Instrumental Play-Along-9 songs from this blockbuster hit movie musical are included in this collection for instrumentalists. Each book features online access to audio demonstration and play-along tracks for download or streaming to help you hear how the song should sound and then play along and sound like a pro!Songs include: 'Come Alive' 'From Now On' 'The Greatest Show' 'A Million Dreams' 'Never Enough' 'The Other Side' 'Rewrite the Stars' 'This Is Me' 'Tightrope'.

This is the brand new addition to the string series. Full of new pieces, mixed with arrangements of old favourites. Ideal for Cellists who are between grades 2-4. 28 Items:

for Fiddle Tunes-Eclectic cellist Renata Bratt has written the ultimate book for the fiddling cellist this time from the perspective of an accompanist. Herein you???ll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek Jenny Dang the Weaver The Water Is Wide The Girl I left Behind Me The Road to California Mason???s Apron and Green Grows the Laurel ??? plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup bluegrass bass style 2 and 3-note chords and arpeggios in the common fiddling keys one and two-measure rhythmic bowing patterns the Charleston rhythm the traveling beat and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author.

Par FEASTER HALLEY. New cello students nearly always start in first position aided by finger tapes or guides for accurate finger placement. As they advance, they are expected to learn to shift out of first position, but the focus is on the movement of the shift rather than on note locations or pitch accuracy.In this book, author and versatile cellist Halley Feaster introduces a step-by-step approach to understanding each position, leading to thorough comprehension of the cello fingerboard and a more confident and well-rounded player.Together with its engaging video component, Cello Position Handbook shows advanced beginners and intermediate students what notes are available in each of 12 positions. Short exercises and excerpts are provided for practice in each location, ultimately enabling fluid performance without excessive shifting.On completion of this volume, students will be familiar with what notes are available in each position and be able to move comfortably between them while expanding their repertoires. Includes access to online video. / Date parution : 2022-06-08/ Etude / Violoncelle

15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) ? Can Can (from Orpheus in the Underworld) (Offenbach) ? Jesu, Joy of Man's Desiring (J.S. Bach) ? Morning Mood (from Peer Gynt) (Grieg) ? Ode to Joy (from Symphony No. 9) (Beethoven) ? William Tell Overture (Rossini) ? and more.

Par RENATA BRATT. Une ressource complète pour préparer les étudiants violoncelles intermédiaires et avancés à jouer de la musique de violon. Dix-huit fiddle tunes with chords dans des styles dans le violon typique jam sessions - celtique, Old Time et Bluegrass. Chaque morceau arrangé pour deux ou trois violoncelles et accompagné de courtes études d'enseignement des lignes de basse idiomatiques harmonie de back-up ainsi et isolation improvisation sur les changements de la corde. CD compagnon comprend tous les exemples avec l'accompagnement de la guitare. / Niveau : Intermédiaire / Fiddle Tunes - Methods / Méthode / Violoncelle

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

Cello Easy Instrumental Play-Along: Classic Rock features ten classic rock songs in accessible arrangements designed specifically for Cello students in their first year of study. Audio demonstration tracks featuring real instruments are available to download allowing novices to hear how the song should sound and backing tracks are also included so learners can play along with the band.This songbook includes the hits I Heard It Through The Grapevine Brown Eyed Girl Fly Like An Eagle Another One Bites The Dust and more.

For Cello Or Fagot-This book is designed to take cellists through the process of learning to read the tenor clef in a step-by-step structured approach. New notes are introduced one at a time using traditional tunes interspersed with specially written new pieces encompassing the notes learned so far. To read the higher notes it is necessary to usen 5th 6th 7th and 8th positions all of which are covered. Complete with piano accompaniments.

Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Instrumental Play-Along-Ahoy mateys! Join Captain Jack Will Turner and Elizabeth on their adventures in the Caribbean! 16 pieces from this swashbuckling blockbuster are arranged so you can play along with great accompaniment tracks.

Par JOUBERT CLAUDE-HENRY. Le premier volume de cette méthode s'adressait aux élèves débutants - ce deuxième volume est destiné aux élèves à partir du milieu du 1er cycle. Il est divisé en 14 'grandes leçons'. Chaque leçon peut faire l'objet d'un travail d'au moins deux semaines... La leçon 13 (variations de Mozart) peut être utilisée comme une sorte de recueil d'études. Les grandes difficultés solfégiques qu'elle présente ne sont pas fortuites. Il semble indispensable que la découverte de nouveaux rythmes et de nouvelles écritures (les ornements par exemple) s'effectue au sein de la classe d'instrument, découverte portée par des textes de la plus grande qualité (Mozart...). Cette remarque s'applique également à la Siciliana de Haendel ou au Concerto per flautino de Vivaldi. L'objectif de cet ouvrage est d'enseigner à chaque élève une méthode de travail. Les quatre pages qui composent chaque leçon obéissent à une construction logique que l'auteur a cherché à rendre perceptible. Tous les doigtés ne sont pas indiqués - apprendre à trouver de bons doigtés est une formation indispensable dès le début des études instrumentales. L'invention est un fil conducteur important de cette méthode. Redisons-le : il ne s'agit pas de récréation, mais d'un élément fort et fondateur de l'éducation musicale et technique d'un violoncelliste. Ainsi chaque leçon propose : - un prélude, dont il faut inventer tout ou partie, - un exercice d'invention. On trouvera quelques conseils destinés aux élèves, sur les coups d'archet, les doigtés, les démanchés, etc. - ils ne peuvent en aucun cas remplacer ceux du professeur... On a préféré commencer par l'extension arrière du premier doigt, plus aisée, peut-être, que l'extension avant pour laquelle toute la main est sollicitée. Mais le professeur pourrait inverser les leçons 2 et 3... Un grand merci à Sébastien Robert qui enseigne le violoncelle au Conservatoire du Pays de Montbéliard et dirige l'Académie musicale de Lunéville. Il a relu ces pages, exprimé d'utiles appréciations, proposé de bons doigtés, et donné à l'auteur de très précieux conseils. / méthode - études / Méthode / Violoncelle

(Four Cities)-Faz?l Say?s ?Four Cities? Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say?s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia. SivasSivas is a conservative city located in Eastern Anatolia which is known for its large Alevi population. As¸?k Veysel is an Alevi Ozan (poet) and Faz?l Say has been inspired by his song ?Saz?m? (my saz/myinstrument) in the first part of this work. The movement is concluded on a melancholy tone in imitation of this ethnic instrument. HopaA traditional wedding provided Faz?l Say with his inspiration for this second movement which embraces Eastern Black Sea culture. Horon is a very fast folk dance in 7/16 time which is played on the kemence a typical instrument of the Eastern Black Sea region. The music also touches on Caucasian Georgian and Laz dances anonymous songs ?Laz women? and ?Cilveloy nanayda? (a Turkish song). AnkaraAnkara was declared the capital city of Turkey by Atatürk in 1923. This city with its population of four million was where the composer was born and also spent his childhood. ?Ankara?n?n Tas¸?na Bak? a rebellious song dating back to the First World War can be discerned in the mournful middle section. The movement with its atmosphere of tragedy evokes the republican spirit and the ambience of former times. BodrumBodrum is universally known as the Saint-Tropez of Turkey. A famous street in the city is fringed with countless bars and pubs from which a cacophony of different music can be heard ranging from jazz pop and rock to folk songs. Faz?l Say blends the sounds from these pubs in this movement which includes a walking theme in a swinging jazz tempo. The movement makes a