Duets for Fun contient des compositions originales de la Renaissance, du Baroque et de la musique moderne. Le volume s?adresse aux flûtistes possédant déjà les bases de l?instrument.
En tant que répertoire complémentaire, les pièces permettent de se familiariser avec les style et l?interprétation de chaque époque. Tous les aspects du jeu en duo sont abordés, comme par exemple l?intonation.
Ces pièces sont également parfaitement adaptées à des concerts, des auditions et des concours.
Édition pour flûte à bec soprano : ED 23017
Édition pour flûte à bec alto : ED 23018
T. Morley: Il Lamento
Anonymous: Duo quatro tono
J.B. Loeillet de Gant: Sonata A minor (Adagio
Allegro
Adagio
Giga)
M. Corrette: Suite G Major, op. 5/3 (La aysanne. Gayment
Gigue
Courante
Sarabande
Menuet I, II, III)
W. Croft: Sonata II F Major (Allegro
Adagio
Allegro)
J.-J. Mouret: Sonata IV (Lentement
Fugue
Sarabande
Gai)
R. Valentine: Sonata F Major, op. 6/2 (Vivace
Sarabanda
Gavotta
Giga)
J. Bodin de Boismortier: Suite III C Major (Ouverture
Muzette
Viele
Menuet
Sarabande
Contredance I, II)
P. Delavigne: Le Chévre-Feuille
P. Delavigne: Les Giroflées
P. Delavigne: La Tulipe
G.P. Telemann: Sonata in B Major Affettuoso
Allegro
Andante
Presto)
G. Finger: Sonata C Major (Poco Largo
Vivace
Grave
Presto)
G.P. Telemann: Canonical Sonata No. 5 (Vivace
Cantabile
Scherzando)
H. Genzmer: Vivace e giocoso
H. Genzmer: Tranquillo
H. Genzmer: Comodo
K. v. Steenhoven: Minimal Dream Wawes
K. v. Steenhoven: Cubafluta / Partitions classique / Bois / Flûte à bec / SCHOTT

Duets from Works by J.S. Bach arranged for 2 Treble Recorders by Fumio Kitamika.   Contents:   Gigue from English Suite No.1   Bourée from English Suite No.1   Gigue from English Suite No.2   Bourée from English Suite No.2   Gavotte from English Suite No.3   Menuet from English Suite No.4   Gigue from English Suite No.4   Passepied from English Suite No.5   Courante from French Suite No.2   Air from French Suite No.2   Menuet from FrenchSuite No.2   Gigue from French Suite No.2   Menuet from French Suite No.3   Gigue from French Suite No.3   Anglaise from French No.3   Bourée from French Suite No.5   Bourée from French Suite No.6   Kanon from The Art of Fugue   Presto from Marcello's Oboe Concerto   Fughetta from Works for Keyboard   Kleine Prelude No.3 from Works for Keyboard   Allegro from Brandenburg Concerto No.6

THE DUO COLLECTION, 35 Pieces for 2 alto recorders, arr. Larry Bernstein. This substantial anthology ranging from the 13th to the 19th centuries has got to be the finest of its kind, with canons, sonatas, motets, fantasies, popular song arrangements by Praetorius, Giamberti, Corelli, Morley, Josquin, T

Par RUSSELL-SMITH GEOFFREY. 17 pièces couvrent une grande variété de styles de swing - blues traditionnel, de la musique ragtime et de la danse, y compris l'Amérique latine et des formes modernes. Inclus est trop de Surprise, Surprise!, une petite pièce de théâtre. Il est accompagné de deux groupes de joueurs non-enregistreur applaudir le rythme sous-jacent. Les instructions sont fournies ! Rédigé par Geoffry Russell-Smith et avec des titres tels que : les comédiens, un sourire timide, Tango du Tino, Happy Tune siffleur et Apfelstrudel, cette nouvelle publication est sûre d'être populaire. Niveau facile. / Niveau : Facile / Recueil / 2 Flûtes à Bec Soprano

The Children's and Female Choruses were composed in a single burst of creative activity at the zenith of Bartók's career, in the summer of 1935, between such masterpieces as the String Quartet #5 and the Music for Strings, Percussion and Celesta. These short choral pieces are based on folk texts that Bartók further polished and stylized. The music, however, is wholly the composer's own, although it frequently includes motifs, rhythmic formulas and line structures reminiscent of Hungarian folk songs. Both editions contain nine of the two-part pieces of the set, transcribed idiomatically but faithfully for descant and treble recorders, respectively. / 2 Flûtes A Bec Soprano

The Children's and Female Choruses were composed in a single burst of creative activity at the zenith of Bartók's career, in the summer of 1935, between such masterpieces as the String Quartet #5 and the Music for Strings, Percussion and Celesta. These short choral pieces are based on folk texts that Bartók further polished and stylized. The music, however, is wholly the composer's own, although it frequently includes motifs, rhythmic formulas and line structures reminiscent of Hungarian folk songs. Both editions contain nine of the two-part pieces of the set, transcribed idiomatically but faithfully for descant and treble recorders, respectively. / Flûte A Bec Soprano