footprints in the Sand: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
SATB-From the inspired pen of Joseph Martin comes a new sacred work that will be...
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SATB-From the inspired pen of Joseph Martin comes a new sacred work that will be a true inspiration to your walk of faith. Tracing the steps of the Savior from Galilee to Emmaus this new cantata can be presented during Holy Week or atEaster services by using the extended ending. Footprints in the Sand has a gently contemporary flavor and incorporates two narrators well-known hymn tunes newly composed anthems and several best-selling choral songs. Afull-line of support products is available including a brilliant orchestration by Brant Adams in traditional format or on the “print-your-own” iPrint CD ROM (the instrumental scores in PDF format that allows extraflexibility and savings when performing this work with orchestra).
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Pop Choir Classics : The Beatles - With A Little Help From My Friends
Choral SSATB
Bosworth
This unaccompanied SSATB choral arrangement of The Beatles classic With A Little...
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This unaccompanied SSATB choral arrangement of The Beatles classic With A Little Help From My Friends by Carsten Gerlitz includes 10 vocal scores to allow mixed choirs to sing this paean to friendship.One of The Beatles' most popular compositions, it was composed for Ringo Starr to sing, and therefore needed to have just five notes in the melody to accommodate his limited vocal range. The song inspired a number of famous cover versions, most notably Joe Cocker's at Woodstock. / Choeur Mixte (SSATB)
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John Rutter: Candelight Carol: Mixed Choir: Parts
Choral SATBB
Oxford University Press
Inspired by Geertgen's painting 'Nativity at Night' Candlelight Carol centres a...
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Inspired by Geertgen's painting 'Nativity at Night' Candlelight Carol centres around the love of a mother on that first night in the stable. The orchestral material is compatible with both the SATBB and SSAA versions.
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Will Todd: Angel Song II: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Boosey and Hawkes
Vocalise-Will Todd born in 1970 is forging a strong reputation for himself as ...
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Vocalise-Will Todd born in 1970 is forging a strong reputation for himself as a composer who is equally at ease in opera oratorio church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines.'Angel Song II' is inspired by the idea of angels singing on Christmas night. The music weaves a gentle melody over the aleatoric textures of the accompanying voices. The text is designed to create the echo of the word 'Hosanna' butwith no consonants so that the music feels as if it comes from 'on high'.'
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Heather Sorenson: Some Things Never Change: Mixed Choir and Accomp.: Choral
Choral SATB
SATB, Strings
Shawnee Press
This song is an inspired reminder of God's faithfulness. Tender and fragile, the...
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This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriter idiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: Full Performance and Part Dominant MP3's are for the SATB voicing only.
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Joseph M. Martin: A Journey to Hope: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
A Cantata Inspired by Spirituals-This major sacred work is musically inspired by...
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A Cantata Inspired by Spirituals-This major sacred work is musically inspired by traditional spirituals and tells of the ministry passion and resurrection of Jesus through familiar repurposed tunes narration and scriptures. Two endings are provided one for Holy Week and one with a jubilant Easter finale making this a versatile and inspiring work for a variety of Spring programming. From the rhythmic vitality of “Ride On King Jesus” to the languishing strains of “They Crucified My Lord ” from the stately dignity of “Give Me Jesus” to the festive joy of “Great Day ” this work delivers both ministry and artistry. Whether presented with Brant Adams'inspired orchestrations or with Piano alone you will find A Journey to Hope a unique and effective cantata experience. Songs include: 'Prelude'; 'The Call to Faith'; 'The Call to Follow'; 'Peace for the Journey'; 'Ride On King Jesus'; 'Come to the Welcome Table'; 'Gethsemane'; 'Jesus Walked to Calvary'; 'They Crucified My Lord'; 'Great Day! The Lord Is Risen!' Full orchestration: Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba hp pno timp perc 1-2 vn 1-2 va vc db) available as a Printed Edition and on CD-ROM. Consort orchestration: Score and Parts (fl 1-2 cl tpt 1-2 tbn perc kybd strings) available on CD-ROM.
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The Long And Winding Road
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Long And Winding Road is one of the most popular ballads of The Beatles' lat...
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The Long And Winding Road is one of the most popular ballads of The Beatles' late-period. A melancholic song written by Paul McCartney and inspired by the growing tensions within the group, it's a dramatic track that creates a sense of emotional drama by modulating between minor and major keys. This new choral arrangement for SATB choir with piano accompaniment by Simon Foxley is an intriguing proposition for ensembles with its non-traditional chorus and ambiguous yet emotive melodies and lyrics. / Choeur Mixte (SATB) Et Piano
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Judith Weir: Judith Weir: I Love All Beauteous Things: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Master of the Queen’s Music Judith Weir was commissioned by St Paul&rsqu...
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Master of the Queen’s Music Judith Weir was commissioned by St Paul’s Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen’s 90th birthday in 2016.The piece is now available from Chester Music so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include thisapproachable setting of Robert Bridges’ poem.Directed by Andrew Carwood the St Paul’s Cathedral Choir performed I love all beauteous things as part of the National Service of Thanksgiving whichtook place on at 11am on 10 June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury gave the address and the Prime Minister read a lesson. Judith Weircomments:'It is a particular honour to contribute new music for this great occasion and a pleasure to write a choral version of Robert Bridges’ beautiful verse.'COMPOSER’S NOTEAt the suggestion of Michael Hampel Precentor of St Paul’s Cathedral I have set words by Robert Bridges who was Poet Laureate from 1913–1930. Bridges was an outstanding humanitarian and writer whose poetry hasinspired me before in The Voice of Desire a song-cycle for mezzo-soprano and piano. This short fast-tempo setting aims to emulate the swift fleet-footed rhyme and metre of the two-verse poem with its unobtrusive but tellingreference to ‘man in his hasty days’.J.W.Commissioned by the Chapter of St Paul’s Cathedral to mark the 90th birthday of HM The Queen generously supported by the Boltini Trust. Performed at theNational Service of Thanksgiving for HM The Queen’s birthday at St Paul’s Cathedral London on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh.Music by Judith Weir Master of
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