Par . This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! / Date parution : 2024-01-18/ Recueil / Tuba

Par KINYON JOHN. La série brise-Easy comporte des méthodes instrumentales pour l'enseignement individuel et en groupe, créée par des enseignants expérimentés John Kinyon et Valentine Anzalone. Il est conçu pour produire la meilleure musicalité dans le plus grand nombre d'étudiants dans des situations de limitching. / Niveau : Facile / Méthode / Méthode / Tuba

Edited by Robert King and published by Alphonse Leduc 70 Studies for B flat Tuba – Volume 1 by Vladislav Blazhevich contains the first 42 studies out of 70. These studies do not correspond to a method for Tuba and it is generally understood that 70 studies are actually inspired from another piece of work from Blazhevich: 'Clef Studies for Trombone' even though 13 of these 70 studies did not appear in it. They were not transposed for Tuba but adapted for this instrument. These studies have become part of the basic teaching methods and these books are some of the most-mentioned studybooks for Tuba which became very popular. While they help to develop Tuba techniques they can be used by different age ranges and different skill ranges. Vladislav Blazhevich (1881-1942) is a Russian Tuba player conductor and professor. He was also an incredible composer who created many methods for Wind instruments as well as concerti studies and musical pieces. Robert King (1914-1999) is an American editor who was specialised in Brass composition. He created the 'Brass Player’s Guide' in the 1950s and developed a strong relationship with Alphonse Leduc Éditions.

Tuba parts edited and recorded by Canadian Brass virtuoso Charles Daellenbach piano parts recorded by Patrick Hansen. Arrangements by Bill Boyd. Companion CD includes full performances and accompaniments. Contents: Chinatown My Chinatown · Come Thou Fount of Every Blessing · The Erie Canal · Hey Ho! Nobody Home · The Last Saturday Evening · Lento · Loch Lomond · The Lonely Forest · Love Song · Miya Sama · Repentance · Wayfaring Stranger. (for Tuba in B.C.)

This Tuba Fingering Chart is a brilliantly useful reference guide for players of all ages and abilities. Featuring an expansive gatefold design that shows essential information such as fingerings for all notes, notation hints and instrument care, this is a guide that should never leave your possession.A chart such as this is the perfect supplement for your lessons or your self-teaching, giving you instant access to the most crucial information immediately. The Fingering Chart features three-valve fingerings for every note on the four most common types of Tuba: BB Flat and C Contrabass and E Flat and F Bass, as well as alternative fingerings for an additional fourth valve. When you're stuck for a particular fingering or you just need to refresh your memory, this chart is a clear visual aid. Not only does the Tuba Fingering Chart show you this, but it's packed with other necessary information. A full section on notation gives you tips on symbols, signs, abbreviations and other useful facts like reading two instrument parts on one staff and rests. Some handy hints on caring for your Tuba are included, and a note on the pitch system for the different types of Tuba.The wealth of useful information that is condensed into this Tuba Fingering Chart makes it seriously practical and convenient for anyone learning to play this fantastic instrument. If you ever get stuck for fingerings, confused about instrument care or not amused by notation, just take a look at this chart and nail those notes. / Tuba

Solos for Beginning through Early Intermediate lev. Par . 1st Recital Series rassemble 12 solos de styles variés qui permettent aux instrumentistes de niveau débutant élémentaire de travailler des compositions originales et des arrangements d??uvres accordant une large place l?expression et la musicalité. Sur les pistes audio disponibles en ligne au format MP3, chaque morceau est joué titre de démonstration. L?instrument soliste peut ensuite interpréter les pièces avec l?accompagnement seul. Et pour jouer en direct lors d?un concert, il est également possible d?acquérir les accompagnements de piano rassemblés dans des recueils vendus séparément. / Date parution : 2023-07-31/ Recueil / Tuba

Part of the Anglo Music Play-Along Series, Philip Sparke?s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world?s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Tuba

comprehensive band method-Tuba. Essential Elements was the major breakthrough for beginning band methods in the '90s. Now Essential Elements 2000 will take band programs into the next millennium! EE2000 features:· A CD featuring a professional soloist in every Student Book 1 · Great performance music with planned first concert. · Even more great tunes motivating students to practice and stay in band. · Special Rubank® Studies · Better pacing sequencing and reinforcement. · Theory history and creativity exercises integrated into each student book.

Commande du Concours International de Tours 2019 Jérémie débute le saxhorn à l?harmonie municipale de Frévent (62) à l?âge de 8 ans. 10 ans plus tard, il se dirige vers Lille pour suivre un double cursus à la Faculté de Mathématiques et au Conservatoire de Lille auprès de Gabriel Capet. Après de brillantes études en euphonium, tuba, musique de chambre, Jazz, direction d?orchestre, écriture, dans les Conservatoires de Région de Lille Rouen et Amiens, Jérémie Dufort intègre la classe de tuba de Gérard Buquet au CNSM de Paris en 2001. Il y obtiendra un premier prix à l?unanimité en tuba, un premier prix en musique de chambre et sera le premier tubiste à intégrer la classe de Jazz du CNSM. Il remporte plusieurs récompenses dont le premier prix du Concours International Philip Jones de Guebwiller (France) en 2003 et le troisième prix du Concours International Citta di Porcia (Italie) en 2004, le deuxième prix du même concours en 2008 et le premier prix à l?unanimité du Concours de la FNAPEC en 2004. En 2005, il est nommé professeur assistant de la classe de tuba au CNSM de Paris. Il y enseignera pendant 7 années. Dès 2002, il intègre l?orchestre de la Police Parisienne. En 2006, Jérémie est choisi par Lorin Maazel lors d?une audition mondiale comme tuba solo du tout nouveau « Palau de les Arts de la Reina Sofia », l?Opéra de Valencia en Espagne. Il y passera une année riche en rencontres musicales sous la direction de Lorin Maazel, Zubin Mehta, Daniel Barenboïm, Placido Domingo? En 2007, Jérémie choisit de rejoindre les rangs du prestigieux orchestre d?Harmonie de la Garde Républicaine. Parallèlement, il décide d?axer sa démarche artistique autour de la musique de chambre, du théatre musical, mais aussi autour du Jazz (Oktopussy Tuba Orkestra, Big Band d?Ivan Jullien, Jean Marie Machado?) et se passionne pour la musique contemporaine. Il est régulièrement sollicité par les plus prestigieux orchestres dont l?Ensemble Intercontemporain, l?Orchestre de Paris, l?Ensemble Modern de Frankfurt, l?Orchestre National de France, l?Orchestre National de Lille, l?Orchestre National d?Ile de France, l?Opéra de Paris, l?Opéra de Rouen, le Brussel Philharmonic? Enfin, afin de faire vivre le répertoire pour tuba solo, Jérémie nourrit de nombreux projets de concerts en soliste avec orchestre symphonique, orchestre d?harmonie ou brass band. Titulaire du Certificat d?Aptitude, Jérémie enseigne à l?école de musique de Hellemmes-Lille et au CRD d?Arras. Il dirige également l?Harmonie d?Hellemmes et l?Harmonie de Mouvaux. Tubiste du quintette de cuivres « Lille Brass Quintet », il fonde et dirige le « Lille Brass Ensemble », un ensemble de cuivres regroupant les solistes de l?Orchestre National de Lille et les professeurs du Conservatoire de Lille.