Par CAMPORELLI BRUNO. 3'00 / Niveau : 1er Cycle / Répertoire / Trompette et Piano

Cette partition FANTAISIE BRILLANTE SUR ZAMPA de Herold Ferdinand a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7712. Cette oeuvre d'une durée de 00:06:00 est idéale pour les musiciens pratiquant Trompette et Cornet. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Trompette Et Piano / Partition

This edition is more user-friendly than the others currently available. The accompanying CD provides piano accompaniments as well as samples from recordings of the Neruda Haydn and Hummell concerti with kind permission of Hyperion Records and Crispian Steele-Perkins.J.G.B. Neruda (1711-1780) was typical of 18th century musicians travelling and studying in various parts of Eastern Europe and finally settling in Dresden (1750-1780) in the Electoral (chapel) orchestra where he was salaried as a violinist and occasional composer. This concerto was originally composed for a Corno da Caccia (hunting horn) presumed to be something of a hybrid between the natural hornand natural trumpet but has been borrowed by modern trumpet players and is now firmly fixed in the Classical trumpet repertoire.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail. Suggested cuts have been indicated which give a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required.The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being over-prescriptive. There is an appendix with suggested interpretation of trills. Listening to as many different recordings as possible is the best way to assimilate good trills. The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 23 for full track listing. There is free software available online (eg. speedshifter on the ABRSM

In making this piano reduction the arranger has attempted to retain as much of the original version (for string orchestra and harpsichord) as possible to give the soloist a clear idea of what is going on in the orchestra. Therefore certain passages especially in the third movement Elegy are rather tricky and not always easily playable. The composer’s suggests omitting some of the notes in the chords if required or for example when a chord is repeated in succession to play the chord in full on the beat but to play only the outer notes of the chord after the beat. Where necessary spread chords can be played as marked.

Not many works for strings translate well to brass, but this baroque Violin Sonata by Arcangelo Corelli is the exception. This arrangement of all 5 movements gives the brass player ample time to display virtuosic agility while also allowing some time to sing in the beautiful Saraband. Total duration 7:45. / Trompette Et Piano

The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes. / Trompette Et Piano

8 Konzertstücke für Trompete und Klavier-The pieces in Good Morning Vienna are written by young Austrian composers who continue the old tradition of Vienna as a music metropolis. These easy to intermediate pieces cover a wide range of styles and so are ideal for working on aspects such as dynamics phrasing and articulation. At the same time they are excellent performance pieces. On the enclosed CD professional musicians have recorded their interpretation of each piece as an example; then every player is invited to give his or her own interpretation with the play-along version. The piano accompaniment allows you to play the pieces together with a pianist which is educationally even more valuable.