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Earl
SAXOPHONE
Piano Trio: piano, violin, cello
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Simon Holt: Piano Trio - Los Ojos: Chamber Ensemble: Score and Parts
Piano Trio: piano, violin, cello
Chester
Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cell...
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Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt
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Gabriel Fauré: Trio Op.120: Violin & Cello: Score and Parts
Piano Trio: piano, violin, cello
[Score and Parts]
Barenreiter
Piano Trio Op.120 for Piano Violin & CelloGabriel Fauré?s Piano Trio his penu...
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Piano Trio Op.120 for Piano Violin & CelloGabriel Fauré?s Piano Trio his penultimate work was composed in 1922-23 and published in June 1923. The three-movement work clearly shows Fauré?s ability to combine a transparent texture with charming and elegant themes.Until now the composition has always presented musicians with considerable problems as the score offers conflicting readings when compared with the separate string parts. Without reliable information on the different readings important basic information for an appropriate interpretation of the work has been lacking. Bärenreiter?s first ever critical edition of this masterpiecefinally unites the parts with the score. All variants appear in the critical commentary to the corresponding complete edition volume of ?the Complete Works of Gabriel Fauré?.- First scholarly-critical edition of this work- High-quality Urtext edition based on ?the Complete Works of Gabriel Fauré?- Foreword (Eng/Fr/Ger)
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Michael Nyman: The Photography Of Chance (Piano Trio): Violin & Cello: Score and
Piano Trio: piano, violin, cello
[Sheet music]
Chester
For Violin Cello and Piano. Composer's Notes 'Even though this work was inten...
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For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
37.50 GBP - Sold by Musicroom UK
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Michael Nyman: The Photography Of Chance (Piano Trio): Piano: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this ...
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Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
24.99 GBP - Sold by Musicroom UK
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Classical Vienna (Piano Trio)
Piano Trio: piano, violin, cello
[Score and Parts]
Alfred Publishing
A delightful collection of well-loved piano solos (and one song) by Haydn, Mozar...
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A delightful collection of well-loved piano solos (and one song) by Haydn, Mozart, and Beethoven; arranged - with equal difficulty parts - for violin, cello and piano. Whether just for pleasure, or a public concert, or as GCSE/A-level ensembles, these pieces will be very useful, with the added bonus of having familiarity in another form. They would also make appealing encores for amateur or professional chamber musicians. Level: Grades 6-7; Early Advanced-Advanced. / Ensemble Music, Instrumental Music / Recueil / Piano, Violon et Violoncelle
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Felix Mendelssohn Bartholdy: Klaviertrio Nr. 2 c-moll Opus 66: Chamber Ensemble:
Piano Trio: piano, violin, cello
G. Henle
Piano Trio no. 2 in c minor op. 66. After the great success of his first Piano T...
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Piano Trio no. 2 in c minor op. 66. After the great success of his first Piano Trio in d minor op. 49, some five years passed before Mendelssohn set to work on a new composition for this formation. But then the c-minor Trio came into being in a relatively short period in March/April 1845 and was published around a year later. Much more sombre in character than the sibling work, this second trio is also considered much more difficult in terms of technique (above all in the piano part). Thus, it has always stood somewhat in the shadow of the earlier trio. However, chamber music aficionados generally regard it as the more mature and challenging work in terms of compositional technique. The trio, taken from the volume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
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Felix Mendelssohn Bartholdy: Piano Trios: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
G. Henle
After an early work and a discontinued attempt in 1831/32 Mendelssohn made his b...
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After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49 which was to be followedsix years later by the Trio in c minor op. 66. On publication of the first trio Schumann took the opportunity to describe the composer as the ?Mozart of the 19th century? whereby he was obviously alluding to the mixtureof Classical and Romantic stylistic elements. The musical text of these two famous Trios has been thoroughly revised to reflect the latest scholarly findings. In addition HN 1297 also includes a Flute part for thealternative version of op. 49 (Flute instead of Violin) that Mendelssohn himself made.
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AntonÃn Dvo?ák: Dumky - Piano Trio No.4 In E Minor Op.90: Piano Trio: Score and
Piano Trio: piano, violin, cello
Barenreiter
Trio-The musical term 'Dumka' originates from the Ukrainian language and means '...
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Trio-The musical term 'Dumka' originates from the Ukrainian language and means 'an epic ballad ? generally thoughtful or melancholic in character'.Dvorák?s magnum opus in the Piano trio genre takes its name from its ?Dumka? movements which he composed whilst in Prague in 1890-91. After long hesitation he finally prepared a Piano reduction while he was in the United States in the summer of 1893. The previous year Dvorák had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan.The editor of this Barenreiter edition Christoph Flamm took the Simrock print as his starting point. However he alsocarefully distinguished between the various reissues and consulted Dvorák?s sketches as well as his Piano reduction. A Critical Commentary provides detailed information on the work?s sources tempo markings and formal divisions of the movements.Urtext edition reflecting the latest musicological researchDetailed preface (Ger/Cz/Eng) and Critical Commentary (Eng) by the editorContains previously unknown music (draft version of Dumka no. 3)Replaces earlier edition H1551
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Bedrich Smetana: Piano Trio In G Minor Op. 15: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
G. Henle
When Smetana composed his Piano trio in the autumn of 1855 it was an act of cat...
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When Smetana composed his Piano trio in the autumn of 1855 it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chambermusic. Its first public performance in December 1855 was regrettably not a great success and so Smetana embarked on a protracted process of reworking it. By the late 1850s it had reached its current form. Smetana always liked toperform it but only found a publisher for it in 1880 when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Posp Å¡il has based this Henle Urtext edition on thefirst edition by Pohle but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.
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Ernest Chausson: Piano Trio In G Minor Op. 3: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
G. Henle
Ernest Chausson's Piano Trio In G Minor Op. 3. Score and parts. Following his ea...
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Ernest Chausson's Piano Trio In G Minor Op. 3. Score and parts. Following his early elimination from the Paris Conservatoire's sought-after award for students of composition the “Prix deRome” Ernest Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance so to speak. During his lifetime the trio remained an insider’s tip amongst thoseclose to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of its time. ThePiano Trio In G Minor Op. 3 is closely based on Franck’s principle of the cyclic interleaving of all motives yet still has dark and melancholy inflections all of its own. The Henle Urtext edition is thefirst critical edition and is a welcome addition to their collection of French music.
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Trio in B-flat major op. 97 (BEETHOVEN LUDWIG VAN)
Piano Trio: piano, violin, cello
[Score]
Barenreiter
Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduk...
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Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today it numbers among his most celebrated pieces of chamber music, not least because of its remarkable melodiousness ? a feature typical of Beethoven?s music from these years ? and its spacious formal design. Jonathan Del Mar?s new critical edition of the Trio draws not only on early prints but also on various handwritten sources. A detailed introduction by Misha Donat is devoted to the work?s historical contexts. - Urtext edition of Beethoven?s most famous piano trio - Detailed introduction (Eng/Ger), editor?s foreword (Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-11-29/ Répertoire / Violon, Violoncelle et Piano
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