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BUGLE
|piano|
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Descant (Soprano) Recorder, Ba… (20)
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Balalaika (20)
Balalaïka Et Piano (20)
Solistes SATB, Choeur SATB, 2 … (20)
Tuba and Orchestra (20)
Saxophone and Orchestra (20)
Ensemble A 4 Parties (20)
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4 Bassoons (20)
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2 Recorders, Piano (14)
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Violon 2 (14)
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Flute, Violin and Violoncello (13)
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Basse (13)
Flute, Violin, Piano (13)
2 Saxophones Alto et Piano ou … (13)
Drums-Marching band (13)
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Fake Book (13)
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Ensemble De Contrebasse (11)
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Piano Treasury Of Hymns Cd
Piano, Voice
[Sheet music + CD]
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Intermediate
Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...
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The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
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Laverne A. - Chords In Motion - Piano
Piano solo
Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...
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Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Greenberg: An English Medieval And Renaissance Songs Book: Voice: Mixed Songbook
Piano, Voice
Dover Publications
This treasury of part songs and sacred music for one to six voices will delight ...
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This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries the collection covers a broad range of moods. Approximately half the songs are secular some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg
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Jazzin' The Blues (COROZINE VINCE)
Piano solo
Mel Bay
Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...
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Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano
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The Gallipoli Songbook (Pvg)
Piano, Vocal and Guitar
Amsco Wise Publications
The Gallipoli Campaign took place between April 1915 and January 1916 and marked...
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The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)
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100 Of The Best Movie Songs Ever !
Piano, Vocal and Guitar
[Sheet music]
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Intermediate
Amsco Wise Publications
A great selection of 100 of the best film songs ever, arranged for piano, voice ...
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A great selection of 100 of the best film songs ever, arranged for piano, voice and guitar. Features fabulous songs from all your favourite movies including: Casablanca, Cabaret, Mary Poppins, Forest Gump, Midnight Cowboy, Footloose, Jaws, Star Trek, Ghost, Titanic, Schindler's List, Saturday Night Fever, Stand By Me, Love Story, Breakfast At Tiffany's... and many, many more!
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Easiest Piano Course : First Australian Songs
Piano solo
Amsco Wise Publications
This book of First Australian Songs follows the world-renowned John Thompson's E...
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This book of First Australian Songs follows the world-renowned John Thompson's Easiest Piano Course method that has helped thousands of beginners learn the Piano. Now you can learn all of those famous Australian pop and folk songs with ease.The John Thompson's Easiest Piano Course is one of the best-selling Piano methods ever, and for good reason. The collection of repertoire books that are intended as supplementary material for these tutors are equally deserving of their praise, with the way they enable students to put what they've learned into practice through familiar and famous songs. This particular songbook is made up of those Australian Songs that remind you of a beautiful beach with white sands and a crystal clear ocean, while also representing the natural beauty of the flora and fauna of the great island.Popular tunes like I'd Like To Teach The World To Sing, Kookaburra Sits In The Old Gum Tree and Waltzing Matilda perfectly supplement students working through parts 2, 3 and 4 of the Easiest Piano Course, with the songs are also ideal for use as sight-reading practice by more advanced students. Other familiar melodies include Waltzing Matilda, Skippy The Bush Kangaroo and, of course, The Australian National Anthem. By learning and playing fun songs from this book, students will be more motivated to play the Piano and will become more musical as a result.What's more, this book is great in the sense that it creates a natural progression for beginners. The pieces become more difficult as they go on, meaning players have something to strive for. Also, because techniques like dynamics and phrasing (though essential) are not introduced until the later parts of the course, they have been omitted from the earlier parts of this songbook, so that initially the student remains focused on accuracy in the notes and rhythm.To enhance learning through fun-to-play popular songs, the First Australian Songs book will bring a taste of down-under to your fingertips. These jaunty melodies and happy tunes will get you playing, and improving, in no time at all. / Piano
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New Complete 62 - 70 Coffret (BEATLES THE)
Piano, Vocal and Guitar
[Sheet music + CD]
Novello & Co Ltd.
Par BEATLES THE. Pop/Rock / Rép International / Recueil / Piano, Chant et Guit...
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Par BEATLES THE. Pop/Rock / Rép International / Recueil / Piano, Chant et Guitare
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Return To Avalon: Flute Duet: Score and Parts
FLT(2)/PFA::Flute (Duet)/Piano Accompaniment (Duet)
[Sheet music]
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Advanced
Camden Music
Return To Avalon is scored for two flutes one doubling Piccolo the other doubl...
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Return To Avalon is scored for two flutes one doubling Piccolo the other doubling Alto Flute.In the mid-thirteenth century over 200 000 Cathars were murdered in the South of France 'Avalon' by forces of darkness and ignorance. The Cathars were European Buddhists who believed in loving each other that we are all equal in the eyes of God non-revenge vegetarianism and that women could be priests. They also believed in reincarnation.In answer to threats and bullying many of them chose to be burnt alive rather than be forced to follow teachings they believed to be untrue.People say that the Cathars never came back. People saythat they died in vain. But I believe that they are wrong I believe that the Cathars did come back to create a Church of light outside the constricts of religion but through the arts through music poetry and prose.'Return to Avalon' is the story of two great Cathar flute players who rise from the ashes of the Montsegur massacre to return and baptize the world into the truth of the eternal through the beauty of sound and honesty of expression. I imagined these 'Sons of the light ' playing this piece and letting its message of friendship and brotherhood echo out over the mountains.'Return to Avalon' begins with 'The Last Song' a 13th century Cathar melody echoed on alto flute then explores an idea I first used in my 1993 flute concerto the idea of orchestrated digital delay.The second movement 'Human flame' on piccolo and alto is also based on a medieval theme but takes it further and further out until finally it burns up into a huge fireball.In the third movement 'Sons of the light return to Avalon' the two flutes reappear Phoenix-like from the ashes leading and learning from each other. Eventually the flutes become inseparable as they interweave together at speed leading us to a higher truth that we are all brothers and sisters equally loved by God.Phenomenal flautist Samuel
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Ultimate Song Pages: Piano Vol.1 (PVG)
Piano, Vocal and Guitar
[Sheet music]
Alfred Publishing
Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pag...
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Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pages: Piano Volume 1 provides the lyrics along with piano and chord arrangements for some of the greatest pop and rock hits ever written. Artists featured: 50 Cent * ABBA * Aerosmith * Avril Lavigne * the Beatles * the Bee Gees * Bruce Hornsby * Bruce Springsteen * Celine Dion * Cher * Chicago * Coldplay * Cream * Diana Ross * Dixie Chicks * Elvis Presley * Eric Clapton * Grateful Dead * Green Day * Hall
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100 études, exercises et phrases tonales Vol. 2 (LENS NICHOLAS)
Piano solo
Schott
pour piano. Par LENS NICHOLAS. The Belgian composer Nicholas Lens presents extre...
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pour piano. Par LENS NICHOLAS. The Belgian composer Nicholas Lens presents extremely varied etudes, exercises and simple phrases with wonderfully telling titles from poetry and everyday world for children and adults. For the most part the studies are tonal and simple and have no constructed line. They are not based on any educational concept but leave the musical dramatization to the pupils and teachers: 'Notes and rhythms are just notes and rhythms, they do not have that many rules, they do not have any pretension, they are just tools for you to use to express what you want to share'. / Date parution : 2016-11-20/ Etude / Piano
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Teens Musical Theatre Anth Male Bk&Cd
Piano, Voice
[Sheet music + CD]
Hal Leonard
Broadway Presents! Teens' Musical Theatre Anthology: Male Edition is a delightfu...
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Broadway Presents! Teens' Musical Theatre Anthology: Male Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: All That's Known (from Awakening) * Chim Chim Cher-ee (Mary Poppins) * Corner of the Sky (Pippin) * Evenin' Star (110 in the Shade) * Giants in the Sky (Into the Woods) * Grow for Me (Little Shop of Horrors) * Heart (Damn Yankees) * I Can't Be Bothered Now (Crazy for You) * I Chose Right (Baby) * I Could Write a Book (Pal Joey) * I'd Rather Be Sailing (A New Brain) * I'm Calm (A Funny Thing Happened on the Way to the Forum) * I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * If I Only Had a Brain (The Wizard of Oz) * It's No Problem (Reprise) (High Fidelity) * Johanna (Johanna) * Ladies' Choice (Hairspray: the Movie) * Larther Than Life (My Favorite Year) * Left Behind (Spring Awakening) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Now I've Seen You (Honk!) * On the Street Where You LIve (May Fair Lady) * Singin' in the Rain (Singin' in the Rain) Slide Some Oil to Me (The Wiz) * Some Girls (Once on This Island) * The Streets of Dublin (A Man of No Importance) * They Can't Take That Away From Me (Crazy for You) * They Were You (Solo Version) (The Fantasticks) * What Do I Need with Love (Thoroughly Modern Millie) * What Would I Do If I Could Feel? (The Wiz) * When I'm Not Near the / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano
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Great Piano Solos (COFFRET)
Piano solo
-
Intermediate
Amsco Wise Publications
ensemble magnifique en quatre volumes de plus de 180 morceaux de spectacles, de ...
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ensemble magnifique en quatre volumes de plus de 180 morceaux de spectacles, de jazz, de blues ainsi que des classiques de la pop, des thèmes de films, de grands standards et des morceaux classiques, arrangés pour le pianiste solo.
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Celebrate The Piano Book 2 (SMITH GAIL)
Piano solo
-
Beginner
Mel Bay
Par SMITH GAIL. This piano method for beginners by experienced author and teache...
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Par SMITH GAIL. This piano method for beginners by experienced author and teacher Gail Smith makes music interesting and fun while covering the important skills needed to become a great pianist. Appropriate for beginners ages 8 and up, it is inclusive, integrating theory, scales, and exercises step by step with a variety of musical styles. It is practical and educationally sound. Each book develops the gifts and creativity of all students using improv techniques, folk songs, original songs, a duet, hymns and much more in one book per level. Gail Smith's signature palindrome exercises build sight-reading skill. --Using this method book makes teaching easier than ever. --There are a variety of songs for the student to play as they progress along. --Scales, chords, and exercises are included throughout each book. --Theory lessons and musical terms are interspersed with lesson material. --Students will enjoy the selections that are designed to maximize their ability. --Each book ends with a final quiz and a certificate of completion. / Niveau : Débutant / All Styles - Methods / Méthode / Piano
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John Luther Adams: Among Red Mountains: Piano: Instrumental Work
Piano solo
Taiga Press
John Luther Adams' Among Red Mountains for solo Piano. 'I've always been intimid...
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John Luther Adams' Among Red Mountains for solo Piano. 'I've always been intimidated by the Piano. As a performer I never played it very well. And as a composer I've never felt as if Icould make the instrument my won.On a recent trip to New York I heard the premiere performance of a lovely chamber work by Kyle Gann that embraces multiple tempos without sustaining them all at the same time.On the way home to Alaska I passed through Seattle. In the Seattle airport there's a large painting by Frank Stella It's one of his protractor works in which arcs of bright colours weave in and out of one another in a dizzyingcounterpoint of imaginary planes. Studying this painting (after hearing Gann's music) it occurred to me that I might be able to do something similar with the Piano. Virtually all my recent music has been composedof four five or six simultaneous tempo layers. If those ensemble and orchestral pieces are multi-dimensional sculptures then Among Red Mountains is more like a drawing. In this piece the challenge I set for myself was tosuggest five independent tempo planes within the limitations of two hands and what Vicki Ray calls 'the Big Black Box'. For three decades I've admired the Piano music of Peter Garland. At last I have a piece thatI hope is worthy of this dedication. The title Among Red Mountains is the translation of the Gwitch'in Athabascan name for a place in the Brooks Range north of Arctic Village.' - John LutherAdams
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The Featured Pianist
Piano solo
[Sheet music + CD]
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Intermediate/advanced
Chester
The Featured Pianist is a splendid collection of fourteen classical favourites f...
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The Featured Pianist is a splendid collection of fourteen classical favourites for the intermediate to advancing pianist, providing a superb enrichment to their repertoire. Suitable for Grades 5-6, the book also comes with a CD and additional downloadable content.The book itself contains fourteen fantastic pieces that everybody is sure to know and love by the cream of classical composers. With Debussy's masterpieces Clair de Lune and Arabesque #1, the latter of which is a beautiful score merely to look at, let alone play. A couple of classic Beethoven pieces, Adagio Cantabile and Adagio Sostenuto, are included, as well as timeless compositions by Chopin, Schubert and Bach that are essential learning for any pianist worth their salt.The accompanying CD contains professional performances of each piece and includes free hints and tips which are downloadable to your computer. Either play along to the CD, or simply unwind and relax to this unbeatable compilation of inspirational performances. Other pieces include Solfeggietto by C. P. E. Bach and Sweet Remembrance by Mendelssohn, among many others that will undeniably delight any listeners within earshot. The pieces arranged in this book are between Grades 5 and 6 in standard, making them perfect for those who want to expand their repertoire and musical knowledge with some of the finest compositions of all time. The Featured Pianist, with its brilliant engravings, accompanying CD and downloadable content, is everything you'll need to learn these great pieces of music. / Piano
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Fritz Emonts: Europäische Klavierschule 3: Piano: Instrumental Tutor
Piano solo
Schott
Following the very successful piano method published in two volumes between 1958...
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Following the very successful piano method published in two volumes between 1958 and 1962 the three-volume European Piano Method represents a new textbook which takes into account the development of modern piano pedagogy.7 Winning Features of the Emonts Method:1 Songs from many European countries2 Pupils begin to play without music notation3 Improvisation and playing on the black keys4 Development of listening skills and aural awareness5 Simple and logical learning structure6 Lots of duets7 Attractive full-colour illustrationsVolume 3The third volume of The European Piano Method is not strictly speaking a piano method but rather a collection of meterial and suggestions forthe advanced tution of now slightly older players.The author has therefore concentrated on selecting pieces from the vast wealth of the piano repertoire and grouping them according to specific structural criteria. With this approach technical aspects (playing chord thirds sixths and other intervals) go hand in hand with musical themes (expressive touch extending rhythmic awareness cantabile playing with pedal). These developmental processes should suffuse each other: in the technical procedures on the one hand control over quality of tone clarity and articulation should not falter; the pieces from the piano repertoire on the other hand should gain creative power through everincreasing technical skills.The appendix of Volume 3 contains further 'yellow pages' with ideas for improvisation. the subjects are: Ostinato Bass Patterns Song Accompaniement Completing Melodies Improvising over Chord Progressions Seventh Chords Introduction to Jazz Harmony.
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The Girona Suite - Eight Evocations
Piano solo
-
Intermediate/advanced
Pianissimo Publishing
June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features...
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June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features eight original and challenging compositions for grades five to seven standard, all inspired by the shipwreck of the Spanish galleas, the Girona.The pieces included in this songbook were all composed specifically for this collection by revered pianist and teacher June Armstrong. Her many years of experience in teaching have allowed her to craft compositions both subtle and powerful that stretch the ability of students while giving them an engaging story on which to base their expression and feeling when playing. Armstrong is an advocate of focusing learning on atmosphere and tonal awareness, which, when combined with the necessary techniques and theory, makes this songbook a learning tool that is theoretically sound and musically enticing.From the first page, the composer has shown her commitment to creating pieces specifically for students learning the Piano, as she writes of how many people, including former students, have inspired her. She then writes in detail about the historical context of the theme of the work, before giving more practical advice on the music itself and how to go about playing it. The friendly and warm approach that Armstrong brings to presenting her suite makes it more than a simple songbook, it becomes a personal journey, where the composer herself guides you through the characters and settings that the music has been composed to evoke. As well as presenting challenging and entertaining pieces, Armstrong's work serves as a fantastic introduction into how major and minor keys can be manipulated to different ends, and how motifs can be used together with a theme. Armstrong writes:?The final piece, Sarabande for the Lost Souls returns to the desolation of Eb minor, closing with a final statement of the No Tengo theme.?The songs in The Girona Suite are designed to cultivate a student's ability to play in keys containing more than three flats or sharps, as well as a number of different time signatures and with varying degrees of expression. This songbook would be ideal for a student of any age who is unafraid to experiment with evoking feeling and emotion in their playing, while also learning and practicing numerous techniques in an appealing and informative context. If you would like to listen to any of the songs that are listed below, these can be heard free of charge on the composer's website. / Piano
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Tutto Beatles (BEATLES THE)
Piano, Voice
[Sheet music]
Carisch
195 Lyrics And Chords. Par BEATLES THE. 195 lyrics and chords, Tutti i testi con...
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195 Lyrics And Chords. Par BEATLES THE. 195 lyrics and chords, Tutti i testi con gli accordi per chitarra delle canzoni dei Beatles/ Recueil / Chant et Piano
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A World of Christmas Carols (FAITH REBECCA)
Piano, Voice
[Sheet music]
Alfred Publishing
Par FAITH REBECCA. In this collection we have gathered fifty Christmas Carols fr...
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Par FAITH REBECCA. In this collection we have gathered fifty Christmas Carols from around the world carefully arranging them for Voice and Piano. Each piano accompaniment is playable by a competent pianist, and there are additional optional harmonies added to the vocal part for choral use if desired. Every country puts its own unique cultural stamp on celebrating the holiday season and this volume can be used to explore those celebrations as part of a wider exploration of the World of Christmas. To this end we have included interesting Christmas related facts, a translation of the text, and both versions where they exist, so each anthem can be easily sung and understood, or compared. Ideal for use in the classroom, or by choirs, and provides wonderful presentational opportunities for themed Christmas concerts. / Choral Music, Songbooks / Recueil / Voix et Piano
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