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BUGLE
Orchestra
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Fantasias (Full Score)
Orchestra
[Sheet music]
Faber Music Limited
Full Score. Par ANDERSON JULIAN. Written for the Cleveland Orchestra in 2009, Fa...
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Full Score. Par ANDERSON JULIAN. Written for the Cleveland Orchestra in 2009, Fantasias was Julian Anderson's first multi-movement work for orchestra. This 23-minute showpiece abounds in vivid contrasts, from the jagged brass fanfares with which it opens to the headlong rush of its dazzling finale. At its heart is an extended and evocative nocturne, overflowing with all manner of brilliantly imagined sounds which its composer describes as a 'musical rainforest'./ Répertoire / Orchestre
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Händel G. F. - Messiah ( Der Messias) Hwv 56 - Conducteur De Poche
Orchestra
[Study Score / Miniature]
Barenreiter
Händel, Georg Friedrich Messiah HWV 56 Oratorio in three parts Details Editio...
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Händel, Georg Friedrich Messiah HWV 56 Oratorio in three parts Details Edition no.: TP 175 ISMN: 9790006201532 Editor: Tobin, John Language(s) of work: English, German Language(s) of text: German, English Product format: Study score, Urtext edition Binding: Paperback
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Georg Friedrich Händel: Messiah HWV 56: Score
Orchestra
Barenreiter
Facsimile of the autograph score in the British Library London-The first perfor...
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Facsimile of the autograph score in the British Library London-The first performance of George Frideric Handel???s oratorio ???Messiah??? on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined ???the Sublime the Grand and the Tender???. Its success has remained undiminished ever since and the ???Messiah??? has taken its place in musical life.In 2009 to mark the 250th anniversary of Handel???s death the British Library and B?renreiter joined forces and made the autograph score of the ???Messiah??? available to the public in a meticulously reproduced lavishly published facsimile.The renowned Handel scholar Donald Burrows introduces the characteristics of Handel???smanuscript describes the history of the work???s composition and explains the differences between later versions of the ???Messiah??? as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication.Facsimile of the autograph in the British Library. 282 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen hardback
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Daniel Kallman: Messiah Prince of Peace: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Messiah Prince of Peace
34.99 GBP - Sold by Musicroom UK
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Vaclav Nelhybel: Caucasian Passacaglia Full Score: Concert Band: Score
Orchestra
[Sheet music]
Schirmer
Score-Vaclav Nelhybel's Caucasian Passacaglia for Orchestra. Score.
7.50 GBP - Sold by Musicroom UK
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Stephen Dodgson: Russian Pieces Set 1: Orchestra: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
Russian Pieces Set 1
13.99 GBP - Sold by Musicroom UK
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Stephen Dodgson: Russian Pieces Set 1: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Novello & Co Ltd.
Russian Pieces Set 1
49.99 GBP - Sold by Musicroom UK
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Stephen Dodgson: Russian Pieces Set 2: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Novello & Co Ltd.
Russian Pieces Set 2
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Alexander Porfiryevich Borodin: Principe Igor: Danze Polovesiane: Orchestra:
Orchestra
Eulenburg
Principe Igor: Danze Polovesiane
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Erich Börschel: Borschel E Straussiana: Orchestra: Score and Parts
Orchestra
Bosworth
Borschel E Straussiana
54.99 GBP - Sold by Musicroom UK
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Trittico Ludovisiano Op
Orchestra
[Score]
Wilhelm Hansen
Par VAN DER PALS LEOPOLD. Trittico Ludovisiano Op. 102 composed by Leopold van d...
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Par VAN DER PALS LEOPOLD. Trittico Ludovisiano Op. 102 composed by Leopold van der Pals / Date parution : 2023-10-31/ Répertoire / Orchestre
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Miniatures Arméniennes (ASLAMASIAN SERGEI)
Français
Orchestra
[Sheet music]
Chant du Monde
Par ASLAMASIAN SERGEI. / Répertoire / Orchestre
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Reza Vali: Segah: Double Concerto: Orchestra and Solo: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...
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Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Reza Vali: Ravan for Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Commissioned by the Pittsburgh Orchestra and dedicated to composer David Stock ...
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Commissioned by the Pittsburgh Orchestra and dedicated to composer David Stock Ravan is the Persian word for “flowing.”
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Reza Vali: Toward That Endless Plain: Orchestra and Solo: Score
Orchestra
Lauren Keiser Music Publishing
Concerto for Persian Ney and Orchestra
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Reza Vali: Toward That Endless Plain: Orchestra and Solo: Part
Orchestra
Lauren Keiser Music Publishing
Concerto for Persian Ney and Orchestra
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Dvorak A. - Concerto In A Minor Op.53 - Score
Orchestra
Barenreiter
Dvorák, AntonÃn Concerto for Violin and Orchestra A minor op. 53 This study s...
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Dvorák, AntonÃn Concerto for Violin and Orchestra A minor op. 53 This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvorák?s op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvorák?s autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in notation and articulation. ? Study score based on the new Bärenreiter Urtext edition ? Variants in the solo part as ossia passages ? Foreword by the editor on the work?s genesis (Ger/Cz/Eng)
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Pepper Choplin: Blessed Is He: Orchestra: Parts
Orchestra
Shawnee Press
Excitement and anticipation build throughout this triumphant Palm Sunday anthem ...
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Excitement and anticipation build throughout this triumphant Palm Sunday anthem as the crowd waits in charged expectation for Jesus's arrival in Jerusalem. “Look in the distance!...What do you see?...I heard Messiah iscoming!...Could it be he?” Questions and speculations mount as the long-awaited Christ approaches. “I see it clear...He is here!” Harmony bursts out of the unison “wonderings” to announce the arrivalof Messiah. Blessed Is He is majestic yet dance-like inviting all to join the celebration. From Pepper Choplin's best-selling cantata Once Upon a Tree this electrifying processional is a must for Palm Sunday.
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Johann Pfeiffer: Concerto in B-flat Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nurember...
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German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto). German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto).
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Johann Pfeiffer: Concerto in B-flat Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nurember...
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German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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Georg Friedrich Händel: Hallelujah Chorus: Orchestra
Orchestra
[Sheet music]
Goodmusic Publishing
ORCHESTRATION: Fl(s) (opt); (2) Ob; Cl(s) (opt); Bsn; Hn(s) (opt); 2 Tpt; Trb(s)...
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ORCHESTRATION: Fl(s) (opt); (2) Ob; Cl(s) (opt); Bsn; Hn(s) (opt); 2 Tpt; Trb(s) (opt); Timp; Str. This edition gives the ‘original’ orchestration of 2 Oboes (though both play together doubling the soprano chorus line) Bassoon (continuo) 2 Trumpets (parts are given in D and Bb and are shown in the score at concert pitch) Timpani strings and SATB chorus. However additional parts are included for Flutes Clarinets in Bb Horns and Trombones which double the chorus lines and can be used either to reinforce the choral line or to replace it completely to provide an orchestra-only concert version. One chorus part is included in the orchestral set and additional copies areavailable should they be required. Many choirs and singers already have copies of the ‘Messiah’ and most should be compatible with this orchestral version. Duration 4.5 mins.
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John Jenkins: Fantasia-Suites I: Orchestra
Orchestra
Stainer and Bell
Edited by Andrew AshbeeTen fantasia-suites for two treble viols bass viol and ...
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Edited by Andrew AshbeeTen fantasia-suites for two treble viols bass viol and organ written early in the composerâ??s career and fifteen fantasia-air sets probably late productions add to the significant corpus of music for viol consort by this outstanding seventeenth-century composer who inherited and expanded the tradition of instrumental fantasias handed down from Coprario and Lawes. Recordings of the fifteen fantasia-air sets performed by the Locke Consort are available on the Channel Classics label (www.channelclassics.nl) CD number CCS 17698 distributed in the UK by Koch International. First published in 2001. Hardback
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Rimsky-korsakov Capriccio Espagnol And Other Concert Favorites - Full Score - Orchestra
Orchestra
[Score]
Dover Publications
Description A towering figure among Russian composers of the late 19th centur...
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Description A towering figure among Russian composers of the late 19th century, Rimsky-Korsakov was one of music’s master orchestrators. The 3 works in full score in this collection, Dance of the Buffoons, Capriccio Espagnol, Russian Easter Festival (Overture), display his mastery of orchestration. They are reproduced from early authoritative scores. Songlist Capricio Espagnol Dance Of The Buffoons Russian Easter Festival Overture
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Beethovens Heiligenstadter Testament (SHCHEDRIN RODION)
Orchestra
[Study Score / Miniature]
Schott
Symphonic Fragment for Orchestra. Par SHCHEDRIN RODION. Emotional depth and rive...
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Symphonic Fragment for Orchestra. Par SHCHEDRIN RODION. Emotional depth and riveting virtuosity - these elements are what characterise many compositions by Rodion Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with the musical folklore and poetry of his home country has never been severed. This 'Symphonic Fragment', premiered by Mariss Jansons with the Symphony Orchestra of the Bavarian Radio, refers to the life of Beethoven and the first major existential crisis of the then 31-year-old composer from Vienna. Even if Shchedrin fails to include explicit quotations, suggestions of Beethoven's 'Eroica' can well be found. The study score on sale now allows one to become thoroughly acquainted with Shchedrin's masterly skills as a composer and his virtuoso treatment of the orchestra in this work./ Répertoire / Orchestre
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
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Pyotr Ilyich Tchaikovsky: Eugene Onegin: Orchestra: Score
Orchestra
Dover Publications
Full Score-Eugene Onegin the most popular of Tchaikovsky's operas is widely co...
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Full Score-Eugene Onegin the most popular of Tchaikovsky's operas is widely considered a theatrical masterpiece. Adapted from a novel in verse form by Aleksandr Pushkin it is the tale of a jaded Russian aristocrat who scorns the love of Tatyana an attractive young girl of the provincial petty nobility. After years of aimless wandering Onegin returns to St. Petersburg to find Tatyana much changed and married to a prince. Onegin falls in love but this time she rejects him in favour of marital fidelity. Full lyrics in Russian.
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Nikolai Rimsky-Korsakov: Capriccio Spagnolo E Altri Concerti: Orchestra: Score
Orchestra
Dover Publications
A towering figure among Russian composers of the late 19th century Rimsky-Korsa...
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A towering figure among Russian composers of the late 19th century Rimsky-Korsakov was one of music’s master orchestrators. The 3 works in full score in this collection Dance of the Buffoons Capriccio Espagnol Russian Easter Festival (Overture) display his mastery of orchestration. They are reproduced from early authoritative scores.
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Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
Orchestra
G. Henle
With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable stud...
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With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943 it meant not only financial support but also an important creative impetus for the gravely ill composer. By October the five-movement concerto which Koussevitsky enthusiastically dubbed ?the best orchestral work of the last 25 years ? was already complete. The first performances in the winter of 1944 45 were also very successful. Nevertheless Bartók was moved to set down an alternate ending which thecomposer who passed away in September 1945 would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the ?Concerto for Orchestra? in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition.
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Alexander Scriabin: Poem Of Ecstasy And Prometheus: Orchestra: Score
Orchestra
Dover Publications
In the early years of our century when vital new forces were revolutionising th...
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In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
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