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Cello
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Mark Tanner: French Baguettelles: Cello: Instrumental Album
Cello
-
Easy
Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...
(+)
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
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Easy to Play Cello Airs and Ballads (CLARKE GENE)
Cello
[Sheet music]
-
Easy
Mel Bay
Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 ninet...
(+)
Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States. All of the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song in Easy to Play Violin Airs and Ballads and Easy to Play Viola Airs and Ballads. / Niveau : Facile / Date parution : 2023-06-01/ Recueil / Violoncelle
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Luigi Boccherini: Rondo' C Major After String Quartet G 310: Cello: Instrumental
Cello
Leduc, Alphonse
As a prestigious composer of the late 18th century Luigi Boccherini's (1743-180...
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As a prestigious composer of the late 18th century Luigi Boccherini's (1743-1805) Rondo transcribed for the Cello by Paul Bazelaire contains many features which continue to make the composer's music popular and loved to this day. Known for his courtly gallant style Rondo originally composed for Violin and Harpsichord clearly exemplifies these qualities through the 2/4 time signature flourishing Cello lines and evocative chordal and rhythmic Piano accompaniment. Moreover syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elementscombine to create a highly enjoyable piece for the Cello repertoire. In addition the clear print of separate Cello and Piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.
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Alfred Earnshaw: Tarantella Op. 44 No 4: Cello: Instrumental Work
Cello
Stainer and Bell
A highly respected Cello teacher and performer Alfred Earnshaw counted among hi...
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A highly respected Cello teacher and performer Alfred Earnshaw counted among his peers such notable twentieth-century composers of music for young cellists as Adam Carse and W. H. Squire. His Tarantella for Cello and Piano features on Children's Cello the delightful collection of cello miniatures recorded by Steven Isserlis and pianist Stephen Hough on a recent BIS recording. Earnshaw commanded a fluent graceful idiom ideally suited to inspire beginners with real musical values and the piece combines open-string and first-position playing with the flair and character of an impressive recital item.
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Fred Sherry: A Grand Tour of Cello Technique: Cello: Instrumental Tutor
Cello
Peters
A practice guide for the modern cellist-A Grand Tour of Cello Technique is a tho...
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A practice guide for the modern cellist-A Grand Tour of Cello Technique is a thought-provoking practice guide enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing but also promotes an understanding of musical art through nine stimulating chapters.With a particular emphasis on music of the 20th and 21st centuries and its connections with earlier music Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique informed by music ranging from Bach all the way through to Berio.Fred Sherry has introduced audiences on fivecontinents and all fifty United States to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen Lukas Foss Oliver Knussen Elliott Carter Milton Babbitt Toru Takemitsu Chick Corea Pierre Boulez Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and ?sideman? on hundreds of commercial and esoteric recordings; his discography ranges from Schütz Bach Mozart Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School the Mannes College of Music and the Manhattan School of Music.
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Carl Reinecke: Sämtliche Sonaten: Cello: Instrumental Work
Cello
Wiener Urtext
Having been the conductor of the Leipzig Gewandhaus Orchestra for many years Ca...
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Having been the conductor of the Leipzig Gewandhaus Orchestra for many years Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for Violoncello and Piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms. It is all the more surprising however that a noteworthy Urtext edition of these works did not exist up until now; cellists often had to fall back on copies of the first editions only a few of which were extant. This gap is now closed by the Wiener Urtext Edition - right in time for the 100th anniversary of the composer's death. Itencompasses all three sonatas in one volume thus adding three masterpieces of Romantic chamber music to the less than comprehensive repertoire of the 19th century for Violoncello and Piano.
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Carlo Alfredo Piatti: Method For Cello 1: Cello: Instrumental Tutor
Cello
Stainer and Bell
The first part of the comprehensive and renowned Method For Cello by nineteenth ...
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The first part of the comprehensive and renowned Method For Cello by nineteenth century composer educator and celebrated cellist Alfredo Piatti. An extremely popular tutor Piatti takes the student through the early stages of playing technique ? such as the open strings first position and bowings ? up to exercises in the fifth sixth and seventh positions (in the Tenor Clef). Arpeggios and scales are also included throughout to train the hands fingers and wrists in order for the right technique to become ingrained. Whenever a new concept or technique is introduced Piatti provides a detailed explanation of it sothat no prior Cello experience is required. However a basic knowledge of music theory is assumed the student is expected to be familiar with the notes of the bass clef note lengths key and time signatures etc.
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Abby Newton: Crossing To Scotland: Cello
Cello
[Sheet music]
-
Easy
Mel Bay
Today the cello is usually considered a classical instrument but from the late ...
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Today the cello is usually considered a classical instrument but from the late 17th to early 19th centuries it was used in folk ensembles to provide low driving rhythms for dance tunes and to render haunting Scottish airs.Within the folk music revival of the past forty years there has been a small but dedicated movement to restore the unique richness of the cello to traditional music and Abby Newton has been on the forefront of that movement. Abbyhas been deeply involved with Scottish music ever since traveling to and performing in Scotland many times. The airs planxties and reels in this book come from traditional and contemporary sources including the 18th-centuryfiddler Neil Gow harper Turlough O'Carolan Daithi Sproule David Hornung Alasdair Fraser Ronnie Aimes and others. All 19 of the tunes are written for solo cello with chord symbols included on most tunes for an accompanyinginstrument. The text also includes the author's notes on the origin of each tune.
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Jean-Pierre Duport: 21 Etudes - Book 1: Cello Solo: Instrumental Tutor
Cello
Schirmer
Nos 1-13-The modern method of 'cello playing dates only from about the last thir...
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Nos 1-13-The modern method of 'cello playing dates only from about the last third of the eighteenth century. While the great Italian masters had developed the art of the violin before the end of the seventeenth it remained for the Frenchman Jean-Louis Duport to bring order and system into the method of the 'cello. These etudes are written to improve finger agility and bowing technique for the intermediate to advanced cellist.This edition of Duport’s Etudes has been edited and fingered by Leo Schulz.
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Friedrich Grützmacher: Technology of Violoncello Playing: Cello: Instrumental
Cello
Barenreiter
Twenty-four Etudes for Violoncello Solo-Technology Of Violoncello Playing Op.38 ...
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Twenty-four Etudes for Violoncello Solo-Technology Of Violoncello Playing Op.38 - Twenty-four Etudes for Violoncello Solo. Edited by Martin Rummel.The German cellist Friedrich Grützmacher (1832-1903) an influential teacher and composer wrote two important works containing studies: ? Tägliche Übungen ? (Daily Exercises) Op.67 and ?Twenty-four Etudes? Op.38.Grützmacher was greatly admired during the 19th century for his brilliant playing technique and this forms the central part of his studies Op.38. To this day the twenty-four studies form an integral part of cellist's study repertoire and the development of a well-grounded cello technique.As with MartinRummel's editions of Popper's studies and the Duport Etudes the new Grützmacher publication contains a booklet with valuable tips and references to other works in the Cello repertoire requiring similiar solutions to technical problems.- Fold-out pages for ease of playing.- Large format.- Additional modern fingering and bowing.- Valuable comments in English and German on the technical goals of the etudes.
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Jean-Pierre Duport: 21 Etudes - Book 2: Cello Solo: Instrumental Tutor
Cello
Schirmer
Nos 14-21-The modern method of 'cello playing dates only from about the last thi...
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Nos 14-21-The modern method of 'cello playing dates only from about the last third of the eighteenth century. While the great Italian masters had developed the art of the violin before the end of the seventeenth it remained for the Frenchman Jean-Louis Duport to bring order and system into the method of the 'cello. As a continuation of Book 1 these etudes are written to improve finger agility and bowing technique for the intermediate to advanced cellist.This edition of Duport’s Etudes has been edited and fingered by Leo Schulz.
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24 Caprices in all keys op. 35 (DOTZAUER JUSTUS JOHANN FRIEDRICH)
Cello
[Sheet music]
Schott
Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer études have been part of the sta...
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Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer études have been part of the standard repertoire in cello lessons for generations. Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good étude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. 24 Caprici in tutti tuoni Op. 35 (1816) is Dotzauer's masterpiece, wonderfully showing off the varied tone colours and playing techniques of the violoncello. Demanding études for lessons and performances, with beautiful melodic and harmonic ideas, some with slow expressive introductions, some with artistic arpeggios or contrapuntal polyphony. Our new edition follows the original sources and contains the original text. / Date parution : 2022-02-15/ Etude / Violoncelle
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Robert Schumann: Cello Concerto In A minor Op. 129: Cello: Piano Reduction
Cello
Breitkopf & Härtel
Robert Schumann’s Violoncello Concerto Op. 129 can be regarded as the firs...
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Robert Schumann’s Violoncello Concerto Op. 129 can be regarded as the first great concerto for this instrument’s repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset. Schumann wrote the score in 1850 during his Düsseldorf years but there was neither a concrete occasion nor a soloist for a world premiere. After its publication more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann’s Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on theoriginal print of the parts and the Piano reduction which had still been supervised by Schumann. In addition the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for Violoncello and Piano. His experiences have been incorporated into his arrangement of the solo part. With his comments Schiff also provides valuable tips on the interpretation of the work.
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Carlo Alfredo Piatti: Method For Cello 3: Cello: Instrumental Tutor
Cello
Stainer and Bell
The third part of a comprehensive and renowned Cello method by nineteenth centur...
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The third part of a comprehensive and renowned Cello method by nineteenth century composer educator and musican Alfredo Piatti. Book Three of this in-depth classic method contains further ornamentation double stops staccato harmonics and more.
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Carlo Alfredo Piatti: Method For Cello 2: Cello: Instrumental Tutor
Cello
Stainer and Bell
The second part of a comprehensive and renowned Cello method by nineteenth centu...
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The second part of a comprehensive and renowned Cello method by nineteenth century composer educator and musican Alfredo Piatti. Book Two of this in-depth classic method contains exercises arpeggios and scales as well as the techniques for vibrato pizzicato varied bowing and syncopation.
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David Diamond: Kaddish: Cello and Accomp.: Instrumental Work
Cello
Schirmer
This is a deeply felt concerted work for cello and orchestra. It is in a moderat...
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This is a deeply felt concerted work for cello and orchestra. It is in a moderate twentieth century style modal rather than chromatic a tonal work with a mood that is elegiac and dramatic. The Kaddish is a prayerordinarily given during Jewish services for the dead though it never mentions Death. There are traditional melodies and Hebrew cantillation associated with the text but Diamond did not use any of these nor indeed anyparticular Jewish music. The themes he says are his own concept. In describing the form and style of the music Diamond relates the Kaddish to others of his compositions that have some connection to ritual neither theater musicnor abstract music.The music is primarily melodic. Its modal quality suggests the work's Jewish connection but the actual mode is not specifically Jewish in sound. The work rises to a serious and affirmative climaxtowards its end then subsides.
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Kaija Saariaho: Dreaming - Variation On The Chiacona Of Colombi: Cello: Score
Cello
Chester
Scored for solo Cello Dreaming is Kaija Saariaho's contribution to the set of t...
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Scored for solo Cello Dreaming is Kaija Saariaho's contribution to the set of thirty-two works by various composers written for the collection Mystery Variations in 2011.The piece is precededby a statement of the famous Chiacona by 17th century composer Giuseppe Colombi upon which it is based.
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Mats Lidström: Aphrodite's Rock: Cello: Instrumental Album
Cello
CelloLid.com
for Solo Cello-Aphrodite's Rock - a mighty sea stack outside Paphos Cyprus - ...
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for Solo Cello-Aphrodite's Rock - a mighty sea stack outside Paphos Cyprus - is the birthplace of the Goddess of Love. A local myth tells that the person who swims around it will be blessed with eternal beauty. If that fails this music offers an alternative: the sea is present in the middle section while the legend itself is mused over from the very first note.Petra tou Romiou (Rock of the Greek) also known as Aphrodite's Rock the birthplace of the Goddess of Love - is situated on the seaside near Palaepaphos. capital of the island during Greco-Roman times. Palaepaphos (Old Paphos) was visited by Paul the Apostle during the 1st century AD and is now on the UNESCO list ofcultural and natural treasures of the world's heritage. Aphrodite's Rock was written in Nicosia Cyprus in late June 2013. From having come upon so much beauty during my visit such as the jaw-dropping mosaics of Paphos accompanied by the transitional ever-changing sea music was the natural result.The first and third part of my piece reflects upon the seducing legend of the birthplace while the middle section is an attempt to picture the surrounding sea. From Cyprus I was flown back to England for the wedding of Sian and Steve Newman on June 29 2013. This piece is their wedding gift.
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Ludwig van Beethoven Georg Philipp Telemann: Beethoven - Cello Sonata in A Op.
Cello
[Sheet music + CD]
Music Minus One
Duet for Two Cellos in Bb-Beethoven's sonata for violoncello is a staple of the ...
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Duet for Two Cellos in Bb-Beethoven's sonata for violoncello is a staple of the chamber repertoire Telemann's duet sonata is a feast of 18th-century music at its finest: Includes accompaniments for both primo and secondo parts. Includes complete printed music score on high-quality ivory paper including both primo and secondo parts for the Telemann Duet and a compact disc containing a complete performance with soloist then performed again minus the soloist. An additional version minus first 'cello is provided so you can play either primo or secondo part in the Telemann Duet. Performed by Steven Thomas violoncello Accompaniment: Steve Isaacson piano
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40 Melodious And Progressive Studies Op. 31 Band 1
Cello
Schott
This collection of etudes by the virtuoso Sebastian Lee was used as a standard w...
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This collection of etudes by the virtuoso Sebastian Lee was used as a standard work for cello lessons at the Paris Conservatoire back in the 19th century. For thorough technical training and education, the etudes remain just as relevant today. In this new edition, in two volumes, any departures from the original are clearly marked. In addition useful tips and suggestions for practising have been added. / Violoncelle
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170 Foundation Studies for Violoncello: Volume 2
Cello
Dover Publications
Volume 2. This meticulous collection of 56 études constitutes the second book o...
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Volume 2. This meticulous collection of 56 études constitutes the second book of a three-volume set curated by Alwin Schroeder, a former cellist with the Boston Symphony Orchestra and accomplished instructor from the Royal Conservatory of Music in Leipzig, Germany. A compilation of 56 exercises presents a progressively challenging sequence of studies, created by Schroeder and effectively interwoven with several others by his esteemed 19th-century European colleagues Karl Schröder, Ferdinand Büchler, Friedrich Dotzauer, Auguste Franchomme, Friedrich Grützmacher, and Sebastian Lee. The result is a well-rounded selection of exercises carefully arranged to enhance your cello-playing proficiency.
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Fiser Lubos - Sonates Pour Violoncelle
Cello
Barenreiter
Fi?er, Lubo? Sonatas for Violoncello - Highly effective concert pieces - Fingeri...
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Fi?er, Lubo? Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná? Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo? Fi?er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo? Fi?er was a remarkable personality in the Czech music scene of the 20th century. He is known for combining traditional notation and aleatory elements. The music of the sonatas is dramatic and expressive. These are effective concert pieces with a performance duration of approximately eight minutes each. The edition is based on first prints of the works supplemented by various other sources. The part of the Sonata for Violoncello solo was revised by cellist Marek Jerie during the composer?s lifetime.
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40 Melodious And Progressive Studies Op. 31 Band 2
Cello
Schott
This collection of etudes by the virtuoso Sebastian Lee was used as a standard w...
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This collection of etudes by the virtuoso Sebastian Lee was used as a standard work for cello lessons at the Paris Conservatoire back in the 19th century. For thorough technical training and education, the etudes remain just as relevant today. In this new edition, in two volumes, any departures from the original are clearly marked. In addition useful tips and suggestions for practising have been added. / Violoncelle
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Suite Op. 28 (CALLIGARIS SERGIO)
Cello
-
Intermediate
Ricordi
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosar...
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Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle
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Celtic Play Along
Cello
[Sheet music + CD]
Universal Edition
Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and music...
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Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano
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M. Cohen: Bags Of Style (Grade 2-3): Cello: Instrumental Album
Cello
[Sheet music]
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Easy
Faber Music Limited
Bags of Style takes you on a fantastic musical journey through ten centuries of ...
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Bags of Style takes you on a fantastic musical journey through ten centuries of time from the 12th to the 21st century. This is great material for concerts or to liven up history or drama lessons. Each piece is complete in itself so does not need an accompaniment but for fun you could ask a friend to improvise a simple rhythm on drum or percussion to fit with your part. Written and arranged by the UK’s leading string pedagogue Mary Cohen creator of a wide range of imaginative teaching publications.
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Luigi Boccherini: Concerto No. 1 C Major G 477: Cello: Instrumental Work
Cello
Schott
Boccherini one of the greatest violoncellists of the 18th century left numerou...
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Boccherini one of the greatest violoncellists of the 18th century left numerous concertos for his favourite instrument. In the very first of these works the personal style of the composer is unmistakable. Transparency and classical sense of form easily remembered melody in which the tendency of Boccherini towards brilliant form is at once recognizable as well as the masterly perfect compositional technique are some of the most important features of his art.The edition is part of the ABRSM syllabus (grade 8)
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