SKU: HL.48186487

UPC: 888680829094. 9x12 inches.

“AL 30 754 - MILA AND THE SHIP TREE - Choral Partitur For decades the French composer Isabelle Aboulker has been very successful with vocal works for children and young people, in whom well-known fairy tales are processed. Now she has once again met with Mila and the Schiffbaum, a work commissioned by the Académie musicale by Villecroze in the course of the project ”“3 composers write for the school”“, and by the French music publishers with the music prize 2015 in the category ”“ Works for young performers ”“. With this composition, Isabelle Aboulker has created a musical story for narrator, children's choir and instrumental accompaniment, which helps children between five and eight years in educational and valuable ways to gain first experiences with music theater and choral singing. Thanks to an excellent German translation, the successful work can now also be found in the German-speaking world. With the deep sensitivity and subtlety that is the secret of her art, Isabelle Aboulker tells of a little girl who succeeds in getting over the loss of a loved one, namely, his grandfather. The highly charming melodies of this piece, written for unanimous children's choir, are joined by an instrumental accompaniment in which tender melancholy and subtle humor alternate - this musical language comes directly from the heart. AL 30 753 - version for speaker, children's choir and piano (German and French text) The work is also available in English translation: AL 30 732 - version for speaker, children's choir and piano (French and English text) AL 30 743 - Choral Partitur (French and English text) As well as with other instrumental accompaniments: AL 30 733 - version for speaker, children's choir and trio (clarinet in B, cello and piano) (French and English text) AL 30 734 - version for spokesman, children's choir and instrumental ensemble (French, English, German, French, Italian, Italianandrdquo.

SKU: HL.232725

ISBN 9788759880968.

Programme Note BENT SORENSEN - BENEDICTUS (c. 7' ) Benedictus makes the listener listen to the world through a veil of voices wrapped tightly around the listener. Listening to the world is listening inwardly - Think before you listen! Eighteen months ago I was on Gotland wandering among walls in the small streets, in the church, and I thought that it was actually a Benedictus place - the old Catholicism seen and heard through new Nordic eyes and ears. Benedictus can of course be performed in the church in Visby or in other similar places, but it does not need to be a church. I would suggest having it on a programme with spatial music rather than a traditional choralprogramme. EA, vocal, instrumental works where the sound comes from everywhere around. Bent Sorensen 2008.

SKU: BR.CHB-3539-02

ISBN 9790004404706. 7.5 x 10.5 inches.

Motets (BWV 118, 225-231) account for a rather small work group within the great number of sacred vocal works composed by Johann Sebastian Bach. Only six motets have survived; their most striking feature being their mostly double-chorus texture, often without a verifiable instrumental or continuo accompaniment. They were presumably written at the beginning of Bach's time in Leipzig, i.e. after 1723.The present work, Lobet den Herrn, alle Heiden, is one of only two motets by Bach in which the entire text comes from the Bible, in this case the two verses of Psalm 117.Performance editions of all other sacred vocal works by Johann Sebastian Bach are also available at Breitkopf & Hartel.