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SAXOPHONE
Soli, Mixted choir and accompaniment
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Johann Sebastian Bach: Cantata BWV 31 Der Himmel Lacht!: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exult...
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Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter DayPerformance material (BA10031) vocal score (BA10031-90) & study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Our editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardlysurprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Kantate 76 Die Himmel erzählen: Score
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Kantate 76 Die Himmel erzählen
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Johann Sebastian Bach: Kantate 128 Auf Christi Himmel: Score
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Kantate 128 Auf Christi Himmel
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Kantate 31 Der Himmel Lacht (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Der Himmel Lacht! Die Erde Jubilieret! . Par BACH JOHANN SEBASTIAN. / Répertoir...
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Der Himmel Lacht! Die Erde Jubilieret! . Par BACH JOHANN SEBASTIAN. / Répertoire / Soliste, Choeur Mixte et Orchestre
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John Rutter: Skylark: Double Choir: Part
Soli, Mixted choir and accompaniment
Oxford University Press
John Rutter's timeless arrangement of Skylark a standard of the golden age of A...
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John Rutter's timeless arrangement of Skylark a standard of the golden age of American song is rich mellow and mellifluous. Soaring lines for flute depict the eponymous songbird and the classic Hoagy Carmichael tune is shared between solo voice and choir the latter also often providing the cushion of evocative harmonies synonymous with the spiritual.
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César Franck: Die Sieben Worte: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Carus Verlag
Jesu am Kreuz-Franck's Die Sieben Worte for SATB.Unlike the well-known settings ...
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Jesu am Kreuz-Franck's Die Sieben Worte for SATB.Unlike the well-known settings of the 'Seven Last Words' by Schütz or Haydn in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the 'Stabat Mater'. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: ?different-sized ensembles exciting orchestration formal variety and sophisticated harmony. Laments simple passages for the choir in unison passages with great drama melodic shapes filled with sweetness convey to the listener a multi-layered impression of acomposition stamped by a strongly personal will to expression.? Württembergische Blätter für Kirchenmusik 1/1991
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Vocal Ensemble:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orc...
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2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative – aria – recitative – aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in a melody full of thecheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling violin part which ultimately soars upward to breathtaking heights.- Urtext of the New Bach Edition
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Charles Gounod: Messe Solennelle - Sainte Cécile: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was ...
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Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was the Messe solennelle en l?honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera.This Urtext edition is based not only on the original print of 1856 but also on copyists? manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod?s birth.Gounod?s well-known mass in a new Urtext editionBilingualForeword (Ger/Eng) and Critical Commentary (Eng)Idiomatic piano reductionIn preparation for the Gounod bicentenary year 2018
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Basso Continuo-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt ...
(+)
Basso Continuo-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most...
(+)
Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.
21.00 GBP - Sold by Musicroom UK
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...
(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozar...
(+)
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
13.80 EUR - Sold by LMI-partitions
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...
(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...
(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
37.80 EUR - Sold by LMI-partitions
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozar...
(+)
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
7.01 EUR - Sold by LMI-partitions
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...
(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
14.80 EUR - Sold by LMI-partitions
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...
(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
5.80 EUR - Sold by LMI-partitions
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozar...
(+)
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
5.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Missa Brevis In G (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...
(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
4.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
13.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
9.50 GBP - Sold by Musicroom UK
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