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At The End Of The Day
BUGLE
French Horn and Piano
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Poot: Legende Cor En Fa Et Piano: French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
Leduc, Alphonse
Belgian composer Marcel Poot (1901-1988) was a professional composer professor...
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Belgian composer Marcel Poot (1901-1988) was a professional composer professor and musician. He studied at the Belgian Conservatory and went on to attain success as an Organist and composer. His substantial compositions for wind and brass are still performed to this day  Légende for Horn in F and Piano being no exception. In 1925 Poot and several of his contemporaries founded 'The Synthetists' a group to rival 'Les Six' in France. They wished to inject dynamism into the conservative Belgian music scene through the composition of modern pieces. Légende for Horn andPiano reflects this whilst maintaining recognisable musical elements. Poot's Légende published in 1958 is in Ternary Form ending with a fat allegro coda. For intermediate to advanced Horn players Poot's Légende is an exciting addition to the repertoire.
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M. Tanner: Cornish Pastiche: French Horn: Instrumental Album
French Horn and Piano
[Sheet music]
Spartan Press
Timeless Cornish Melodies-As I sit myself down to write this brief foreword I a...
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Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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Wolfgang Amadeus Mozart: Horn Concerto in E-flat major No. 3: French Horn:
French Horn and Piano
[Sheet music]
-
Intermediate/advanced
Barenreiter
KV 447-The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat...
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KV 447-The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat K.447 (BA5312a) has an idiomatic and uncluttered keyboard part. The reduction is conceived for performances with keyboard as well as for rehearsal purposes for renditions with orchestra.Franz Giegling?s editorial work on the concertos in the New Mozart Edition is the definitive scholarly-critical publication and is based naturally on every known source.The publication reflect the needs of performers today. It contains clearly laid out solo horn parts in E-flat and F a detailed historical preface commenting on the sources and a special brochure containing cadenzasand ? Eingänge ?. The cadenza and ? Eingänge ? brochure offers for the first time in print the important cadenzas by Dennis Brain Timothy Brown and Dominic Nunns. The cadenzas are presented in E-flat and then in a slightly altered version for the natural horn. All of the material has also been transposed and presented for the valve horn.
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Eugène Bozza: En Irlande: French Horn: Instrumental Work
French Horn and Piano
[Score and Parts]
Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composer...
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To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments. He composed seven works for Horn with En Irlande premiering in 1951. Featuring on both the ABRSM and Trinity grade 6 syllabus En Irlande is dedicated to Monsieur Leferme a Professor at the Conservatoire National de Valenciennes where Bozza was Principal for much of his working life. As the title suggests En Irlande is influenced by the country Ireland and is based on an old Irish melody. During this Bozza work for Horn contrasting sections changes in time and keysignatures variations in dynamics and articulation and the use of extended techniques are heard. Being such a versatile piece En Irlande is an exciting addition to the Horn player's repertoire.
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Wolfgang Amadeus Mozart: Rondo In E-Flat K.371: French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
-
Intermediate/advanced
Barenreiter
Mozart composed his Rondo In E-Flat Major for Horn and Orchestra on 21 March 178...
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Mozart composed his Rondo In E-Flat Major for Horn and Orchestra on 21 March 1781 just five days after his move from Munich to Vienna. The Rondo was most likely intended as a final movement of what would have been Mozart's first Horn concerto.
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