Par ARCHER MALCOLM. for SATB and organ or piano With words by the composer, Archer's carol joyfully describes the Nativity story with a lilting melody in 3/4 time. The voices culminate in a powerful unison statement with an angelic descant, all the while underpinned by flowing keyboard accompaniment. Perfect for services and concerts./ Répertoire / Choeur SATB et Orgue ou Piano

Chorbuch + CD / Choral Score with CD. Par HEMPFLING VOLKER. Christmas is celebrated throughout the world - sometimes at the end of December, sometimes at the beginning of January. And everywhere, singing Christmas carols is part of the celebrations. Some carols, such as Adeste fideles or Stille Nacht are sung throughout the world, but many countries have their own particular carols which reflect their own customs and traditions. These Christmas carols from all over the world feature in the latest instalment of the LIEDERPROJEKT which is published in autumn 2015. The new choral anthology Christmas carols of the world will enrich the Christmas repertoire for choirs, with lots of exciting choral arrangements of a selection of 85 international Christmas carols. It is edited by Volker Hempfling and contains arrangements by composers from 23 countries in their original languages, including John Rutter, John Høybye, Mark Sirett, Wolfram Buchenberg, Matti Hyökki and Fredo Jung. The settings for mixed choir a cappellare extremely varied, ranging from easy to difficult. Some have accompaniment for keyboard instrument. A CD with samples from the book sung by the Calmus Ensemble Leipzig and the Athesinus Consort Berlin is included to the director's score./ Répertoire / Choeur Mixte (SATB) et Piano

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Par BRUCKNER ANTON. The a cappella classics 'Christus Factus Est' and 'Locus Iste' are central to this collection featuring the best of Bruckner's outstanding output for unaccompanied choir. These pieces are among the most enduring choral masterworks of the 19th century. Simon Halsey's performing edition includes an informative introduction, keyboard reductions for rehearsal and English translations of the Latin texts for reference. / Niveau : Assez Facile / Date parution : 1997-05-15/ Répertoire / SATB

The definitive Advent anthem! The haunting opening call of keyboard and flute (optional, part included in choral) summon a solo male voice singing this most beloved of all Advent carols. The choir men respond in unison, followed by the full choir singing 'Emmanuel shall come to you, O Israel.' For large or small choirs. / Choeur Mixte (SATB)

The 'Petite Messe solennelle? is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet -Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the 'Stabat mater?, the mass is one of the composer's mostimportant sacred works.The unusual instrumentation with two pianos and harmonium is entirely in keeping with the Neapolitan keyboard tradition of the 18th century which was cultivated in France in Rossini's day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example, Liszt and Bruckner. Rossini explained that he wrote the later orchestral version of the work dating from 1867 out of concern that if he did not do this, other composers might orchestrate the mass too heavily in later arrangements.- Choral score based on the Urtext of the series 'Works of Gioachino Rossini?- Supplements the already existing material available to this work / Choeur Mixte (SATB)

Par GOODALL HOWARD. If ordering more than 10 copies, please call us on +44 (0)1284 725725 to check availability. Howard Goodall 's Eternal Light: A Requiem for Soprano, Tenor and/or Baritone soloists, SATB chorus, two Keyboards, Harp (optional) and Strings. Vocal score. This piece of sheet music was commissioned by London Musici (Artistic Director: Mark Stephenson) to celebrate its 20th anniversary. It was commissioned as both a choral-orchestral-dance piece for London Musici, The Choir of Christ Church Cathedral, Oxford, and Rambert Dance Company (Artistic Director: Mark Baldwin) and as a choral-orchestral work. The first performance took place on 25.9.08 at The Lowry, Salford, performed by Rambert Dance Company/chor. Mark Baldwin/Ad Solem (Manchester University Chamber Choir)/London Musici/Paul Hoskins./ Répertoire / Chorale

Par MOZART WOLFGANG AMADEUS. This collection draws together six of the great accompanied motets by Mozart, expertly edited by scholar Denis McCaldin. Originally written for choir and orchestra, these motets are here made available for the first time with alternative keyboard accompaniments. Includes the classic devotional motet Venite Populi for double-choir and contemplative gradual Sancta Maria, Mater Dei , as well as three of Mozart's early works. Ideal both for concert programmes and liturgical use, this extraordinary value-for-money collection is a must for every choir library. / Niveau : Assez Facile / Répertoire / SATB

Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which may be played on guitar or keyboard as well as lute. SATB CONTENTS Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away, come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains/ Répertoire / SATB

Eng. Vocal Score. 11 versions 1742-1754 - main text 1752. Keyboard accompaniment by Soldan Editorial Notes and Critical Commentary EP 7317a / Travaux Pour Choeurs

There is a hopeful spirit to this refreshing folk-styled anthem. Replete with images of God's great faithfulness, worshippers are reminded that His mercies are ever new. An easy-to-learn melody supports this encouraging message, and the harmonic qualities of the work contain a few tasteful surprises. The gentle guitar-like keyboard accompaniment is a sheer delight to play. Gracefully contemporary! / SATB

Par CAMPBELL LAURA. Sketches for Improvisation provides material for improvisation using the same basic processes as Sketching at the Keyboard. Classroom use of the two companion volumes as part of the National Curriculum will enable teachers of children or adults to keep a mixed ability group working together on the same basic material, through the additional challenge of free improvisation and composition. Sketches for Improvisation is particularly suitable for children in junior departments of conservatoires and music centres, who are expected to produce composition folios from the earliest stages of learning./ Livre / Livre

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Mozart's Missa in C for SATB. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. / Messe / Répertoire / Solistes SATB, Choeur SATB/SATB, Flûte Traversière

Par SAINT-SAENS CAMILLE. SATB Soli - SATB Chorus - Orgue - Hp - Strings - Durée: 41 min / Oratorio / Répertoire / Travaux Pour Choeurs

Motette. Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's Ave Verum Corpus for SATB. / Mottet / Date parution : 2000-09-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Basse Continue