Music Minus One Violin-Chausson's lovely Poeme a lush late-nineteenth-century symphonic poem for violin and orchestra and Schubert's Rondo another single concerted movement but from the first part of that century make perfect companion pieces. Filled with luscious 19th-century themes but given the very different treatments typical of each composer and also of their very different musical eras. Both are marvelous concert-pieces. Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the right channel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment:Stuttgart Symphony Orchestra Conductor: Emil Kahn

Ikon of Eros was commissioned by the Minnesota Orchestra on the occasion of the Orchestra’s Centennial. First performance on 13th November 2002 at the St Paul Cathedral Minnesota by Jorja Fleezanis (violin) PatriciaRozario (soprano) Tim Krol (baritone) the Minnesota Orchestra and the Minnesota Chorale conducted by Paul Goodwin.

Violin solo part. Par BYSTROM BRITTA. Im Freien (2020) composed by Britta Byström, for violin solo and string orchestra, commissioned by Ostrobothnian Chamber Orchestra and to Malin Broman / Date parution : 2021-11-03/ Répertoire / Violon

This is an exceptional collection of ten original études by Aaron Minsky. First published to international acclaim as Ten American Cello Etudes these captivating pieces are now available to violinists in this adaptation by editors Daryl Silberman and Danny Seidenberg. For intermediate to advanced players these dynamic and lively études are equally suited to performance and study.Unique entertaining piecesA variety of contemporary styles including Latin Rock and Roll Blues and moreMusical depictions of American places activities and moodsTechnical challenges such as harmonics left-hand pizzicato and doublestoppingUseful fingering and bowing suggestionsAaron MinskyAaron Minsky began his career as a rock guitarist and then went on to study the cello with established teachers from Juilliard and elsewhere obtaining a Master of Music degree from the Manhattan School of Music. He has performed with orchestras around the world and on radio and television. Minsky is also an award-winning composer with over a dozen works published by Oxford University Press. He has premiered his original music at the First World Cello Congress the American Cello Congress and the New Directions Cello Festival. Selections from his published collections are now considered standard repertoire appearing in the curriculums of the Associated Board of the Royal Schools of Music and the American String Teachers Association. Particularly known for bridging the gap between classical and popular music for cello Minsky founded the Von Cello Band the first cello-fronted rock power trio which features a unique blend of hard alternative and jam rock.

The revised edition for Suzuki Violin School Volume 5 is now available. Like the other revised Violin books the music has been edited by the International Violin Committee. Other features include: New engravings in a more easily readable 9 x 12 format. New editing of pieces including bowings and fingerings. Available together with a newly recorded CD. CD recorded by William Preucil Concertmaster of the Cleveland Orchestra. Piano accompaniments recorded by Linda Perry. Titles: Gavotte (J. S. Bach) Concerto in A Minor 2nd Movement Op. 3 No. 6 (A. Vivaldi) Concerto in G Minor (A. Vivaldi) Country Dance (C. M. von Weber) German Dance (K. D. von Dittersdorf) Gigue (F. M. Veracini) Concerto for Two Violins in D Minor BWV 1043 1st Movement Violin I (J. S. Bach). This title is available in SmartMusic.

Violin Concerto No. 2 in E Major BWV1042-Performed by Geoffrey Applegate violin Accompaniment: Vienna Festival Orchestra Conductor: Franz Litschauer These are the two concerti for solo violin that have survived in this form. The adagio of the E-major concerto is superb in its exquisite simplicity and emotion. Now digitally remastered for the ultimate in sonic fidelity this deluxe edition includes a second CD featuring slow-tempo accompaniments to use as you get up to speed; and a newly edited and engraved urtext edition of each concerto. Includes a newly engraved authoritative printed music score with orchestral reduction newly edited by Baroque violin expert Wieslaw Novak printed on high-quality ivory paper; and acompact disc containing a complete version with soloist in digitally remastered stereo; then a second digitally remastered stereo version of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniments for practice purposes.

Music Minus One Violin Deluxe 2-CD Set-Tchaikovsky's soaring magnificent violin concerto is one of the summits of the literature and one which every aspiring virtuoso needs to learn. Highly recommended it is truly inspiring music in the great Russian Romantic tradition. Now includes two newly remastered play-along CDs including a slower-tempo practice version. Contains a printed score and a compact disc featuring the concerto in split-channel stereo with the violinist on the right channel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn

Giovanni Battista Viotti (1755-1824) was an Italian composer and virtuoso violinist. His 29 Violin concertos were heavily influenced by his work with various opera companies and are known for their pleasing song-like melody lines.His Violin Concerto No. 23 In G Major was written in c.1794. Originally scored for Violin and Orchestra it has been arranged here for Violin and Piano.

Violin 1 And 2-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The violin book includes two violin parts with guitar chords and piano accompaniment. All of the Celtic Tunesfor Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

Over the years many examination pieces have captured the imagination of teachers and students but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 4 Violin pieces including Hindu Song (Rimsky-Korsakov) Sometime Maybe (Wedgwood) and Fly me to the Moon (Howard).Containing fresh editions of folk and classical masterpieces alongside contemporary favourites all pieces have been rigorously researched by violin expert Jessica O’Leary. A CD of performance and accompaniment tracks is included as are useful practice tips. This book includes pieces from current and past Trinity andABRSM syllabuses.Jessica O’Leary has a successful career as a teacher professional violinist ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields and has performed with Madonna Led Zeppelin the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul’s Girls’ School Eltham College and Junior Guildhall London.

Over the years many examination pieces have captured the imagination of teachers and students but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 2 Violin pieces including Kalinka Got those 3rd Position Blues? (Huws Jones) and Waltz from Sleeping Beauty (Tchaikovsky).Containing fresh editions of folk and classical masterpieces alongside contemporary favourites all pieces have been rigorously researched by violin expert Jessica O’Leary. A CD of performance and accompaniment tracks is included as are useful practice tips. This book includes pieces from current and past Trinity andABRSM syllabuses.Jessica O’Leary has a successful career as a teacher professional violinist ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields and has performed with Madonna Led Zeppelin the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul’s Girls’ School Eltham College and Junior Guildhall London.

Music Minus One Violin-This album contains two of the Romantic Era's neglected treasures. Henryk Wieniawski though little known today was a potent figure in the 19th century an almost unparalleled virtuoso violinist and a respected composer. His D minor concerto op. 22 was premiered in St. Petersburg in 1862 and is a Romantic-era treasure. Pablo de Sarasate's 'Zigeunerweisen' ('Gypsy ways') is a wonderful fantasia on Romany themes composed in 1878. Both of these concerti are wonderful and often overlooked. But take our advice and discover them - they will not disappoint! Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the rightchannel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn

FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most important composers but also due to his symphonies and his chamber music as a leading figure in the history of Northern European music of the 19th century. His compositions include in addition to four symphonies and the chamber music tone poems for orchestra concertos operas ('Estrella di Soria' and 'The Queen of Golconda') cantatas solo songs with piano accompaniment piano music and much more.Berwald's violin concerto in C sharp minor is the work of a young composer. The autograph score bears the date 1820; Berwald was 24 years old at the time.After the firstperformance the violin concerto fell into oblivion and was as far as we know never again performed in Berwald's lifetime. It was not brought to light again until 1903 when on May 19 the first movement was performed at the Annual Celebration of the Academy of Music of Stockholm.Urtext of the Berwald Complete EditionFull score (BA4905) and Violin & Piano reduction (BA4905-90) available for salePerformance material (BA4905-72) available for hire

Arrangeur: Cho-Liang Lin. Over the wonderfully enjoyably years of conducting, there have been so many fine encounters with the Mozart Violin Concertos - mostly with very gifted players like Menuhin, Oistrakh, Stern and, more recently, Cho-Liang (Jimmy) Lin. There have, however, been instances (only a few, I'm pleased to say) when I've come, in the performances, to dread the onslaught of those cadenzas, which sound like a send up of Paganini, or belong to the wrong century with a plethora of double-stopping lasting too long, venturing into tonalities Mozart would not have recognized. After several performances with Jimmy came a request from him for suitable cadenzas that showed off the solo violin while commenting on Mozart's music he had just played. They worked, and Sony asked us to record them all and, with the welcome inclusion of Jaime Laredo, all the rest of Mozart's violin and orchestra repertoire. This led to in an invitation from Schott to have the cadenzas published, and this is the result. / Classique / Recueil / Violon

This was the forerunner of the 'Romance for Violin and Orchestra'. The Piano introduces the main theme in sweet gentle somewhat Brahmsian tones after which the Violin takes it up with a graceful lightness of expression. Abrighter variant is soon heard again recalling Brahms after which the theme is heard in a lighter more ethereal version. The mood intensifies near the middle the music turning livelier and muscular and the violin writing morechallenging. The main thematic material is reprised but with many changes and this lovely approximately 12-minute piece quietly ends. This edition is edited by Rok Klopcic.