Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde.A new instrumentation restores this linked pair of dances from Davies's second full-length ballet Caroline Mathilde based on the story ofthe eighteenth-century British princess sent in marriage to Denmark to the eighteenth-century milieu of the work's setting and musical world. The period manners - a gavotte in the first dance a gigue at the start of the second -are typically overlaid with the composer's Scottishness. In general the harp has an accompanying role but it comes forward alone in the second movement which ends with bravura from both instruments.These two dances were firstperformed in September 1993 at the Northlands Festival by David Nicholson and Eluned Pierce.Score and flute part. Duration c. 5mins.Harp part edited by Elune Pierce.

15 Solos for Harp Volume 1 encompasses diverse songs and tunes from the British Isles commonly described as 'Celtic Music'. This type of music is often associated with the English publisher JohnPlayford. In the 17th century he published The English Dancing Master which contains traditional music as well as tunes of his day (up to the Renaissance).Author Monika Mandelartz a specialist in historicalperformance practice follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her work emphasizes the ideathat lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March Nonesuch Black and Grey Virgin Queen I Will Give My Love an Apple The Scots Rant Duke of Grafton's March Kettle Drum Nobody's Jig Spanish Jig Sidh Beag Agus Sidh Mor She Rose and Let Me In and Oranges and Lemons.

This popular piece is in great demand and is now available for folk harp. This book includes several arrangements: an easy solo version an advanced solo version in the keys of G and D and a duet version for harp and flute or violin.

22 classics from the Fab Four arranged especially for folk harp. They are written on a double-treble grand staff and playable on 22-string or larger harps. Beginning with G below middle C all of the songs stay within the three-octave range. Semi-tone levers are not required.

This is the second in the Sylia Woods Multi-Level Harp Series books designed to be used by harpers of all levels of proficiency. Each tune has two arrangements; an easy version (A) and one that is more difficult (B). Also each version contains chord indications that can be used by harpers or other instrumentalists.

The third book in the Sylvia Woods multi-level harp series contains popular hymns and church music wedding processionals and recessionals and a special section of Jewish music for joyous occasions. You'll find around 50 pieces each with 2 arrangements: an easy version and one that is more difficult. Furthermore each tune includes chord indications that can be used by harpers or other instrumentalists.Spiral-bound.

Soneto A Cordoba arranged for High Voice and Harp or piano. Spanish and English text.

Concerto For Flute Harp And Orchestra was composed by Anders Koppel in 1998 and revised in 2009.

Sonata Concertante Op. 90 (2010) - for Flute Violin Harp Viola Cello and Contrabass. Commissioned by the Musiikkia! Ruovesi Festival.Dedicated to Anna and Okko.    

For Counter-Tenor Flute Shakuhachi (or Alto Flute) Cello 2 Pianos Harp and Percussion.Published in 1996.Commissioned by Roger Woodward for the composer's 50th Birthday Concert in the Seventh Sydney SpringFestival 1996.Recorded on ABC Classics (ABC 462 007 - 2)