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BUGLE
Orchestra
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Musical dictation (12)
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Symphonie Nr. 9 (MAHLER GUSTAV)
Orchestra
[Study Score / Miniature]
Universal Edition
Based on the Critical Edition- Orchestra material on hire. Par MAHLER GUSTAV. Th...
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Based on the Critical Edition- Orchestra material on hire. Par MAHLER GUSTAV. The large-scale form of 'Symphony No. 9' is unusual in a number of ways. It reminds in no way of the ninth symphonies of famous predecessors. Two slow movements, an Andante comodo at the beginning and an Adagio at the end, form the frame for two of the most parodistic and embittered inner movements that Mahler ever wrote - a ländler-waltz combination, and the 'Rondo-Burleske', a bitter, ironic movement that is derisively dedicated 'to my brothers in Apollo'. The most extraordinary part of Mahler's last completed symphony must certainly be the slow finale - a 20-minute long intensively singing movement laden with conflict that includes references to earlier works by Mahler, in slow motion as it were ('Urlicht',' Ablösung im Sommer', the 'Scherzo of Symphony No. 3', 'Der Abschied' from 'Das Lied von der Erde', and 'Oft denk' ich, sie sind nur ausgegangen' from the 'Kindertotenlieder'); it indeed seems that a circle is being closed. (Reinhold Kubik) Universal Edition continues its new study score standard. These completely redesigned scores offer an unparalleled insight into the music of the last hundred years. Great care has been taken to select the best available content for this journey through music history, and every score has been edited according to the latest quality standards./ Répertoire / Orchestre
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Britannia
Orchestra
Boosey and Hawkes
Britannia a été écrit en 1994 que la célébration d'une force majeure dans n...
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Britannia a été écrit en 1994 que la célébration d'une force majeure dans notre vie musicale, l'orchestre britannique. Le travail Remplir une commande de British Telecommunications plc avec l'Association de la Colombie-Orchestres dans le cadre de la série BT célébration, et fournit tous les grands orchestres du Royaume-Uni avec une nouvelle ouverture de concert pour la performance de la saison 1994/95.Britannia est un fantasme de dix minutes orchestrale basée sur des 'thèmes patriotiques. Il n'existe aucun programme de recherche, mais que l'histoire de la tapisserie de mélodies populaires et des allusions de résonance, compte tenu de leurs contextes nouveaux et inconnus, peut provoquer certains scénarios surprenant dans l'esprit de l'auditeur, en particulier à un moment où le chauvinisme petite menace à l'arrière une fois de plus dans toute l'Europe. La pièce se développe sur un court sketch écrit plus tôt cette année, Mémoire Impériale, qui est basé sur un air de mars par le général Reid, à l'officier britannique du 18e siècle, l'armée qui a créé le département de musique de l'Université d'Edimbourg. Ce thème et le 'impériale' d'Elgar et de thèmes Arne sont jetés dans une concoction volatile avec d'autres matériaux - une bobine irlandaise (qui devient un gabarit), une chanson à boire Cockney, des airs d'autres mars et une modalité brumeux celtique.Toutes les idées principales sont présentées dans une succession rapide et forte au cours de la section d'ouverture rapide. La partie lente milieu commence avec un canon sereine qui est progressivement Minée par gradés de l'armée et des percussions sur des allusions. Cette confrontation conduit à l'apogée du travail, suivie d'une coda en suspens.Britannia est dédié à Libby MacNamara de l'Association des orchestres britanniques. / Orchestre
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Jean-Philippe Rameau: Spectacles De Fontainebleau 1753: Orchestra: Score
Orchestra
Barenreiter
Symphonies-The heroic pastoral Daphnis et Eglé was performed only once on 29 O...
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Symphonies-The heroic pastoral Daphnis et Eglé was performed only once on 29 October 1753 for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.Our complete edition (BA 8862) is based on Rameau's autograph manuscript a copy of the separate parts and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version?which is actually more complete in its musical form in particular with its overture and two ariettas?but alsoreconstructs the original state of the final divertissement (presented in the appendix) before it was revised.Here we present the instrumental numbers from both operas for concert performance.Based on the first scholarly-critical edition published as part of ?Opera Omnia RameauInstrumental numbers in order of performance but also grouped by key in the list of contents enabling them to be combined freely into orchestral suitesPublished with performance material on hire
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Georg Friedrich Händel: Giulio Cesare: Orchestra: Score
Orchestra
Dover Publications
G F Handel (1685-1759) was a German-born British composer and organist who spent...
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G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera in Britain both importing Italian works and composing his own. Giulio Cesare was composed in 1723-4 and first performed at the King's Theatre Haymarket London in February 1724. It remains today one of the most popular of Handel's Italian language operas enjoyed for its many gorgeous melodies inspired orchestration and exciting plot.Musicians scholars and music lovers will welcome this handsome reprint of the full score of Giulio Cesare reproduced complete andunabridged from the definitive Deutsche Handelgesellschaft edition.
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Georges Bizet: Carmen Suite No. 2: Orchestra: Miniature Score
Orchestra
Eulenburg
Based on the critical edition-'Carmen' is one of the most popular and most frequ...
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Based on the critical edition-'Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless the opera very quickly gained acceptance at all major theatres bringing in its wake countless arrangements of some particularly beautiful music numbers.It was in all probability Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings the second suite with arrangements of the best-known vocal pieces is now available as well. Themusical text is based on our new scientific edition of the opera edited by Robert Didion.
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Felix Mendelssohn Bartholdy: Symphony No.4 In A Op.90 - Italian: Score
Orchestra
[Sheet music]
Barenreiter
In 1832 the Royal Philharmonic Society of London honoured the young German comp...
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In 1832 the Royal Philharmonic Society of London honoured the young German composer Felix Mendelssohn Bartholdy with several commissions. One of the works composed as a result was the A major symphony the ?Italian? based on Mendelssohn?s experiences in Italy in 1830 and 1831. The work was premiered in 1833 conducted by the composer.Today the Italian Symphony has a firm place in the canon of classical masterworks though at its premiere and both the following performances the work was not entirely positively received.Mendelssohn himself was unhappy with it. In 1834 he revised the last three movements but didnot complete this revision. To this day the early version of the ?Italian? is the one played everywhere whilst the revised version has remained to a large extent unknown. Bärenreiter?s critical new edition edited by Christopher Hogwood includes all the performance material for the complete version of 1833 together with the last three movements in the composer?s revised version. Conductors can now choose between the early and revised versions; the revised one includes the first movement from the early version.- A famous work for the Mendelssohn anniversary year in a new Urtext edition.- With the well-known early version and the composer?s revised version.- Includes an informative foreword in English and German.- With facsimile pages.- Full score & performance material (BA9094) available for sale.
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Britta Byström: Symphony In Yellow: Orchestra: Score and Parts
Orchestra
Wilhelm Hansen
Symphony In Yellow for Violin Cello and Piano by Britta Byström (2002). Progra...
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Symphony In Yellow for Violin Cello and Piano by Britta Byström (2002). Programme Note Leggiero Dolce Energico Symphony in Yellow for Piano Trio is structured as a “miniature symphony” in three movements. The slow middle movement is surrounded by two faster ones. The title is taken from a poem by Oscar Wilde in which various images that are all characterized by something yellow float by: a yellow bus yellow hay yellow leaves… During the composition of the work I searched for a certain mood or color of sound something “yellow” that shouldremain unchanged while different musical events in the work’s structure took place. I perceived my challenge to be akin to an artist painting different subjects using only one color. Britta Byström Oscar Wilde: Symphony in Yellow An omnibus across the bridge Crawls like a yellow butterfly And here and there a passer-by Shows like a little restless midge. Bib barges full of yellow hay Are moored against the shadowy wharf And like yellow silken scarf The thick fog hangs along the quay. The yellow leaves begin to fade And flutter from the Temple elms And at my feet the pale green Thames Lies like a rod of rippled jade.
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Rued Langgaard: Danmarks Radio: Orchestra: Score
Orchestra
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard i...
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Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard in 1948. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Parts are available on hire: hire@ewh.dk This extremely short orchestral piece was composed 7 May1948 in Ribe. Exactly between 5:45 and 6:45 in the morning(“normal time”). Rued Langgaard indicates the time of dayin both the sketch for the composition and the fair copy of thescore. Fair-copying of the score took place on 10 May 4:30 to6:00 in the morning (“summertime”) after it should be noted Langgaard had taken his obligatory morning constitutional inRibe (he suffered from insomnia and arose in the early morninghours). After the work’s final measure Langgaard wrote:“Short razor-sharp line of thought in music excluding allextraneous ‘developmental’ fussiness and with lightning fastmovement in all the parts”. The same day 10 May he sent thescore as program suggestion to the State Broadcasting Servicein Copenhagen under the title Denmark’s Radio Fandfare forGrand Orchestra – “fandfare” as a sarcastically meant spellingmistake with an allusion to “the Devil” (fanden = the Devil inDanish). Langgaard had as is known an ambivalent relationshipwith the State Broadcasting Service. The work was not acceptedand the score was therefore returned to Langgaard whonevertheless submitted it again. The State Broadcasting Serviceclearly regarded the piece as a joke from the composer’s side.When Langgaard died in 1952 the unperformed score was tobe found in broadcasting corporation’s music
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Thomas Adès: Powder Her Face: Orchestra: Score
Orchestra
Faber Music Limited
Thomas Adès and Philip Hensherâ??s dazzlingly precocious chamber opera Powde...
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Thomas Adès and Philip Hensherâ??s dazzlingly precocious chamber opera Powder Her Face propelled its composer to international attention after its premiere in 1995 and with nearly 300 worldwide performances remains one of the most frequently performed British operas of the last two decades. Charting the glamorous rise and seedy fall of the notorious socialite beauty Margaret Duchess of Argyll the score is as witty poignant and memorable as the â??Dirty Duchessâ?? herself paying homage to the popular idioms of cabaret and tango as well as to Weill Berg and Stravinsky. It is hard to believe that this masterpiece was written by a 24year-old but then that young man was Adès whose prodigious musical talent was awe-inspiring even as a teenager.
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Olivier Messiaen: Saint Francois d'Assise - Act II 5.: Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messi...
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L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act II 5. L'Ange musicien” which describes the appearance of the “Musician Angel” to Saint Francis. This tableau is introduced by St Francis on his knees next to the cave. Three themes stand out in the opening of this tableau: the Decision the Joyce and the Calling. Some bird songs can be heard and the Angel appears in the light with a Viol and a bow. TheAngel Musician plays alongside some birds and leave St Francis fainting. He is soon joined by Brother Léon Brother Massée and Brother Bernard who try to help him. The last theme played is the Joyce one with some notes on the Viol while the tableau finishes with the three Brothers looking at the sky. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed divided as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsongs including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
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Dufourt Hugues - On The Wings Of The Morning - Conducteur
Orchestra
Lemoine, Henry
Création 30/11/2012 - Cologne (Allemagne), Philharmonie - Nicolas Hodges (piano...
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Création 30/11/2012 - Cologne (Allemagne), Philharmonie - Nicolas Hodges (piano), WDR sinfonieorchester Köln, Ilan Volkov (direction) Commanditaire Westdeutscher Rundfunk Köln Dédicace à Nicolas Hodges Notice Le titre de ce concerto est emprunté à l'ouvrage classique de l'archéologue et philologue américaine Emily Dickinson Townsend Vermeule, Aspects of Death in Early Greek Art and Poetry (1979). Le chapitre V s'intitule : On the Wings of the Morning : the Pornography of Death. Il s'agit de cas de mort subite, de disparitions soudaines, du rapt des mâles par quelque femme-oiseau ou femme-lion - Harpies, Sphinges ou Sirènes -, créatures monstrueuses dont l'attrait est fatal. Les adorateurs de Dionysos ont souvent remarqué l'aisance et la grâce provocante de ces enjôleuses qu'un geste de brusque sauvagerie rapproche tout de même de la panthère. Pour la victime éblouie, l'envolée vers les cimes culmine en une étreinte funeste. Un battement d'ailes, une jonchée d'ossements, tel est le tableau de la pornographie de la mort. On the wings of the morning est une allusion aux incertitudes du temps présent, à ses Furies modernes. Ce concerto pour piano ne recherche pas l'effet pittoresque et n'a pas de caractère illustratif. L'évocation des bacchantes de l'Hadès est simplement l'occasion d'une fantasmagorie du demi-jour où les ombres jouent sur les surfaces tendues. L'orchestre se comporte comme une masse tumultueuse dont la dynamique conflictuelle est dominante. L'association des pupitres de clarinettes et de trombones, conçue comme un matériau paradoxal, donne sa tonalité d'ensemble à l'oeuvre : amères présences, prosaïsme lugubre, voûtes sans écho. Le temps n'est plus qu'un écheveau de moments transitoires. Le pianiste se trouve dans la situation du forçat des Palmiers Sauvages de Faulkner, condamné à pagayer sur le Mississippi en crue. Le Déluge, les apparitions démoniaques, le vent, le froid font son ordinaire. Sa tâche est de coudoyer les abîmes. L'esprit de ce piano n'est ni constructiviste ni combinatoire. C'est un esprit de survie, concentré sur l'intensification du matériau et la plasticité du mouvement. Commande de la Westdeutscher Rundfunk de Cologne, ce concerto pour piano et grand orchestre est dédié à Nicolas Hodges. Hugues Dufourt
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John Williams: Harry Potter Symphonic Suite: Orchestra: Instrumental Work
Orchestra
[Score and Parts]
Alfred Publishing
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. ...
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The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass
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William Walton: Film Suites: Orchestra: Score
Orchestra
[Score]
Oxford University Press
Hardback-This volume presents newly engraved and edited scores of all Walton's p...
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Hardback-This volume presents newly engraved and edited scores of all Walton's popular film scores including the various Shakespeare suites and for the first time on sale his music for the film Battle of Britain.
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Carmen Suite #2
Orchestra
Eulenburg
Carmen' is one of the most popular and most frequently performed operas across t...
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Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless, the opera very quickly gained acceptance at all major theatres, bringing in its wake countless arrangements of some particularly beautiful music numbers.It was, in all probability, Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings, the second suite with arrangements of the best-known vocal pieces is now available as well. The musical text is based on our new scientific edition of the opera edited by Robert Didion. / Orchestre
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Bent Sørensen: Exit Music: Orchestra: Score
Orchestra
Wilhelm Hansen
Exit Music for Orchestra was composed by Bent Sørensen in 2006-07. Exit Music...
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Exit Music for Orchestra was composed by Bent Sørensen in 2006-07. Exit Music was commissioned by the Bergen International Festival for the Bergen Philharmonic Orchestra and is dedicated to Per Nørgård on the occasion of his 75th birthday.Programme note It began with a dream as it always does when I compose. I dreamt that I was standing in an open doorway on a hill in an otherwise open landscape. I do not know what was behind the door but in front of it - towards the landscape - I 'saw' my music disappearing. I stood looking for the music and started to hear it to remember it in time with its disappearance.The dream continued to recur as strange pictures in my daydreams and I continued to try to write down the music that had vanished. It was also the dream that gave the piece its title- Exit Music. Exit Music is based on three simple songs (the songs that vanish through the doorway): a little lullaby which continues to reappear in fragments; a strange polyphonic pop song that refers to a section of my opera Under the Sky; and a passionate little love song which concludes the piece on the strings very quietly and in unison. These simple songs are then constantly overpainted by enervating repeated motes in fairly simple rhythms which push the songs out of the room. (Bent Sørensen)
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Olivier Messiaen: Saint Francois d'Assise - Act I 2. Les Laudes: Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Orchestra Scores-Saint Francois D'Assise is an opera in 3 acts by Olivier Messi...
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Orchestra Scores-Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act 1 Tableau 2. Les laudes” which tells of the moment when Saint Francis his requests to God to meet a leper and to be able to love him. This tableau depicts Saint Francis and the “Mineurs Brothers” singing the morning service until the bells ring leaving Saint Francis alone to pray. It includes Saint Francis’ prayers some parts of Cantique descréatures on Brother Wind Sister Water Brother Fire and Mother Earth and the Sanctus. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was first played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.
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Witold Lutoslawski: Trois Poemes D'henri Michaux: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Chester
Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first perfo...
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Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choirand an orchestra similar to that of the Symphony of Psalms though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to him first and only then did he choose the threepoems. These reflect his Francophile taste: Henri Michaux was born in Belgium in 1899 and later became a painter: the trenchant Le Grand Combat with its onomatopoeic invented words dates form the 1920s; the other two texts which are more philosophic than pictorial form the 1930s. Choir and orchestra need separate conductors even though throughout they alternate more often than they combine.A description of the course of the music itself will bemore useful than any discussion of its technical processes or of its notation. A quiet section of orchestral polyphony which brass sforzandi punctuate with increasing frequency frames the beginning and end of Pens?es. Afterthe choir?s first unaccompanied passage the woodwind have a staccato section over which the female voices singing downward glissandi are superimposed (?Ombre de mondes infimes??). Then the woodwind and both pianos join in alapping ostinato which illustrates the text of the next forte choir entry ?Pens?es la nage merveilleuse?? The climax of the movement comes as these characteristic woodwind figures alternate with the tintinnabulation of agamelan-like ensemble of vibraphone c?leste harp and pianos.
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Michael Nyman: MGV (Musique A Grande Vitesse): Ensemble: Instrumental Work
Orchestra
[Sheet music]
Chester
MGV (musique grand vitesse) was conceived as a set of interconnected journeys ...
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MGV (musique grand vitesse) was conceived as a set of interconnected journeys performed without pause but listed as nine separate tracks on Michael Nyman’s 23rd album. Since then Christopher Wheeldon has choreographed a danceto the work so there is now a DGV (dance grand vitesse) to add to the layers.When the French city of Lille produced a festival in 1993 to celebrate the inauguration of TGV (train grand vitesse fast train) service fromParis they could not have chosen a more apt composer for their event. Nyman's work The Piano Concerto was also premiered at the concert but it is the dynamic locomotion of MGV which aurally suggests the feeling and sound oftravel by train. Though as the composer writes ‘the topography of MGV should be experienced without reference to planning description or timetables.’
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Timbres Espaces Mouvements Ou 'La Nuit Etoilee' Partition Orchestre In 8 Ph307 (DUTILLEUX HENRI)
Orchestra
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouve...
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Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night” after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoilee is a work for Orchestra, also named ; The Starry Night after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Munch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nebuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word)./ Répertoire / Orchestre
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Study Score): Cello: Study
Orchestra
[Score]
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák?s famous Cello Concerto In B Minor (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century Cello concerto Dvorák?s concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák?s autograph were written by the cellist Hanus Wihan but Bärenreiter?s edition now reveals that some details in the orchestral parts are also in his writing showing just how closely the twomusicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs for the first time since its initial publication in 1896 Dvorák?s definitive version of the solo part. It differs from previous editions in practically every bar and hundreds of corrections have also been made to the orchestral parts.Includes Dvorák?s final and definitive version of the solo Cello part.Incorporates new discoveries regarding the collaboration between Dvorák and Wihan.With Feuermann?s and Casals?s alternative versions of a passage in the first movement.Detailed Foreword (Eng/Cz/Ger)
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Poul Ruders: Wind-Drumming: Orchestra: Score
Orchestra
Wilhelm Hansen
Poul Ruder's Wind-Drumming for Wind Quintet and 4 Percussionists (1979/85). Part...
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Poul Ruder's Wind-Drumming for Wind Quintet and 4 Percussionists (1979/85). Parts are for hire: hire@ewh.dk Programme NoteWind-Drumming was written in 1979 on a commission from The Danish Percussion Ensemble.The piece is a clash of two kinds of sound-associations; the mystic exotic impact of Latin-American drumming and the more well dressed reputation of Western concert-instruments in this case a wind-quintet (w. electric flute).The two instrumental camps either melt into one soft humming ritual or are split wide apart the winds tearing their way through the undergrowth ofrainforest-drumming. There is more than one way of getting on to WIND-DRUMMING: obviously it is about the confrontation of two incongruent ways of living a lament on the damage done to the tropical rainforests of the world by modern civilisation. One can hear it plainly as a direct rhythm-show a downright number or a joyous homage to the most exiting kind of folkloristic music at all: the carnal spell of the Brazilian Samba. Poul Ruders
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William Walton: Façade First And Second Suites For Orchestra: Orchestra: Study
Orchestra
Oxford University Press
Paperback-This edition of Walton's Façade: First And Second Suites For Orchestr...
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Paperback-This edition of Walton's Façade: First And Second Suites For Orchestra has been off-printed from the William Walton Edition full scores. It combines the scholarship of the main edition with the practical benefits of a study score format and includes an introduction by the editor.
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Per Nørgård: Symphony No. 5: Orchestra: Score
Orchestra
Wilhelm Hansen
Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev...
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Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev.1991). Manuscript copy. Programme note: My 5th Symphony was commissioned by the Danish Radio Symphony Orchestra and premiered on December 6th 1990 by and dedicated to the Danish Radio Symphony Orchestra and conductor Esa-Pekka Salonen. After the premiere in 1990 I decided to revise the beginning (and only the beginning) of the work. The first pages of the score were discarded and about 20 seconds of new music was written in the summer of 1991. The new and final versionwas premiered on 1st of May 1992. The symphony progresses without pauses between movements often in several layers of tempo with mutual ´golden section´proportions. The listener´s experience of form in the work will therefore depend on the directions of his own attention. But so far as overall divisions are concerned four sections (perhaps five) - running into each other - can be traced: an expansive cascading introduction a kind of scherzo an chaconne-like adagio and a kind of finale again with the phenomenon of ´cascades´ as a main idea. However as the course is from time to time thrown into chaos by convulsive twitching and crises other experiences of form are opened out within a spectrum from wild to cautious from dramatic to contemplative in a universe of tempi which can suggest the title of a book of poems by the Danish Michael Strunge (1958-1986): ´Velocity of life.´ A listener described the symphony as “a walk with a fire-breathing dragon” and a reviewer described it with words like “a pacifist in times of war”. Anyway words and programme note are – as Carl Nielsen said about titles – only “road signs” for personal experiences in the area of music itself. Per Nørgård
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John Jenkins: Fantasia-Suites I: Orchestra
Orchestra
Stainer and Bell
Edited by Andrew AshbeeTen fantasia-suites for two treble viols bass viol and ...
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Edited by Andrew AshbeeTen fantasia-suites for two treble viols bass viol and organ written early in the composerâ??s career and fifteen fantasia-air sets probably late productions add to the significant corpus of music for viol consort by this outstanding seventeenth-century composer who inherited and expanded the tradition of instrumental fantasias handed down from Coprario and Lawes. Recordings of the fifteen fantasia-air sets performed by the Locke Consort are available on the Channel Classics label (www.channelclassics.nl) CD number CCS 17698 distributed in the UK by Koch International. First published in 2001. Hardback
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Threnos (MANTOVANI BRUNO)
Français
Orchestra
[Sheet music]
Lemoine, Henry
Par MANTOVANI BRUNO. Le mot 'Thrénos' vient de la Grèce antique et désigne un...
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Par MANTOVANI BRUNO. Le mot 'Thrénos' vient de la Grèce antique et désigne une lamentation funéraire, pouvant être musicale ou littéraire. Même si certains compositeurs modernes tels qu'Igor Stravinsky ou Krzysztof Penderecki ont donné ce titre à certaines de leurs oeuvres, la Renaissance constitue l'âge d'or des lamentations contemplatives. Généralement, un 'thrénos' est une pièce lente, voire statique. J'ai fait le choix opposé. Cela entraîne ici une célébration à la fois violente, virtuose et extravertie. L'aspect militaire vient de l'utilisation de 4 caisses claires, créant un continuo étendu à l'orchestre à travers les trémolos des cordes et les bisbigliandi des instruments à vent. Le tissage est ainsi dense, même dans les passages les plus éthérés, tirant vers le son blanc, voire jusqu' à la saturation. Thrénos est une commande du Chicago Symphony Orchestra à l'occasion de la célébration du centenaire de l'Armistice de la Première guerre mondiale. Bruno Mantovani/ Répertoire / Orchestre
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Otto M. Schwarz: The White Tower: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Mitropa Music
Nous sommes en 1798 une époque sombre et instable de notre histoire. Voleurs e...
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Nous sommes en 1798 une époque sombre et instable de notre histoire. Voleurs et bandits rôdent dans le pays faisant des ravages partout où ils passent échappant souvent à la loi. Mais ce n?est pas le cas lorsqu?ils attaquent le village allemand de Daaden et qu?une vingtaine d?escrocs allemands français et hollandais recherchés depuis longtemps est enfin neutralisée... La Tour Blanche d?Otto M. Schwarz nous invite à prendre part à la planification et la mise en oeuvre de la bataille.
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Otto M. Schwarz: The White Tower: Orchestra: Score
Orchestra
Mitropa Music
Nous sommes en 1798 une époque sombre et instable de notre histoire. Voleurs e...
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Nous sommes en 1798 une époque sombre et instable de notre histoire. Voleurs et bandits rôdent dans le pays faisant des ravages partout où ils passent échappant souvent à la loi. Mais ce n?est pas le cas lorsqu?ils attaquent le village allemand de Daaden et qu?une vingtaine d?escrocs allemands français et hollandais recherchés depuis longtemps est enfin neutralisée... La Tour Blanche d?Otto M. Schwarz nous invite à prendre part à la planification et la mise en oeuvre de la bataille.
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Symphony No. 10: Peking Fantasy (PENG-PENG GONG)
Orchestra
[Score]
Hal Leonard
for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anni...
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for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre
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Wolfgang Amadeus Mozart: Serenade In B-Flat Major K.361 - Gran Partita:
Orchestra
Barenreiter
Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concer...
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Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. presently in the service of His Majesty the Emperor will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which among other select pieces he will present a grand work for wind-band of a quite special character composed by Herr Mozart.? That this was almost certainly four movements from the present Serenade in B-flat major K.361 is suggested by an account of the occasion published some months later which states ?Today I heard a composition by Herr Mozart in 4 movements for wind ensemble . . . comprising 13 instruments: 4 horns 2oboes 2 bassoons 2 clarinetts 2 basset horns and a contrabass viol. . . .?Much music of the serenade-divertimento-cassation-Nachtmusik type was written in a light style and intended for social occasions rather than formal concerts. In such a context K.361 is striking for its seriousness of artistic content its length (seven movements lasting nearly an hour) and its extended instrumentation (most wind-band music of the period calls for five to eight or nine players not thirteen). If the work was not conceived in the first instance as a concert work its potential as such must have been recognized early on by Mozart or Stadler.- Urtext of the New Mozart Edition- Parts (BA5331-22) and study score format 22.5 x 16.5cm (TP312) available for sale
13.50 GBP - Sold by Musicroom UK
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Magnus Lindberg: Kinetics: Orchestra: Instrumental Work
Orchestra
Wilhelm Hansen
This work was written with a mix between computer technology and the more tradit...
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This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord.Another theme to the piece is that of textural motion as rapid gestures and motions are a big part ofthe composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company.
57.50 GBP - Sold by Musicroom UK
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