Selected art songs by prominent American composers in the G. Schirmer and AMP catalog including songs by Samuel Barber John Duke Lee Hoiby Charles Ives John Jacob Niles William Schuman and others.Includes worksfrom Ernst Bacon: It's all I have to bring • Samuel Barber: The Crucifixion; The Daisies; Hey nonny no!; The Monk and His Cat; Mother I cannot mind my wheel; A Slumber Song of the Madonna; Sure on this shiningnight • Paul Bowles: Cabin; Heavenly Grass; Sugar in the Cane • Theodore Chanler: The Lamb • Ernest Charles: When I Have Sung My Songs • John Duke: Loveliest of Trees • Richard Hageman:Do not go my love • Lee Hoiby: Where the Music Comes From • Carles Ives: In the mornin'; Serenity • Herbert Kingsley: The Green Dog • Charles Naginski: The Pasture • John Jacob Niles:Black is the color of my true love's hair; Go 'way from my window; The Lass from the Low Countree • Gladys Rich: American Lullaby • William Roy: This Little Rose • John Sacco: Brother Will BrotherJohn • William Schuman: Holiday Song; Orpheus with his lute.

The plantation songs known as 'spirituals' are the spontaneous outbursts of intense religious fervour and had their origin chiefly in camp meetings revivals and other religious exercises.They were never 'composed' but sprang into life ready made from the white heat of religious fervour during some protracted meeting in camp or church as the simple ecstatic utterance of wholly untutored minds and are practically the only music in America which meets the scientific definition of Folk Song.Harry Burleigh became a linguist singing in Hebrew as well as Latin Italian French and German. For several years he regarded his casual efforts at composition as merely mentalexercises until friends virtually forced him to publish. 'Deep River' published in 1917 made Harry Burleigh well known as a composer. His 'Little Mother Of Mine' was sung throughout the world by John McMormack.

Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.

Partition pour voix élevées ou moyennes et piano Collection : Bonnardot Jacqueline Nombre de pages : 90 Contenu : Bizet G.: Guitare (V. Hugo) - Chabrier E.: L'Ile heureuse (E. Mikhaël) - Chausson E.: Les Papillons (Th. Gautier) - Nanny (Leconte de Lisle) - Debussy Cl.: Green (P. Verlaine) - Mandoline (P. Verlaine) - Duparc H.: Soupir (Sully Prud'homme) - Chanson triste (J. Lahor) - Gounod Ch.: Viens ! les gazons sont verts (J. Barbier)- Venise (A. de Musset) - Mignon (L. Galet, d'après Goethe) - Koechlin Ch.: Dame du ciel (E. Haraucourt) - Liszt F.: Enfant, si j'étais roi (V. Hugo) - Poulenc F.: Air champêtre (d'après.J. Moréas) - Roussel A.: Le jardin mouillé (H. de Regner)- Saint Saëns C.: L'Attente (V. Hugo) -Séverac D. de: Les Hiboux (Ch. Baudelaire)

Par PARRY BEN. Ben Parry presents a trio of Christmas classics from the 60s 70s and 80s. I'm Gonna Be Warm This Winter, the ever-popular, I Wish It Could Be Christmas Every Day, and  Band Aid's compelling Feed The World; here arranged for upper voices with piano accompaniment. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles.  Please view sample pages below. / Choral Music / Répertoire / Voix Hautes et Piano

Simon Laks a été connue des historiens et musicologue pendant une longue période, principalement en tant qu'auteur de son rapport sur la survie en tant que musicien dans le camp d'extermination de Birkenau. En tant que compositeur, il a connu un retour en force depuis plusieurs années en raison de l'augmentation Quelle est donc l'intérêt international dans le répertoire de musique de l'supprimée et détruite par l'Allemagne nazie. Un des points culminants de son oeuvre de création est une grande collection de compositions vocales. / Voix Hautes Et Piano / niveau : Intermédiaire / Partition