Opera in tre atti During Handel's lifetime Giulio Cesare in Egitto was among his most successful operas. Today it is still one of the most frequently performed, owing to the rich variety of its scenes and its remarkably inventive arias and ensembles, which embellish the underlying affects with virtuoso aplomb. The piano writing contains the musical numbers from the main version and observes the editorial decisions in Zschoch's volume, thereby making it possible to prepare authentic performances of what is perhaps Handel's most popular opera. Vocal score of the main version, based on the Urtext from the “Halle Handel Edition Clear, easy-to-play piano reduction Italian text underlaid with newly revised singable German translation German/English preface with information on performance history and editorial principles

This volume of the Just Voices series includes 10 timeless pop songs that make an ideal introduction to mastering the a cappella style. Complete with piano reductions for easy rehearsal, all of the songs in the book can be sung by either a SSA or SAT choir, making Just Voices the most enjoyable and flexible introduction to unaccompanied choral singing available. / Chant Et Piano

Par MISSY HIGGINS. Graphique de missy topping album, sur une nuit claire, conserve les caractéristiques de ses travaux antérieurs - irrésistibles mélodies et les paroles de ' arrow à travers le coeur ' livrés par une voix qui signifie clairement il. Il y a une force tranquille à ces nouvelles oeuvres qui suggère une jeune femme plus confiante. Elle est grandi en public, et sur une claire nuit est le journal intime, qu'elle est conservée en chemin. Dans un monde jonché de pop jetable, Missy Higgins est un soulagement bienvenu... passionnée, sincère et fièrement australien. / Niveau : Débutant à Intermédiaire / Pop - Solos / Recueil / Chant et Piano

Cette publication revolutionnaire propose des transcriptions authentiques dans les tonalites originales de 19 classiques issus des enregistrements de la grande Lady Day. Elle comprend une biographie et une discographie, ainsi que ces standards au format voix avec accompagnement au piano : All of Me - Billie's Blues (I Love My Man) - Body and Soul - Crazy He Calls Me - Easy Living - Fine and Mellow - A Fine Romance - God Bless' the Child - Good Morning Heartache - I Cried for You - I Wished on the Moon - Lover, Come Back to Me - Miss Brown to You - Solitude - Some Other Spring - Strange Fruit - This Year's Kisses - The Very Thought of You - You've Changed. Un must pour la bibliotheque de tout chanteur de jazz ! / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Ten jazz classics specially arranged for easy piano with chord symbols fingering guides and lyrics.

In his libretto for “Riccardo Primo” Paolo Rolli drew on Antonio Lotti’s opera “Isacio tiranno” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni. He had already written the operas “Alessandro” and “Admeto” for them. He began composing “Riccardo Primo” in spring 1727 completing the first version on 16 May. However following the death of King George I on 11 June 1727 the theatres remained closed.For Handel who had become a British citizen in February 1727 the accession of George II to the throne offered new possibilities and he embarked on a revision of the opera. With this he was able to offer a new opera for the coronation festivities the hero of which was one of King George’s charismatic forebears. From May onwards Handel thoroughly revised the present score wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy. The historic background is the third crusade against Saladin the Sultan of Egypt and Syria who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion’ by the English for his great military ability and bravery although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina . The vocal score is based on the Halle Handel Edition volume published in 2005 edited by Terence Best and contains the second version of the opera which was premiered in November 1727. Performance material available for hire. Based on the Urtext of the Halle Handel Edition. Original Italian text with German singing translation. Straightforward and easy-to-play Piano reduction.

Par COOPER BYE PAMELA. Contains the Christmas story, paraphrased so that children understand it, along with 3 Christmas readings, lyrics, easy-to-read melodies, keyboard accompaniment, and chords for guitar or autoharp. / Niveau : Débutant / Christmas - Songbooks / Recueil / Chant et Piano

A selection of 15 hit songs by the Swedish pop masters all arranged for easy-to-play piano complete with chord symbols. Includes all their greatest songs with Dancing Queen Mamma Mia and Waterloo plus manymore.

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

30 songs of faith in easy arrangements. Includes: Amazing Grace He's Got the Whole World in His Hands Jesus Loves Me Simple Gifts and many more.

Cette deuxième édition propose des transcriptions encore plus authentiques dans les tonalités originales de 13 tubes d\'Adele : All I Ask - Easy on Me - Hello - Oh My God - Rolling in the Deep - Set Fire to the Rain - Skyfall - et plus encore. / Partitions variété - pop - rock / Variété internationale / Vocal / HAL LEONARD

Description The Worship Band Play-Along series is a flexible and innovative tool for worship leaders and bands. Each volume offers five separate, correlated book/CD packs: Keyboard, Guitar, Bass, Drumset, and Vocal. Bands can use the printed music and chord charts to play live together, and members can rehearse at home with the CD tracks. Worship leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection, and the straight-forward arrangements are perfect for bands of any level. The CDs are playable on any CD player, and also enhanced so Mac and PC users can adjust the recording to any tempo without changing pitch to learn the songs at their own pace. Songlist Angels We Have Heard On High [Traditional] Away In A Manger [Traditional] [Murray, James R.] Hark! The Herald Angels Sing [Mendelssohn, Felix] [Wesley, Charles] Joy To The World [Watts, Isaac] [Handel, George Frideric] O Come, All Ye Faithful [Wade, John Francis] O Come, O Come, Emmanuel [Traditional] Silent Night [Gruber, Franz] [Mohr, Josef] What Child Is This? [Traditional]