Spatzenmesse (C)-This Mozart Mass together with BA7520 and BA7521 has been arranged for solo voices chorus and organ from the Urtext of the “New Mozart Edition” thereby making them accessible in all their beauty to choruses and church choirs with limited financial means at their disposal. Martin Focke has based the “concertante” Organ parts on the orchestral writing doing full justice to the timbre of the original. The solo parts and choruses of course leave the Urtext of the “New Mozart Edition” entirely untouched. The “Sparrow Mass” is one of the most significant pieces of church music fromMozart’s years in Salzburg. Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances. Self-contained version with Organ instead of Orchestra Straightforward and easy-to-play Organ part Ideal for church services and concert performances

Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16158G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form. Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts. - Urtext of the New MozartEdition - Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale - Facsimile edition BVK2346

Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas. This arrangement for solo voices chorus and organ is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty to choruses and church choirs with limited financial resources. The ?concertante? organ part prepared by Martin Focke from Mozart?s orchestral accompaniment does full justice to the beauty of the original.Self-contained version with organ instead of orchestraIdeal for church services and concertperformancesStraightforward and easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.

(Psalm 130)-Mozart’s De Profundis (Psalm 130) K.93 for SATB Choir with Organ or Piano accompaniment edited by Don Smithers. Composed in Salzburg in the summer of 1771 to the words of Psalm 130 a Penitential Psalm used in liturgical prayers for the faithful departed in Western liturgical tradition. Instruction in English Psalm in Latin. For intermediate (Grade 4-6) level.Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical era. Born in Salzburg Mozart showed prodigious ability from his earliest childhood. Already competent on Keyboard and Violin hecomposed from the age of five and performed before European royalty. During his life he composed over 600 works many acknowledged as pinnacles of symphonic concertante chamber operatic and choral music. He is among the most enduringly popular of classical composers and his influence on subsequent Western art music is profound.

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SATB

Uses: Advent Christmas Scripture: Isaiah 9:2-7; Mark 1:1-3; John 1:29 An early Latin hymn text has been combined with a Mozartian tune and the result is this superb anthem for Advent. Present with piano or use the optional flute obbligato or chamber orchestration for an added flair. Flute part included. Score and Parts (fl ob cl bn perc timp vn 1-2 va vc db) available on CD-ROM and as a digital download.

c-Moll-Mozart's Missa in C for SATB.The Mass in C minor K. 427 Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable especially given the monumentality of this work. Mozart finished only the Kyrie Gloria Sanctus 'Osanna' and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria supplemented by a tenor and a soprano aria for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor Richard Maunder added Creed wind and brass instruments to the Credo sketches.

This edition with additional orchestrations attributed to W.A. Mozart has been made possible thanks to the generosity of Halifax plc.The first performance of this edition (sung in English) was given on 23 June 2002 in the Victoria Theatre Halifax by the Halifax Choral Society and the North of England Chamber Orchestra conducted by John Pryce-Jones. The first German performance was given on 11 June 2004 in the Moritzkirche Halle with the MDR Rundfunkchor und Sinfonieorchester conducted by Howard Arman.

Mozart's Sanctus and Dona Nobis Pacem are brought together for performance either individually or as a set. Key dynamic markings piano reduction and an English version of the original Latin text combine todistinguish this choral for today's vocal ensembles. The contrasting settings create an exciting work for festival concert or contest.

Take Mozart's Eine kleine Nachtmusic add some lyrics from Deck the Hall a few ho-ho-hos and a lot of fa-la-las arrange it for a cappella voices and you've got one fun-filled choral for the holidays. Absolutely delightful!

Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

Mozart's Missa Brevis In C K220 'Sparrow Mass' for SATB and Piano accompaniment.Mozart likely composed his 'Sparrow Mass' after 1775. The nickname 'Spatzenmesse' was created in the 19th century due to the accompanying figure of the Violins in the Sanctus. All traditional handwritten sources were used for the issue.