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Organ solo
SAXOPHONE
Soli, Mixted choir and accompaniment
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...
(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
19.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...
(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
4.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...
(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
8.00 GBP - Sold by Musicroom UK
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2 sellers
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...
(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
4.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Continuo: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...
(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
4.50 GBP - Sold by Musicroom UK
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2 sellers
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Vocal: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The Mass K.259 known as the Organ Solo Mass on account of an important organ pa...
(+)
The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
27.50 GBP - Sold by Musicroom UK
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John Rutter: Requiem: Full Score - Ensemble (with organ): Mixed Choir: Score
Soli, Mixted choir and accompaniment
Oxford University Press
for soprano soloist mixed choir and orchestra or ensemble (with organ) This is...
(+)
for soprano soloist mixed choir and orchestra or ensemble (with organ) This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis the Book of Common Prayer and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all humanity psalms personal prayers to Christ and in the central Sanctus an affirmation of divine glory. The full scores have been edited and engraved by the composer himself and are presented in handsome cloth-bound editions. Vocal and orchestral material is available on hire.
118.95 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: I Will Magnify Thee: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Handel?s four anthems were all composed during his London period in the Chapel R...
(+)
Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.
14.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
12.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
10.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK
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3 sellers
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: As Pants The Hart HWV 251e Chapel Royal Anthem: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Georg Friedrich Händel: O Sing Unto The Lord HWV 249a Chapel Royal Anthem: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloist...
(+)
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written inMarch 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
9.00 GBP - Sold by Musicroom UK
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Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN...
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Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
31.44 EUR - Sold by LMI-partitions
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Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JO...
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Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
28.92 EUR - Sold by LMI-partitions
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John Frandsen Simon Grotrian: Requiem: SATB
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Wilhelm Hansen
Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloi...
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Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010). Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utøya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR The texts by Simon Grotrian are sung by a Rock Singer accompanied by Organ. Parts are available on hire: hire@ewh.dk Score: WH31253
141.99 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
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Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
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Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
38.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
14.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
5.00 GBP - Sold by Musicroom UK
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