Par RAE JAMES. James Rae's eminently successful tutor Introducing the Saxophone was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now, complementing the tutor, James Rae has produced these three volumes to introduce the beginner to ensemble playing. The parts are of the same technical level and are written, with hints and tips along the way, to familiarize the beginner with a new set of considerations and become a good team player. easy pieces introducing the various aspects of music making with others all parts are of equal difficulty compatible with Introducing Duets, Trios and Quartets for clarinet especially suited to group teaching ideal material for concerts and examinations/ Recueil / 4 Saxophones

La référence GB1696 2 de l'éditeur Billaudot dont l'auteur célèbre est Tisné Antoine, qui a pour titre ALLIAGES PARTIES, a été écrite et composée pour Saxophone et plus particulièrement pour Quatuor De Saxophones. Cette partition musicale appartient à la catégorie Classique. / Quatuor De Saxophones / Partition

Par PIERNE. This quartet for Saxophones, entitled Introduction Et Variations Sur Une Ronde Populaire by Gabriel Pierne, is a standard in the Saxophone quartet repertoire. Composed in 1934 and dedicated to the Marcel Mule Quartet, this piece for advanced players is as bright and cheerful as a round dance should be, and yet, quite delicate and light in terms of writing. With many ornaments and variations, Introduction Et Variations begins slowly but is interrupted twice by the roundo. Gabriel Pierne (1863-1937) won the Prix de Rome in 1882. The composer wrote manychamber compositions, Piano pieces, symphonic music and some oratorios./ Répertoire / 4 Saxophones

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Par BURNETTE SONNY. This Ain't Your Grandfather's Stinkin' Rondo was composed for the Osland Saxophone Quartet, based out of Lexington, Kentucky. It features the predictable return of the 'A' section sandwiched between contrasting sections... perhaps in a slightly more jazzy setting than grandfather was expecting, not to mention the improv section in the middle. Scored for SATB quartet./ Répertoire / 4 Saxophones

Arrangeur: Eric J. Hovi. Par HOVI ERIC J.. Dans le film du même titre, sorti en 1952, l'interprétation de cette chanson par Gene Kelly a séduit une multitude d'auditeurs au fil des années. ' Singin' in the Rain ' est parfaite pour tout type de quatuor, et Eic J. Hovi en a créé un arrangement facile pour quatuor de saxophones qui reste fidèle à l'esprit de la version originale. / Niveau : Elémentaire à Moyen / Date parution : 2019-11-21/ Recueil / 4 Saxophones

L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Variation Sur Une Gavotte De Rameau/4 Saxos S.A.T.B./Partition Et Parties. C'est une partition musicale composée par Bouvard Jean et qui est destinée aux joueurs de Saxophone. Le détail de l'instrumentation 4 Saxophones (Soprano, Alto, Tenor, Baryton) vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / 4 Saxophones (Soprano, Alto, Tenor, Baryton) / Partition Et Parties

Par KLEREN TIM. „Cool Stuff“ is a 2-minute, incredibly groovy piece for saxophone quartet. The performance demands a highly funky and percussive interpretation to bring out the 'coolest' groove. Let's get the audience up and fully entertained! The Soprano Saxophone part can optionally be played on Alto Saxophone. Tim Kleren is a renowned composer, conductor, and percussionist from Luxembourg. He works as a full-time member of the Luxembourg Military Band 'Musique Militaire Grand-Ducale' and serves as a teacher at the music school 'Union Grand Duc Adolphe' (U.G.D.A.). In 2016, he successfully completed his Master's degree in Wind Band Conducting with great distinction. As a composer, his works are performed by wind bands and brass bands across Europe, as well as in Singapore and Tokyo, gaining recognition and appreciation worldwide. / Date parution : 2023-10-31/ Répertoire / 4 Saxophones

oeuvre contemporaine origniale pour 4 saxophones (alto 1 ou soprano, alto 2, ténor et baryton).Créée en 2012 par 120 saxophonistes de Touraine, cette pièce pédagogique en 3 mouvements est à la fois divertissante et très aborda ble. Pensée également pour être jouée en grand ensemble, elle trouvera toute sa place dans les classes de saxophone grâce à la fraîcheur et l'allégresse qui s'en dégagent. / Quatuor De Saxophones

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Diversions pour quatuor de saxophone de Crepin Alain. Idéale pour les musiciens pratiquant Saxophone et ayant un niveau proche de Or:5, cette pièce se classe dans la catégorie Classique sous la référence CREP03807-PK. / 4 Saxophones / niveau : Or:5 / Partition

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Diversions pour quatuor de saxophone de Crepin Alain. Idéale pour les musiciens pratiquant Saxophone et ayant un niveau proche de Or:5, cette pièce se classe dans la catégorie Classique sous la référence CREP03807-PS. / 4 Saxophones / niveau : Or:5 / Partition

Quatre quatuors Jazz à interpréter seul avec l'accompagnement sur compact disc ou avec un, deux, trois musiciens.Les parties d'accompagnement (Combo Jazz : Conducteur Partie Lead, Piano, Guitare, Guitare Basse et Percussion) sont disponibles séparément :Jazz Quartets - Parties d'Accompagnement (Combo) / 4 Saxophones Alto / 32 pages / niveau : Facile - Elémentaire / Partition Cd

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Eclats d'azur (quatuor de sax solo) de Boutry Roger . Idéale pour les musiciens pratiquant Saxophone et ayant un niveau proche de Or:5, cette pièce se classe dans la catégorie Classique sous la référence BOUT04440-CO. / 4 Saxophones / niveau : Or:5 / Partition

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Eclats d'azur (quatuor de sax solo) de Boutry Roger . Idéale pour les musiciens pratiquant Saxophone et ayant un niveau proche de Or:5, cette pièce se classe dans la catégorie Classique sous la référence BOUT04440-BA. / 4 Saxophones / niveau : Or:5 / Partition

Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons) dating from 1914/15 were arranged for four a cappella voices by Ravel immediately after he had written the music of these pieces. The lyrics were penned by the composer himself. The songs represent Ravel’s sole contribution to choral literature. The first song consists of three sections and tells the story of Nicolette, who sets out to pick flowers in the fields. Just like Little Red Ridinghood, she meets a wolf who asks her if she is on her way to her grandmother’s house (M.1-13). Fleeing from him, she meets a page who wonderswhether she would like to have him as her “lover true”. She dismisses his proposition though she finds it hard to do so (M. 14-39). In the third section, she encounters a plump, unhandsome man (lento!). He speaks to her:”Stay, stay, my Nicolette, all this gold I give to thee”, and - “VIVO” - Nicolette takes refuge in his arms. (M.40 to end). The Three Lovely Birds from Paradise are sky-blue, white as fallen snow and bright red - just like the colors of the Tricolore, the national flag of France - which has been interpreted in many reviews as a sign of an increasingly nationalistic attitude becoming apparent in the war year of 1914. This song mourns the loss of the beloved one who went to war. The Ronde is also made up of three sections. The old women are the first to sing (M.1-28). They warn the young maidens against entering the forest since it is inhabited by all kinds of dangerous (male) beasts. Then (M. 29 – 56) the old men warn the young lads against going into the woods because of the numerous (female) demons living there. The irony of the story is to be found in the final answer of the young people (as of M. 57), who conclude: “We will not go into the woods since the old folks have frightened off all the beasts, anyway.”