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Livin
BUGLE
Choral SATB
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A Living Song
Choral SATB
SATB, Piano
Boosey and Hawkes
Ecrit pour le 20e anniversaire de l'Institut de la MEC, A Living Song sert d'hon...
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Ecrit pour le 20e anniversaire de l'Institut de la MEC, A Living Song sert d'honorer et de réfléchir sur la passion pour la musique que CME a instillé dans d'innombrables chanteurs au fil des ans. / Choeur Mixte (SATB) Et Piano (Ou Orchestre De Chambre)
3.70 EUR - Sold by LMI-partitions
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In Memoriam Anne Frank. SATB Acc. (Css) (GOODALL HOWARD)
Choral SATB
SATB divisi
[Sheet music]
-
Easy
Faber Music Limited
Par GOODALL HOWARD. The Faber New Choral Works series sets out to introduce a we...
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Par GOODALL HOWARD. The Faber New Choral Works series sets out to introduce a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series aims to draw in a rich diversity of living composers and will include both lighter and more challenging contemporary works, offering a thrilling array of varied styles. In Memoriam Anne Frank was written to commemorate the 50th anniversary of Anne Frank's death in Bergen-Belsen concentration camp just six weeks before the Nazi surrender in 1945. This moving choral tribute is elegiac in mood but, like Anne's inspirational diary, also exudes warmth and gentleness. Composed by Howard Goodall, available here is the Vocal score of his emotive and moving work In Memoriam Anne Frank , for SATB (divisi) Choir with Piano accompaniment. / Niveau : Assez Facile / Feuillet / Choeur
6.00 EUR - Sold by LMI-partitions
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I Will Lift Up Mine Eyes. SATB (Css) (LAURIDSEN MORTEN)
Choral SATB
[Sheet music]
Faber Music Limited
Par LAURIDSEN MORTEN. Morten Lauridsen's I Will Lift Up Mine Eyes was written fo...
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Par LAURIDSEN MORTEN. Morten Lauridsen's I Will Lift Up Mine Eyes was written for Stephen Layton and Polyphony and has been recorded on Lauridsen: Nocturnes (Hyperion, CDA 67580). Purchase the sheet music here arranged for mixed vocal chorus. In speaking of Lauridsen in his book Choral Music in the Twentieth Century, the author Nick Strimple says of him, 'he is the only American composer in history who can be called mystic, [whose] probing, serene work contains all the elusive and indefinable ingredient which leaves the impression that all questions have been answered [. . . ] From 1993 Lauridsen's music rapidly increased in international popularity, and by the centuy's end he hadeclipsed Tandall Thompson as the most frequently performed American choral composer'. This piece is from Faber's Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Feuillet / SATB
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Lord Is My Shepherd, The. SATB Acc. (Css) (GOODALL HOWARD)
Choral SATB
SATB, Piano
[Sheet music]
-
Easy
Faber Music Limited
Par GOODALL HOWARD. Faber New Choral Works introduces a wealth of new or recentl...
(+)
Par GOODALL HOWARD. Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles. The Lord Is My Shepherd is best known as the theme tune from the BBC series The Vicar Of Dibley . Set for SATB mixed choir and Piano or Organ accompaniment. / Niveau : Facile / Feuillet / Choeur
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Dormi, Jesu. SATB Accompanied (Css) (GODAR VLADIMIR)
Choral SATB
SATB
[Sheet music]
Faber Music Limited
Par GODAR VLADIMIR. Dormi Jesu from The Faber Choral Signature Series, is by Vla...
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Par GODAR VLADIMIR. Dormi Jesu from The Faber Choral Signature Series, is by Vladimir Godar, one of Slovakia's leading composers. Rob Cowan on BBC's Radio 3 has commented about Godar's music that, 'It's as if Janacek, Gorecki and Monteverdi have settled on a universal language. . . . . . '. This gentle piece is for Soprano Solo, Mixed Voices with a piano or harpsichord accompaniment, and would be suitable for a Christmas service or concert. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The seriesdraws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Feuillet / Choeur
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An Irish Blessing. SSA (Css) (FORBES JOANNA / L'ESTRANGE A)
Choral SATB
SATB, Piano
[Sheet music]
Faber Music Limited
Par FORBES JOANNA / L'ESTRANGE A.. An Irish Blessing is a choral setting for upp...
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Par FORBES JOANNA / L'ESTRANGE A.. An Irish Blessing is a choral setting for upper voices and piano or organ of the traditional Gaelic prayer which begins 'May the road rise to meet you'. Its gentle melody unfolds slowly, beginning in unison and building to a fuller choral texture with a descant in the third verse. The optional flute part adds a folk-like quality and, in addition to the wide dynamic range indicated, further textural variety can be achieved with opportunities for a soloist or small group of singers. Perfect for school choirs, weddings, church services, any leaving celebration or a concert programme. The Faber Choral Signature Series introduces a wealth of new or recently writtenchoral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Feuillet / Chant
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Play Pop : Alto Saxophone - Book (HARRIS RICHARD)
Choral SATB
SATB, Organ
[Sheet music + CD]
Faber Music Limited
Par HARRIS RICHARD. A beautiful setting of Psalm 23 ('The Lord Is My Shepherd') ...
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Par HARRIS RICHARD. A beautiful setting of Psalm 23 ('The Lord Is My Shepherd') as performed by the Hampstead Parish Church Choir at the 2003 Hampstead and Highgate Festival. This offers a wonderful alternative to more familiar settings. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Recueil / Saxophone Alto et Piano
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Soul Sessions (TOMPSETT BEN)
Choral SATB
SATB
[Sheet music + CD]
Faber Music Limited
Par TOMPSETT BEN. Peter Sculthorpe's programme note reads as follows 'Lullaby is...
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Par TOMPSETT BEN. Peter Sculthorpe's programme note reads as follows 'Lullaby is based upon one of the number of indigenous Australian melodies collected by Dr H. C. Lethbridge during the 1930s and is a lullaby for children victimised by war. It opens with several statements of indigenous melody, the words lovingly entreating children to embrace sleep, as night falls. This is followed by a short central section that questions the need for war, its text taken from another song in the Lethbridge collection. The melody then returns, leading to a quiet coda, suggesting the calmness of sleep and, for many children, the beauteousness of Paradise. ' The piece is set for unaccompanied mixedvoices. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Recueil / Saxophone Ténor
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O Magnum Mysterium. SATB Unacc. (Css) (LAURIDSEN MORTEN)
Choral SATB
SATB divisi, A Cappella
[Sheet music]
-
Easy
Faber Music Limited
Par LAURIDSEN MORTEN. For centuries, composers have been inspired by the beautif...
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Par LAURIDSEN MORTEN. For centuries, composers have been inspired by the beautiful O Magnum Mysterium text depicting the birth of the new-born King among the lowly animals and shepherds. This setting for unaccompanied SATB divisi by Morten Lauridsen, one of America's most loved and most performed living choral composers, is rich in colour, deeply spiritual and intensely moving. It is rated as 'reasonably straightforward' to sing so suitable for the majority of choirs. A Piano part is included in the score for rehearsal purposes only. / Niveau : Facile / Feuillet / Choeur
5.20 EUR - Sold by LMI-partitions
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Prayers For Peace. SATB Unacc. (Fncw) (L'ESTRANGE ALEXANDER)
Choral SATB
SATB
[Sheet music]
Faber Music Limited
Par L'ESTRANGE ALEXANDER. Prayers for Peace is a collection of three beautiful p...
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Par L'ESTRANGE ALEXANDER. Prayers for Peace is a collection of three beautiful prayer settings by Alexander L'Estrange: God be in my head, Lighten our Darkness, and The Lord's Prayer. Ideal as introits, anthems or in a concert programme, the pieces are testament to L'Estrange's ability to write music which is simple and accessible yet at the same time full of expression and exquisite harmonies. The settings are for unaccompanied SATB but they have an optional piano/organ part to provide support if required. Prayers for Peace is part of Faber Music's exciting ChoralSignature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers, offering a thrilling array of varied styles./ Feuillet / Choeur
4.40 EUR - Sold by LMI-partitions
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Love Divine. SATB Acc. (Css) (GOODALL HOWARD)
Choral SATB
[Sheet music]
-
Easy
Faber Music Limited
Par GOODALL HOWARD. Faber New Choral Works introduces a wealth of new or recentl...
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Par GOODALL HOWARD. Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles. Love Divine is graded as 'reasonably straightforward' within the series and uses a well-loved text by Charles Wesley. / Niveau : Facile / Feuillet / Choeur
5.20 EUR - Sold by LMI-partitions
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Never To Forget (GOODALL HOWARD)
Choral SATB
Faber Music Limited
Par GOODALL HOWARD. Never To Forget is a powerfully emotive choral work written ...
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Par GOODALL HOWARD. Never To Forget is a powerfully emotive choral work written in honour of the NHS health and care workers in the UK who died caring for others during the COVID-19 pandemic. The text comprises their names, each sung separately in turn, in a poignant and moving homage. The piece is designed as a living tribute, to memorialise their dedication and sacrifice through each performance. This is a work of remembrance, respect and gratitude for these courageous workers, never to be forgotten. The work is scored for SATB choir and chamber ensemble, with this vocal score including a piano reduction. Instrumental parts are available to hire from hire@fabermusic.com./ Répertoire / Voix Mixtes et Piano
14.70 EUR - Sold by LMI-partitions
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5 Anthems For The Liturgical Year (SIMPER CALEB)
Choral SATB
SATB, Organ
[Sheet music]
Stainer and Bell
Par SIMPER CALEB. SATB and organ Caleb Simper (1857-1942) was for many years amo...
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Par SIMPER CALEB. SATB and organ Caleb Simper (1857-1942) was for many years amongst the most performed of living composers by virtue of his anthems and services, which were 'sung throughout the civilised world'. To complement his ever popular voluntaries for the church year (still available from Stainer
11.50 EUR - Sold by LMI-partitions
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Epiphany Carol (L'ESTRANGE ALEXANDER)
Choral SATB
[Sheet music]
Faber Music Limited
Par L'ESTRANGE ALEXANDER. Epiphany Carol is a beautiful and accessible original ...
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Par L'ESTRANGE ALEXANDER. Epiphany Carol is a beautiful and accessible original carol by Alexander L'Estrange, with a simple verse-refrain structure. The stirring lyrics, by Joanna Forbes L’Estrange, implore us to protect our world by giving not gold, frankincense or myrrh but 'a present for the future'. Suitable for mixed-voice choirs of all levels of experience, Epiphany Carol will be a popular choice for your Christmas services and concerts. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles. / Choral Music / Répertoire / Voix Mixtes
4.40 EUR - Sold by LMI-partitions
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A Traditional Christmas
Choral SATB
SATB, Piano
Novello & Co Ltd.
Arranged for SATB, here are five all-time classic Christmas songs with a warm an...
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Arranged for SATB, here are five all-time classic Christmas songs with a warm and nostalgic feeling.O Holy Night and Silent Night both originated in 19th century Europe while Have Yourself A Merry Little Christmas was introduced by Judy Garland in a 1944 Hollywood musical. Silver Bells was a 1950 Livingston-Evans pop hit but surely the most famous of them all is Irving Berlin's White Christmas, the 1940 song for which its composer had high hopes the moment he completed it. Conceived as a nostalgic number, White Christmas was a slow starter but went on to become a huge success and, for many, the ultimate Christmas song.These arrangements lend themselves to being performed separately or in seamless succession for a Classic Christmas recital audiences will love. / Choeur Mixte (SATB) Et Piano
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La Traviata
Italiano
Choral SATB
SATB, Piano
Ricordi
Ricordi, the well-known printer of classical opera, presents the works of the gr...
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Ricordi, the well-known printer of classical opera, presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions, in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical, easy-to-follow editorial lay-out. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair... this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves. / Voix Et Piano
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Salve Regina
Choral SATB
SSAATTBB A Cappella
Boosey and Hawkes
'Each year at their Summer Festival in Tavistock, the Exon Singers feature the m...
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'Each year at their Summer Festival in Tavistock, the Exon Singers feature the music of a living composer. In the summer of 2008 I was privileged to be the chosen composer. Salve Regina was written for the Festival and was performed once at a concert and subsequently at the broadcast of Choral Evensong in Buckfast Abbey.The music is unaccompanied and set for a six-part choir, with two parts for both sopranos and basses (and divisi for altos and tenors in the final phrase). The music begins gently and there is some dialogue between upper and lower voices. The climax in the middle uses all six parts and the end is quiet and reflective. Although some of the phrases are short, they should be sung with much expression and with appropriate crescendos and diminuendos.' / Choeur SSAATTBB A Cappella
4.60 EUR - Sold by LMI-partitions
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Halcyon Days for SATB Choir (DUNPHY MELISSA)
Choral SATB
[Sheet music]
Peters
Par DUNPHY MELISSA. Melissa Dunphy is an original and exciting composer living i...
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Par DUNPHY MELISSA. Melissa Dunphy is an original and exciting composer living in the USA, though of Australian background. Her piece Halcyon Days, written to a new text from her regular collaborator poet Jacqueline Goldfinger, creates a period of calm during winter storms where we reflect on what we have lost but rise up to face the new year with joy and grace. Written for SATB unaccompanied choir this piece is suitable for any winter concert. Halcyon Days was commissioned by VOCES8 for their LIVE From London festival in 2020./ Répertoire / Choeur SATB sans Accompagnement
4.10 EUR - Sold by LMI-partitions
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Triptych (Vocal Score)
Choral SATB
SATB, Orchestra
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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Brewbaker D. - To Hold Beauty - Voix
Choral SATB
SATB, Piano
Schott
from Living the Divine / gemischter Chor (SATB) und Klavier; Pauken opt.
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The Negro Speaks Of Rivers
Choral SATB
Novello & Co Ltd.
Craig McLeish writes of The Negro Speaks of Rivers - Langston Hughes (1902-1967)...
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Craig McLeish writes of The Negro Speaks of Rivers - Langston Hughes (1902-1967) was the first black American to earn his living from writing. He was an innovator of jazz poetry, becoming part of the Harlem Renaissance in the 1920s and 1930s. He wrote plays, short stories, novels, and his poetry was widely read. He was also a journalist, columnist and lecturer. The Negro Speaks of Rivers was perhaps his earliest published work, written when only 17 and while travelling by train to Mexico to visit his father. As the train crossed the Mississippi he suddenly began thinking about how rivers had impacted on Negro history, particularly in the fight against slavery. The four rivers mentioned in the poem lent themselves to using musical influences from those particular regions. However, I have tried to keep these links fairly tenuous to avoid overt pastiche. A few years ago I was fortunate enough to work with Congolese musicians. These sessions led to the intricate rhythms in The Congo . The Mississippi mentions New Orleans, so a jazz fugue seemed the most appropriate compositional device to weave into the texture. The spirit of The Nile was gauged from many hours listening avidly to Egyptian music. Craig McLeish began his musical life as a chorister at St Paul's Cathedral. As a bass guitarist, conductor, musical arranger and composer, he has worked with a wide variety of groups in several genres, and scored a hit with the cult pop band 'Fat and Frantic'. He is musical director of Young Voices UK, and conducts several youth and community choirs in and around Milton Keynes. / Choeur SATB
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Neil Young: Heart Of Gold
Choral SATB
Omnibus Press
One of the finest singer-songwriters to have emerged from the 1960s, Neil Young ...
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One of the finest singer-songwriters to have emerged from the 1960s, Neil Young is truly a living legend with an extensive and influential discography that encompasses some 50 years of popular and rock music history. Featuring exclusive interviews with fellow musicians and other fascinating figures, Harvey Kubernik's Heart Of Gold is an essential read for any fans of Neil Young or the many musical endeavours of which he has been a part.From his debut with local bands in his native Canada to his most recent tours and acclaimed 2014 album, 'A Letter Home', Neil Young has consistently been writing and singing his way into the annals of rock history. From his spell with the seminal band Buffalo Springfield to his tumultuous collaborations with Crosby, Stills and Nash to his solo career which began in the 1970s and has been continuing full-force ever since, this book covers the life and music of one of the biggest influences on popular music.As a musician, his explorations through various genres have proven ever-intriguing while at his best, he is near-untouchable. As an outspoken environmentalist, he has actively sought new goals to achieve, while his later career has been marked by his charitable works and documentaries. Unprecedented insights into the legend that is Neil Young come from the number of his fellow artists and musicians who are featured in Heart Of Gold. Names like Graham Nash, Jim Jarmusch, Nils Lofgren and many more illuminate the life of this monumental figure.Author Harvey Kubernik is a writer and music historian, with over 44 years' experience as a pop culture journalist. His work has appeared in a number of music publications, while he's also written 6 books.Neil Young: Heart Of Gold provides fascinating insights into the life and work of one of rock music's most enigmatic figures. At times controversial but never unwavering in his convictions about his art and politics, this book will allow fans to truly get to the heart and soul of this giant of popular music. / Livre
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List, H.M.: Moby Dick Und Kissenschlacht (LIST HELGA MARIA)
Choral SATB
[Sheet music]
Carus Verlag
Par LIST HELGA MARIA. This collection contains 33 new children’s songs for age...
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Par LIST HELGA MARIA. This collection contains 33 new children’s songs for ages kindergarten through third grade. The collection is designed to appeal to children in all age groups, as is especially indicated in the table of contents. Musically the songs – many with refrains and suggestions for playing games – are ideal for children and are similar to folksongs. The songs encompass a wide range of themes, including animals [dinosaurs too], games, fairy tales, stories, the body and the senses, living, hiking, the circus, songs with gags which can be performed . . . . The cheerful tone throughout these songs finds its counterpart in the rich, colourful illustrations. A true picture book./ Répertoire / Choeur Mixte
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Opela : We Are Here To Sing - Choral Edition
Choral SATB
Helbling Verlagsgesellschaft m.b.h
En Namibie, le chant est omniprésent partout où vous allez. On chante un peu p...
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En Namibie, le chant est omniprésent partout où vous allez. On chante un peu partout, au travail, lors des fêtes, comme un moyen d'exprimer la joie ou de la tristesse, ou comme un moyen de transmettre des histoires traditionnelles par le bouche à oreille. Il ya une répertoire adapté à chaque occasion.Les chansons de Opela, nous sommes là pour chanter sont merveilleusement approprié pour le chant partie sans accompagnement au piano, à la fois pour les chorales d'expériences et pour inexpérimentés '' pas-encore-chanteurs ''. Les mélodies colorées et les arrangements simples mais très animée peut être appris dans un délai très court, puis exécuté immédiatement, par exemple, comme une contribution créative à un service religieux. Dans le même temps, le matériau musical est si riche en contenu que les choeurs d'imagination peut-elle développer en morceaux entraînants de concert. / Choeur Mixte (SATB)
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My Shepherd Is The Living Lord (TOMKINS THOMAS)
Choral SATB
[Sheet music]
Stainer and Bell
Par TOMKINS THOMAS. / Répertoire / SATB, AT Solo et Orgue
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Opela : We Are Here To Sing - Conductor Edition
Choral SATB
Helbling Verlagsgesellschaft m.b.h
En Namibie, le chant est omniprésent partout où vous allez. On chante un peu p...
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En Namibie, le chant est omniprésent partout où vous allez. On chante un peu partout, au travail, lors des fêtes, comme un moyen d'exprimer la joie ou de la tristesse, ou comme un moyen de transmettre des histoires traditionnelles par le bouche à oreille. Il ya une répertoire adapté à chaque occasion.Les chansons de Opela, nous sommes là pour chanter sont merveilleusement approprié pour le chant partie sans accompagnement au piano, à la fois pour les chorales d'expériences et pour inexpérimentés '' pas-encore-chanteurs ''. Les mélodies colorées et les arrangements simples mais très animée peut être appris dans un délai très court, puis exécuté immédiatement, par exemple, comme une contribution créative à un service religieux. Dans le même temps, le matériau musical est si riche en contenu que les choeurs d'imagination peut-elle développer en morceaux entraînants de concert. Ils vont trouver le CD du Choeur UNAM une riche source d'idées. / Choeur Mixte (SATB)
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