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Crüger
SAXOPHONE
Opera
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Poul Ruders: The Thirteenth Child: Opera: Score
Opera
[Sheet music]
Wilhelm Hansen
A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Ac...
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A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15). Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by 'The Twelve Brothers' by the Brothers Grimm. SYNOPSIS Act 1 Scene 1 The neighboring Kingdoms of Frohagord and Hauven are in crisis. Following a warning by his embittered cousin Drokan Regent of Hauven King Hjarne of Frohagord is convinced that his twelve sons are plotting to overthrow him. The twelve princes oblivious to their father's paranoia play in the courtyard. The enraged King threatensthe safety of his sons telling his pregnant wife Queen Gertrude that she must provide him with a female heir as 'only she shall wear the crown'. Gertrude calms Hjarne and they sing of the Lilies of Frohagord magical flowers that protect the kingdom. When Benjamin the youngest prince innocently plucks a lily from the garden Hjarne flies into a mad rage and strikes Gertrude. Drokan observing the encounter admits his love for Gertrude and feels 'the trembling of the earth'. Act 1 Scene 2 Eighteen years have passed and King Hjarne has just died. At Hjarne's funeral Frederic Drokan and the mourners tell of the mysterious disappearance of the King's thirteen children and the shadows that haunt the kingdom. Queen Gertrude now mortally ill and her daughter Princess Lyra enter the Royal Chapel. Gertrude is repelled by the sight of Drokan while Frederic is drawn to Lyra. Drokan plots to usurp the Kingdom of Frohagord and Frederic dreams of the day when Lyra will be his. Act 1 Scene 3 Queen Gertrude is on her deathbed attended by Princess Lyra. Lyra asks her mother why she was sent away. Gertrude has Lyra open a secret drawer where Lyra finds twelve shirts
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Faust
Opera
Barenreiter
'Faust? stands for the composer Gounod himself, who was torn between the express...
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'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its various, during Gounod's lifetime, completely sung versions.The main version of our edition was performed at the Paris Opéra on 3 March 1869. However, simple cross references in the score enable a reconstruction of the earlier and later stages of this work for performance. Rounding off this publication is a critical edition of the libretto. All available sources are described and the Critical Commentary provides information about any changes made to the individual numbers.The two earlier Faust versions with spoken dialogue will be included in a separate volume within this series (in preparation, BA 8714). / Opéra
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Alice's Adventures Under Ground (BARRY GERALD)
Opera
[Study Score / Miniature]
Schott
Opera. Par BARRY GERALD. Gerald Barry's new opera is based on Lewis Carroll's tw...
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Opera. Par BARRY GERALD. Gerald Barry's new opera is based on Lewis Carroll's two beloved books, Alice's Adventures in Wonderland and Through the Looking Glass. As with Barry's last opera, the lauded The Importance of Being Earnest, the composer has created the libretto himself from the author's original texts. Thus, the work remains faithful to many aspects of the Alice story but is trimmed and compressed into a compact 70-minute opera in one act. Barry's characteristic highspeed energy and riotous sense of humour propel the action forward in this surreal plunge into the depths of Wonderland./ Répertoire / Opéra
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Handel G.f. - Acis And Galatea Hwv 49b (2nd Version) - Vocal Score
Opera
[Vocal Score]
Barenreiter
Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: K...
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Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: Köhs, Andreas Language(s) of work: English, Italian, German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid?s ?Metamorphoses? a total of three times: in the cantata ?Aci, Galatea e Polifemo? HWV 72 (1708), the masque ?Acis and Galatea? HWV 49a (1718) and finally the pasticcio-like serenata ?Acis and Galatea? HWV 49b (1732) of which the original version is now made available in its complete form for the first time. A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel?s Italian singers were criticised for their poor command of English, ? so in the end, many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. - Urtext edition based on the ?Halle Handel Edition? - English and Italian original text with singable German translation - Extensive foreword in two languages (Ger/Eng) - Clear, straightforward piano reduction
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Georg Friedrich Händel: Ezio HWV 29: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
As with many other libretti by Pietro Metastasio ?Ezio? was also set to music s...
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As with many other libretti by Pietro Metastasio ?Ezio? was also set to music several times besides Handel by Nicola Porpora in 1728 and Christoph Willibald Gluck in 1750. As the historical events from late antiquity surrounding the Western Roman General Aëtius who had defeated the Huns under Attila on the Catalaunian Fields had largely fallen into oblivion by the 18th century they merely form a backdrop to the highly-dramatic ?Sex and Crime? on the operatic stage. In contrast with the original Roman story ?Ezio? remains alive at the ?happy ending? and the enthusiastic public experienced this version for the first timeon 15 January 1732 in London.However despite this the opera only received five performances during Handel?s lifetime. Handel took the overture from his incomplete opera ?Titus l?Empereur?.Performance material available for hire.Vocal score based on the Halle Handel Edition.Original Italian text with German singing translation underlaid.Figured bass realisation and editorial additions in cue-sized notes.Detailed foreword (Ger/Eng)
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Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
Opera
Barenreiter
Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologic...
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Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologica II/45 / Bärenreiter Facsimile Editor: Konrad, Ulrich Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 405 S. - 41,7 x 30,0 cm “This Tristan will be something formidable! This last act!” “I fear the opera will be banned – if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.” Richard Wagner While working on the score to “Tristan und Isolde”, Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the “dawn” of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting. He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner’s highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness. In time for the 200th anniversary of Wagner’s birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches. Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.
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Christoph Willibald Gluck: LIle de Merlin ou Le Monde renversé: Chamber
Opera
[Sheet music]
-
Advanced
Barenreiter
Opéra comique en un acte-Hardback full score; also available vocal score for sa...
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Opéra comique en un acte-Hardback full score; also available vocal score for sale (BA2293-90) & performance material for hire (BA2293). The fact that “op?ra comique” rooted in the folk art of the French vaudeville was brought to its high-point by Gluck a German composer working in Italian clearly demonstrates the close relationships and interconnections made in European musical life in the mid-18th century. With “L’Ile De Merlin Ou Le Monde Renvers?” Gluck created an enchanting buffo work which draws its charm not only from its colourful music with appealing details of instrumentation andcharacterisation but also from the juxtaposition of real mythological and fairy-tale figures as well as from the critical social undertones in the libretto. The new edition is based on the Gluck Complete Edition Series IV volume 1 edited by G?nter Hau?wald. Based on the Urtext of “Gluck Complete Works”. Original French text with singing German translation. Detailed foreword in the vocal score (Ger/Eng/Fr).
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Richard Wagner: Tannh?user: Mixed Choir: Vocal Score
Opera
[Sheet music]
Schirmer
Wagner completed the first version of the opera in 1845 during his tenure as Kap...
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Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth a girl he once loved. Elisabeth's uncle the landgrave organises a singing competition between Tannhauser and Wolfram who also loves her. Wolfram's song is simple and moving while Tannhauser confused by Venus outrages the audience by singing of profane love.He is banished to Rome on a pilgrimage to seek redemption and Elisabeth follows him with Wolfram. After much searching she gives up and dies just missing Tannhauser who Wolfram discovers creeping back to Venus the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score edited and translated into English by Natalia MacFarren.
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Georges Bizet: Carmen: Opera: Libretto
Opera
Schirmer
Standard Version with sung recitatives-Although almost unanimously condemned by ...
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Standard Version with sung recitatives-Although almost unanimously condemned by contemporary Parisian critics for its overt sexuality and graphic final scene Carmen ultimately reached the public in a way that perhaps no other opera has. Bizet's aim (with Meilhac andHalevy who wrote the libretto) had been to transform the flaccid moralistic bourgeois genre of opéra comique into a more sophisticated type of staged work and he seems to have suceeded in Carmen. Each character has a musicalsignificance and a unique expressive idiom the ultimate example being the dangerous exotic sensual Carmen herself depicted by an exotic and sinewy chromatic motive that also implies the insurmountable power of fate. In aclassic plot device she is contrasted with the 'good girl' of the opera Micaela whose main aria is set in the ternary form of the elevated bel canto French Grand Opera aria to imply her traditionally 'ladylike' retiring nature.Don José's musical styles reflect different levels in his descent from dutiful soldier to the underworld of obsession.This is the Schirmer edition of the Libretto in the original French with an English translation by Ruthand Thomas Martin.
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MENDELSSOHN F. - LOBGESANG OP.52 -VOCAL SCORE
Opera
Barenreiter
Mendelssohn Bartholdy, Felix
Lobgesang / Hymn of Praise op. 52 MWV A 18
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Mendelssohn Bartholdy, Felix
Lobgesang / Hymn of Praise op. 52 MWV A 18
A Symphony-Cantata after Texts from the Holy Scriptures
- Urtext edition taking all sources into account
- Piano reduction by the composer including his piano version of the ?Sinfonia?
- Extensive Foreword (Ger/Eng) and detailed Critical Commentary (Eng)
Mendelssohn?s contemporaries frequently mentioned his ?Hymn of Praise? in the same breath as Beethoven?s Ninth ? and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name ?symphony-cantata?. Later he added a secular counterpart with ?Die Erste Walpurgisnacht?.
Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work?s performance, e.g. tempo, articulation and dynamics.
For the first time the piano reduction includes Mendelssohn?s authorised version of the ?Sinfonia?, based on the first edition of No. 1 for piano solo. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER
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Richard Wagner: Die Meistersinger Von Nurnberg: Opera: Libretto
Opera
[Libretti]
Schirmer
Richard Wagner was inspired to take up the subject of the medieval 'Mastersinger...
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Richard Wagner was inspired to take up the subject of the medieval 'Mastersingers' by his reading of Georg Gottfried Gervinus's 'History of the German National Poets'. By any purely artistic assessment Die Meistersinger is afinely crafted drama rich with dramatic and musical textures that showcase Wagner's creative gifts at their best. This edition of the Libretto is in the original German with an English translation by John Gutman.
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Wolfgang Amadeus Mozart: Don Giovanni - Vocal Opera Score: Orchestra: Vocal
Opera
Boosey and Hawkes
Opera in two Acts-W. A. Mozart's Don Giovanni. Vocal Opera score. In response to...
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Opera in two Acts-W. A. Mozart's Don Giovanni. Vocal Opera score. In response to customer demand vocal scores of Edward Dent’s widely used English translations of the Mozart Da Ponte Operas have been newly re-printed on large format easy to read glare-free cream paper. High quality sewn lay-flat binding ensures that the pages stay comfortably open on the Piano music stand to aid singers pianists and conductors alike.
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Richard Wagner: Die Walkure - Vocal Score: Opera: Vocal Score
Opera
[Vocal Score]
-
Intermediate/advanced
Dover Publications
The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remai...
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The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remains among the most popular and frequently performed of his works. It is a masterful epic with themes and motifs that combine and interplay to create some of the finest woven musical threads ever. From its gripping opening in which the hero finds himself weaponless in the house of his enemy; to its heartrending finale when a father bids farewell to his favourite daughter generations of listeners have swooned to this story and its majestic fantastical music. This Vocal Score of this Opera with lyrics in German and English features a piano reduction of the orchestral part and isideal for study rehearsal and concert performances.
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Richard Wagner: Parsifal: Opera: Score
Opera
Dover Publications
in Full Score-Unabridged score of composer's last opera renowned for splendid m...
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in Full Score-Unabridged score of composer's last opera renowned for splendid music and glowing orchestration. Deeply personal treatment of the legend of the Holy Grail themes of sacred and profane love innocence and purity remorse and sexual renunciation. Reprint of authoritative C. F. Peters edition including list of characters and contents in both German and English.
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Manon Lescaut (PUCCINI GIACOMO)
Opera
Ricordi
Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCA...
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Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCAUT is the first volume of the series THE OPERAS OF GIACOMO PUCCINI - CRITICAL EDITION - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera that have survived in various sources: an 1893 version, with the original Act I finale, the first version of Manons Act IV aria, and the uncut version of the final duet in Act IV; a 'midcareer'version imagined by Puccini in the first decade of the new century, when he sanctioned the almost complete omission of Manons Act IV aria; and finally the last version that Puccini lived to approve, with Manons aria restored, albeit with a revisedliterary text. The edition consists of two volumes of full score. The first volume is introduced by a preface to the Puccini Critical Edition and an historical introduction; the second volume ends with a detailed description of the operas many sources and alengthy critical commentary which discusses numerous problematic details in the musical text. / Opéra-opérette / Date parution : 1905-07-06/ Répertoire / Opéra
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Le Convenienze Ed Inconvenienze Teatrali
Opera
Ricordi
EDIZIONE CRITICA A CURA DI ROGER PARKER E ANDERS WIKLUND / Oeuvres Théâtrales/...
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EDIZIONE CRITICA A CURA DI ROGER PARKER E ANDERS WIKLUND / Oeuvres Théâtrales/Oratorios Et Ballets
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Engelbert Humperdinck: Haensel And Gretel: Opera: Vocal Score
Opera
[Vocal Score]
Dover Publications
With his fairy-tale fantasy Hansel And Gretel Humperdinck combined the simplici...
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With his fairy-tale fantasy Hansel And Gretel Humperdinck combined the simplicity of German folksong with the sophistication of Wagnerian operatic technique to create a work that has been a favourite with young and old alike since its first performance in 1893. This vocal score features a piano reduction of the orchestral score and an English translation of the libretto.
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Georg Friedrich Händel: Messiah HWV 56: Mixed Choir: Score
Opera
[Sheet music]
Barenreiter
Messiah occupies a unique position in Handel’s work. Even if it does not ...
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Messiah occupies a unique position in Handel’s work. Even if it does not represent the absolute zenith several other oratorios could challenge it in this respect its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer’s monumental output.That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention.Urtext of the Halle Handel EditionFull score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.
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Stiffelio (VERDI GIUSEPPE)
Opera
Avant Scène Opéra
Par VERDI GIUSEPPE. / Livre / Opéra
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Musique Vocale Profane, Vol.1: Cantates Pour Voix De Dessus. Canons
Opera
[Score and Parts]
Barenreiter
/ Divers / Partition
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