SKU: M7.SMP-395
English.
Also known as Patterns For Orchestra (as recorded on the Verve jazz masters 48 CD), this is one of Nelson's very interesting charts. It has a very angular, exciting melody in a brisk swing tempo, and lots of solo space for trombone (as recorded by J.J. Johnson). The solo space could be filled by piano or any other instrument as well. The instrumentation has been converted to 5-4-4-4, a standard big band.
SKU: M7.SMP-932
This chart is not for the faint-of-heart. It moves at a fast, swinging pace, and it captures the spirit of Parker's classic bebop tune, including the humor. As recorded on the new CD The Bill Holman Band Live, this chart allows for solos by tenor sax, trombone and piano. This is the whole package ..... outstanding ensemble writing and lots of solo space. This should be in every big band library. Flute doubles (short passages) on alto and tenor 1 parts. 5-4-4-4.
SKU: M7.SMP-1199
This is a lovely, cool, easy-swing chart that explores linear material as written for and recorded by the North Texas One O'clock Lab Band (Lab 2013). Flute and bass clarinet doubles are required, and the drummer is featured throughout with brushes. This piece has the feel of a theme and variations, and contains very rich harmonies and voicings. 5-4-4-4.
SKU: M7.SMP-224
As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is an extended arrangement based on a gorgeous melody by Pat Metheny. The saxophone players double on flute (sax 1), clarinets (sax 2-4) and bass clarinet (sax 5). There is solo space for piano, tenor sax and trombone, as the chart moves from a rubato ballad, to a bossa feel, to a rock ballad feel, and back to the rubato again. This is a highly, emotionally charged piece which makes a wonderful addition to any program. Limited brass ranges. The chart also includes an interweaving of Metheny's pensive melody Tell Her You Saw Me. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.SMP-352
A monumental piece of big band jazz. This was written for Les' fantastic Chicago band. It is an extensive work (about 12 minutes) which features trumpet (or flugelhorn) throughout in various settings and styles, based on one of the most beautiful melodies Les has ever written. There are also piano solos. Woodwind players must be good doublers and it is well worth the effort. This is certainly one of Hooper's most dynamic and interesting creations (among a great many)! As recorded on the Dorian Blue LP. 5-4-4-3.
SKU: M7.SMP-1235
Based on a traditional Native American song, Fred Sturm has created a truly amazing masterpiece capturing the beauty of the melody with the intricacies and creativity of a big band. Set in 15/8, this odd-metered tune features flute up front, with solo space for piano and bass, and plenty of powerful ensemble passages. If your band is up to it, you will not regret performing Pueblo de Taos, and your audiences will be delighted with such a bold, fresh selection. 5-4-4-4Flute/Alto Sax 1 (Solo), Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet/Flugelhorn 1, Trumpet/Flugelhorn 2, Trumpet/Flugelhorn 3, Trumpet/Flugelhorn 4, Trombone 1, Trombone 2, Trombone 3, Bass Trombone 4, Piano (Solo), Guitar, Bass (Solo), Drums.
SKU: M7.SMP-320
This amazing work was commissioned by the I.A.J.E, ASCAP and the Dizzy Gillespie Commissions and was premiered at the IAJE Conference in New York City. It is a piece approximately 12 minutes in length, with solos for trombone, baritone saxophone, piano and others. This is Holman's newest work, and it should stand as one of his most interesting, creative and exciting works to date. 5-4-4-3.
SKU: M7.SMP-1240
As recorded by the Oliver Nelson Orchestra, 'Ku-Damm' is the 1st movement of the Impressions of Berlin suite. Based on the blues, as so much of Oliver's music was, this bright swing (waltz feel) starts with an aggressive line for woodwind doubles and adds to its intensity with the entrance of the trumpets a short while later. There is solo space for alto saxophone, trombone, and piano. This lively, moving composition is sure to bring an exciting contrast to any program! 5-4-4-3 (opt. 5th trombone).
SKU: M7.SMP-326
Recorded on the A View From the Side CD by the Bill Holman Band, this chart is a slow blues, with Willis taking a VERY different approach. There are doubles in all the saxophone parts, group improvisation, solo for trumpet, piano and tenor saxophone. Lots of double-time swing feel which is so refreshing. 5-4-4-4.
SKU: M7.SMP-1117
This is a lovely, straight-eighth waltz that starts simply and quietly with the rhythm section. There are flute doubles in the alto saxophone parts and a flugelhorn solo. Brass ranges are very limited. This is a great piece to program to contrast the more demanding charts you are performing. 5-4-4-4.
SKU: M7.SMP-1134
This arrangement continues the Radiohead Jazz Project and adds another wonderful talent to the list of outstanding RJP writers. Omar Thomas has arranged this emotional heavy-rock ballad, focusing on the solo voice of the trombone. There is also solo space for piano. There are flute, clarinet and bass clarinet doubles. This piece has limited brass ranges (written B in the trumpet). 5-4-4-4.
SKU: M7.SMP-1218
Arranged by Bill Holman and originally recorded by the Woody Herman Orchestra, featuring Stan Getz, on their album Live at the Concord Jazz Festival, The Dolphin (El Delfrin) is written in a beautiful Bossa Nova setting and features tenor saxophone throughout. With lush harmonies and flowing ensemble backgrounds, there is ample space for your tenor saxophonist to improvise and explore this wonderful melody and arrangement. If you have a tenor player you want to feature, this chart will stun your audiences! 5-4-4-3.
SKU: M7.SMP-1202
Here is a free swinging, remarkable chart from a new writer for Sierra. Allan Ganley's reputation and legacy in England drew our attention to this marvelous arrangement of One Morning in May. The arrangement is recorded on the CD June Time (Vocalion), and stands among the best versions out there. Starting with a soft, swinging ensemble, the chart moves into space for blowing for tenor saxophone and trumpet, returning to the initial feel with a wonderful, warm ending. All brass ranges are very moderate. This will be a great addition to any jazz band library. 5-4-4-4.
SKU: M7.SMP-1233
If you are looking for a modern arrangement with a classic feel, Drew Zaremba has done just that with Dave Brubeck's 'Cassandra.' Recorded by the University of North Texas One O'Clock Lab Band on their CD Lab 2014, Drew uses theme and variation to take this marvelous, swinging melody into challenging, extensive and exciting places. In addition to featuring the depth of your ensemble, including woodwind doubles, lots of counterpoint, and tempo and style changes, there is also solo space for alto saxophone and trumpet. This chart is the real deal! 5-4-4-4.
SKU: M7.SMP-237
This chart is from the I REMEMBER BILL - a tribute to Bill Evans CD arranged and conducted by Don Sebesky! All of these incredible pieces require a mature band, soloists and woodwind doublers. Although these charts are not for the faint-of-heart, they are well worth the time and effort to perform. There has never been a more interesting or musical arrangement of this immortal Jerome Kern standard. From the I Remember Bill - a tribute to Bill Evans CD (RCA Victor). Give it a listen. A truly amazing and extensive excursion. Features alto saxophone. 5-4-4-3 (plus French horn).Alto Sax 1 (Flute, Soprano Sax), Alto Sax 2 (Clarinet, Soprano Sax), Flute (Soprano Sax), Tenor Sax (Soprano Sax), Bass Clarinet (Soprano Sax), Flugelhorn (Trumpet) 1-4, French Horn, Baritone Horn 1 (Trombone), Baritone Horn 2 (Trombone), Baritone Horn 3 (Trombone), Baritone Horn 4 (Tuba), Guitar, Bass, Drums.
SKU: M7.SMP-1201
Rich DeRosa has created a marvelous Latin composition in a baião feel that is recorded by the North Texas Two O'Clock Lab Band. It comes out of the gate roaring. The very hip melody is stated by flute, soprano saxophone, alto saxophone, trumpet and piano. There is plenty of room for improvisation with soloists of your choice, including space for your drummer and any other percussion you might choose to add. The ending of the piece is wild and always brings audiences to their feet! 5-4-4-4 (opt. vibes).
SKU: M7.SMP-1236
Originally recorded by the Count Basie Orchestra on their album Afrique, 'Kilimanjaro' is a mesmerizing, easy-feeling Latin composition which pulses along by the constant tumbao bass groove and infectious percussion. Featuring flute and trumpet on the melody, Oliver Nelson's composition has a very bluesy touch and allows for solos as you choose. Moderate brass ranges (highest note for trumpet is a written D), a written out bass line throughout, and flexible solos makes this outstanding piece playable by most any band. 5-4-4-4 (opt. Latin percussion).
SKU: M7.SMP-1200
As recorded by the Maynard Ferguson Orchestra (and included in the Mosaic CDs The Complete Roulette Recordings of the Maynard Ferguson Orchestra), this is one of those charts that escaped notice for many, many years. Don Sebesky, one of the world's premier arrangers, took a magnificant Rolf Ericson tune and created an arrangement unlike anything you've heard before. The melody is stated by alto saxophone and trumpet, weaving in and out of various textures created by muted brass. The waltz feel begins to accelerate and rise at a climactic point where the melody is once again taken over by a solo trumpet and alto saxophone. Surprisingly, brass ranges are moderate. If you wish to program a piece which will have a very unique flavor and great audience appeal, this would be the chart! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
SKU: M7.SMP-383
Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played all the time. It was recorded on the Swingin' New Big Band album (CD available from Sierra Music), and has wide open blowing space in the blues format. A great shout chorus finishes off this exciting, swinging chart from Oliver Nelson. 5-4-4-3.
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