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Choral
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Xylophone (2)
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Chant Seul (1)
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Ukulélé Tablatures (1)
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Accompagnement de Piano ( Vio… (1)
M/VLA/PFA::Mezzo-Soprano, Viol… (1)
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5 Solistes, Choeur(s) Et Orche… (1)
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Clarinet and Strings (1)
1 ou 2 Clarinettes (1)
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1 Et 2 Flûtes A Bec Soprano E… (1)
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Bugle et Piano (1)
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Male Voices, Piano (1)
Solistes (STB) et Orchestre (1)
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Gesang und Orgel (1)
Ensemble A Instrumentation Var… (1)
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Fac-similé (1)
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SCORE::Score (1)
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Tous instruments (1)
2 Parties Mixtes (1)
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Accompagnement Piano (1)
Choeur Mixte (SSATB) Et Piano (1)
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Francis Pott: My Song is Love Unknown: SATB: Vocal Score
Choral
Peters
Francis Pott’s My song is love unknown sets all of Samuel Crossman&rsquo...
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Francis Pott’s My song is love unknown sets all of Samuel Crossman’s famous verses but one (commonly omitted when the poem is sung metrically as a hymn). The music begins with offbeat repeated chords prompted—not inappropriately—by the opening to Richard Strauss’s tone poem Death and transfiguration. In its early stages only trebles and altos are heard. The sequential flow of Crossman’s poem is soon disrupted with particular dramatic ends in mind. After a seemingly anxious harmonic distortion of the opening chords the word ‘crucify’ arises initially as a mere mutter from the lowervoices so timed as to afford assonance with other words in the upper parts and thus remain barely discernible as if only imagined. In due course however cries of ‘Hosanna’ find themselves on a collision course with a rising tide of ‘Crucify’ during which the ‘Hosanna’ faction gradually loses heart and sheep-like defects until a single treble voice—plaintively daring to repeat the ‘offending’ word—is swept aside by a murderous outcry. In due course ‘Crucify’ recurs as a further angry climax before the opening music returns this time expanding into an extended polyphonic final section for double choir and SATB soloists. The principal climax of the work subsides into a form of epilogue crowned sorrowfully by a treble soloist to whom the music in toto has by now presented many challenges. The anthem ends in the key and mood of its opening. The character of its demanding organ part reflects the possibility that it may one day be orchestrated. My song is love unknown was composed in memory of Michael Renton a craftsman and largely self-taught ‘Renaissance’ man who was not only a member of the Winchester cathedral congregation but also the cathedral’s stonemason. He was beloved of many in the Cathedral community; a true and
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Gott Liebt Diese Welt (Chorbuch Zum 7. Deutschen Pueri Cantores Chorfestival In Trier)
Choral
Barenreiter
Diese Sammlung vereint rund 50 alte und neue Chorsätze unter dem Motto des Trie...
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Diese Sammlung vereint rund 50 alte und neue Chorsätze unter dem Motto des Trierer Chorfestivals 2015 ?Gott liebt diese Welt'.Motetten, Volkslieder und Geistliche Lieder, Spirituals, Wechselgesänge sowie Kanons in verschiedenen Sprachen und Besetzungen sind vertreten und machen sie zur idealen Grundlage für das Singen in der Messe, im Gottesdienst und bei Chorbegegnungen. Die Sammlung ist insbesondere auch auf Kinder- und Jugendchöre zugeschnitten.Im Juli 2015 findet unter dem Dach des Bistums Trier das 7. Deutsche Chorfestival ?Pueri Cantores' statt. Grundsatz des Deutschen Chorverbandes ?Pueri Cantores' ist die Begegnung durch gemeinsames Singen. Dies wird auch mit den regelmäßig veranstalteten Chorfestivals auf diözesaner, nationaler und internationaler Ebene gepflegt.- Für Messe und Konzert- Geistliches und Weltliches- Verschiedene Besetzungen (SSA, SATB), teilweise mit TasteninstrumentAus dem Inhalt?Also hat Gott die Welt geliebt' (S. Strohbach)- ?God so loved the world' (B. Chilcott)- ?A Song of Thanksgiving' (M. Patterson)- ?Peace I leave with you' (J. Barnard)- ?Verleih uns Frieden' (C. Mawby)- ?Du bist das Brot, das den Hunger stillt' (T. Quast)- ?Die Gedanken sind frei' (M. Nagel)- ?Der Weg zur Oper' (O. Gies)- Chorimprovisationen von O. Sperling und M. Balzer u.a. / Choeur Mixte
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Augusta Read Thomas: The Rub of Love: Mixed Choir: Vocal Score
Choral
[Sheet music]
Schirmer
(A Celebration of Love)-(A Celebration of Love) SSSAAATTTBBB unac.. This new ch...
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(A Celebration of Love)-(A Celebration of Love) SSSAAATTTBBB unac.. This new choral piece from G. Schirmer is a short madrigal in twelve parts.
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George Benjamin: Lessons in Love and Violence: Mixed Choir: Vocal Work
Choral
Faber Music Limited
text-Inspired by the fast-moving scenes and vulnerable complex characters of El...
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text-Inspired by the fast-moving scenes and vulnerable complex characters of Elizabethan drama this new opera by George Benjamin and Martin Crimp considers what space if any exists for love and human affection inside the dangerous machinery of power. A king compelled to choose between love and political hard-headedness makes a fatal decision allowing his country to slide into civil war and setting his own wife and son implacably against him. Lessons in Love and Violence is Benjamin and Crimpâ??s third operatic collaboration following Into the Little Hill and the critically acclaimed Written on Skin.
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Timothy Shaw: Love Came Down at Christmas: Mixed Choir and Ensemble: Choral
Choral
MorningStar Music Publishers
Love Came Down at Christmas
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Amazing Love
Choral
Alfred Publishing
'Amazing Love' is an offering of adoration to a Savior who paid the ultimate sac...
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'Amazing Love' is an offering of adoration to a Savior who paid the ultimate sacrifice. It tells the story of Jesus, despised and rejected, crucified and risen in order that we might live. Incorporating the hymn, And Can It Be?, Camp Kirkland creates an anthem that is easy to teach (and learn). / Choeur
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Eric Thiman: Love's Mantle: 2-Part Choir
Choral
J. Curwen and Sons
Love's Mantle
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Lloyd Larson: Nothing Can Separate Us from God's Love: Mixed Choir: Parts
Choral
Fred Bock Music Company
Score And Parts-Based on a text by the apostle Paul Lloyd Larson captures the p...
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Score And Parts-Based on a text by the apostle Paul Lloyd Larson captures the promise of God's love in this stately anthem. The piano accompaniment offers a classical dignity while the vocal writing is both solid and engaging.
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H. Dexter: Careless Love: 2-Part Choir
Choral
Edwin Ashdown
Careless Love
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Geoffrey Shaw: I Live Not Where I Love: SATB
Choral
J. Curwen and Sons
I Live Not Where I Love
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Smash Hits! Vol.1 Sa Acc. 10-Pk (PARRY BEN)
Choral
[Sheet music]
Faber Music Limited
Arrangement: Parry Ben. Par PARRY BEN. Créée en 1970, Reine sont l'un des grou...
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Arrangement: Parry Ben. Par PARRY BEN. Créée en 1970, Reine sont l'un des groupes de rock plus populaires dans l'histoire de la pop, vendant quelque part dans la région de 200 millions d'albums dans le monde entier. ' Crazy Little Thing Called Love ' devrait être chantée dans un style de ' rockabilly ' Presley-esque alors que ' Don't Stop Me Now ' a une ouverture lyrique contrasté avec une section plus rapide avec une partie de piano au volant. ' Nous sont les Champions ' - une véritable hymne - le sporting et récemment entendu dans une restitution plutôt untuneful par la formule 1 World Champion Jenson Button. Cette version, toutefois, reflète la véritable magnificance de paroles de mercure et la mélodie, le mineur/major contraste et la clé décalage entre le couplet et le refrain tirer une conclusion vraiment gras à cette collection de chansons./ Recueil / Choeur
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Rued Langgaard: Lover Gud han er vor Hyrde: Mixed Choir: Score
Choral
[Partitions]
-
Intermediate/advanced
Wilhelm Hansen
Lover Gud han er vor Hyrde. Instrumentation: Chor SSAT. BVN398
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Edward German: It Was A Lover And His Las: Upper Voices: Vocal Score
Choral
Novello & Co Ltd.
It Was A Lover And His Las
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Bliss: Jesus Loves Even Me: SATB
Choral
[Sheet music]
Shawnee Press
Jesus Loves Even Me
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Georg Friedrich Händel: O Lovely Peace: 2-Part Choir
Choral
J. Curwen and Sons
O Lovely Peace
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Bumblebee! Rounds And Warm Ups (GRIFFIN MICHAEL)
Choral
[Sheet music]
Faber Music Limited
Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just...
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Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just a wonderful collection of 130 choir exercises including 50 rounds. Michael Griffin, who has taught and consulted throughout the world, shares timeless wisdom to help you get your choir into shape. 'Will prove useful for almost everyone” -Rhinegold Music Teacher Magazine. 'This is a great resource to add to one's library of rehearsal tricks.' - Anacrusis, ACCC, Canada 'Bumblebee contains excellent new ideas and extensions on some of those well-known warm-ups that we all love to use. Backed by clear explanations of the purpose of each, it is a must have, particularly for less experienced choral directors.” - S Turner, PLC, Sydney. 'Vocal physiology, singing pedagogy, and effective vocal examples to practise are excellently combined in Bumble Bee, making it a kind of 'one stop shop' for singing teachers and choir conductors. The vocal work is fun with music examples ranging in difficulty, catering for a variety of vocal contexts. The rounds are invaluable in themselves, offering participants many opportunities to make beautiful music. I even use some of these vocal exercises with my tertiary drama students, as they encourage vocal health and illustrate how the vocal mechanism works. I would highly recommend this resource to anyone who cares about voices and loves to sing well!” - S. Chapman, QLD 'This is really good stuff for all kinds of vocal groups, choirs, conductors. Bravo!!' - Harrie Spronken, Netherlands. 'This is the thinking person's guide to training a choir! Love it.' - Margaret May, Australia. 'It's great to have some fresh warm-ups to add to the repertory. Being short and repetitive by their nature, we need lots of different ones and most of these are new to my choir. The tips for actions and techniques etc. are really useful, and the advice at the back of the book has made me review some of my strategies.' - Philip Duffy, UK./ Méthode / Choeur
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European Folksongs For Mixed Voices
Choral
[Sheet music]
Carus Verlag
This new collection of folk songs - 'Laula kultani' (Finnish for 'Sing, my sweet...
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This new collection of folk songs - 'Laula kultani' (Finnish for 'Sing, my sweetheart') - offers choirs attractive literature to expand their repertoires and to perform concerts for many different occasions. The creative choral director has many possibilities for performing this music: thus instruments can be added, or - if there are difficulties due to pronouncing a foreign language - a small ensemble can sing the song, while the remainder of the choir hums the music in the background. The selected songs about themes of love and love's sorrow, dance, festival and celebration, are traditional folksongs which are well-known and popular in the countries of their origin. In puttingtogether this collection special emphasis has been placed on the musical quality of the settings. In addition to traditional settings, many songs in new arrangments by contemporary composers have been included. The settings range in difficulty from easy to moderately difficult. / Musique traditionnelle / Répertoire / Choeur
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Mårten Jansson: In the Light of God: Mixed Choir: Vocal Score
Choral
[Sheet music]
Barenreiter
?I asked my friend the poet Einar Askestad if he could write a poem for me abo...
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?I asked my friend the poet Einar Askestad if he could write a poem for me about love between father and son brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece various aspects of these relationships are conveyed?. - Mårten JanssonBiography:My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings life consists of. This has led people todescribe my music as both ?so sad that it sounds like birds who have lost their wings? and ?the happiest classical music we ever heard?. I have also always preferred beautiful music to atonal music and that is surely the reason why the most part of my music is more on the sad side but what a dream it would be to be able to create beautiful music that?s bubbling over with joy! My compositions consist of almost only sacral music. This is to express my own faith but also my appreciation and respect for the timeless texts that have been used for centuries after centuries.In 1994 I was lucky enough to start conducting the female choir Carmen and I conducted them until we decided to disunite 2010. This is of course the biggest reason why most of my compositions are for female choirs the knowledge that what I write during the night will be tested the next evening is a driving force that not so many are lucky enough to have.I work as a voice music theory and conducting teacher and conductor in Uppsala were I was born -65 and still live. My education is in short: two years of musicology at Uppsala University and a MFA in Music Education and Dalcroize Rhythmics at the Royal Academy of Music in Stockholm.- Choral works a cappella.- Sample pages for download: www.baerenreiter.com.
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The Water Of Tyne: High Voice: Vocal Work
Choral
J. Curwen and Sons
The Water of Tyne is a traditional North Country folk song about lovers separate...
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The Water of Tyne is a traditional North Country folk song about lovers separated by the River Tyne. The flowing Piano accompaniment makes the most of the watery setting and adds poignancy to the song’s yearning emotion.WilliamGillies Whittaker was a highly respected English Choral conductor teacher and composer. He was a close friend of Gustav Holst with whom he exchanged voluminous correspondence and as composers they both made their own settingsof English folksongs. For Whittaker these were generally Choral arrangements often for the many choirs he conducted.
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The Best of Owl City: Mixed Choir a Cappella: Backing Tracks
Choral
Hal Leonard
Choral Medley-The electro-pop groove in the music of Owl City is filled with whi...
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Choral Medley-The electro-pop groove in the music of Owl City is filled with whimsical and fresh sounds that choirs love to sing. This happy collection of tunes will please every choir and listener in this 7-minute medley that includes: Fireflies Good Time Shooting Star When Can I See You Again.
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J. Forbes Alexander L'Estrange: Goldfinger.: Mixed Choir: Vocal Score
Choral
Faber Music Limited
Goldfinger: Three Classic James Bond Themes bring three of the great James Bond...
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Goldfinger: Three Classic James Bond Themes bring three of the great James Bond movie themes arranged by Joanna Forbes L’Estrange for soprano alto and combined men's voices with a straightforward piano accompaniment. Ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices are changing. Included are Goldfinger From Russia With Love and Nobody Does It Better. The arrangements form part of the Choral Basics series which has been carefully designed to provide rewarding varied repertoire forbeginner choirs. Perfect for singers of all ages the series offers attractive idiomatic arrangements for SA and SAMen choirs with carefully considered vocal ranges and straightforward piano accompaniments that support the singers.
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The Old Cathedral Psalter Psalms Of David: Voice: Vocal Album
Choral
[Sheet music]
Novello & Co Ltd.
Together With Canticles-The Old Cathedral Psalter Containing The Psalms of David...
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Together With Canticles-The Old Cathedral Psalter Containing The Psalms of David Together With the Canticles and Proper Psalms Pointed for Chanting and Set To Appropriate Texts is the full title of this songbook. It contains copious and useful notes on the proper singing of chants and explanations of the issues of pointing or arranging as well as chants for every Choral liturgical occasion composed by some of the Anglican church’s most beloved composers among them Alcock and Stainer. The chant tradition of the Anglican church was developed around the time of the English Reformation and remains an elemental part of daily cathedral worship.
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Carols for Choir and Congregation: Mixed Choir
Choral
Shawnee Press
Gathered from of our most successful seasonal cantatas this compilation of belo...
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Gathered from of our most successful seasonal cantatas this compilation of beloved carols is designed to work as choral anthems or for choir and congregational corporate singing. Erase the boundaries between loft and pew bybringing the church body together in the embrace of time-tested Christmas and Advent selections. Fully orchestrated by Brant Adams these arrangements will lift your sanctuary singing to new heights. Congregants sing along whilethe choir adds power depth and harmonic color. The final verses of these Christmas standards are among some of the most inspiring passages you will ever experience. These arrangements will be used year after year for?Hanging of the Green? gatherings ?Lessons and Carol? services or for festival hymn singing during the holidays. Available separately: SATB Listening CD Preview Pack (Book/CD Combo) Orchestration CD-ROM(Score and Parts for Flute 1
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Trois chants d'amour (STANCZYK MARCIN)
Choral
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
for two chamber choirs. Par STANCZYK MARCIN. Trois chants d'amour is a piece for...
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for two chamber choirs. Par STANCZYK MARCIN. Trois chants d'amour is a piece for two choirs. In the work, the Composer draws attention to the importance and universality of love and the feelings deeply related to it, such as jealousy, longing and hope. In the following parts of the work, he presents various faces of love. The author of the text is Yves Bonnefoy. / Date parution : 2023-06-01/ Répertoire / Choir
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Joseph M. Martin: Winter's Grace: Mixed Choir
Choral
Shawnee Press
Christmas Cantata-It was into the shadows and winter of this world that Christ c...
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Christmas Cantata-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light andwashes the sanctuary with the message of hope peace joy and love using a program of candles scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretivemovement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the work. Includes: A Winter's Song Celebration for Advent Hop Peace Joy and Love Carols ofAdoration Let the Earth Resound With Praise! A Silent Holy Night and more
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Alan Menken Howard Ashman Tim Rice: Disney Dazzle! Medley: Mixed Choir a
Choral
Hal Leonard
A wonderful collection of chorales from Disney???s best-loved films attractivel...
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A wonderful collection of chorales from Disney???s best-loved films attractively arranged in 2-parts (SA). Instrumental accompaniment parts for small ensembles are available in packs or show trax CDs provide recordings of a full performance and accompaniment only making them ideal for both rehearsals and concerts. Other choral arrangements are listed in our separate Disney catalogue.
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Oh Shenandoah. Sa Acc. 10-Pack (L'ESTRANGE ALEXANDER)
Choral
[Sheet music]
Faber Music Limited
29 Faithful Arrangements for Piano Solo and Piano, Vocal and Guitar. Par L'ESTRA...
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29 Faithful Arrangements for Piano Solo and Piano, Vocal and Guitar. Par L'ESTRANGE ALEXANDER. Hans Zimmer's film scores are bold and unmistakable. Over the course of his prolific career, he has provided music for some of the world's most beloved films, including Disney's The Lion King and Christopher Nolan's The Dark Knight. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles: 160 BPM (Angels and Demons) * Ah, Putrefaction (Sherlock Holmes) * All of Them! (King Arthur) * The Burning Bush (The Prince of Egypt) * Can You Hear Your Heart? (Winter's Tale) * Cheldorado (The Road to Eldorado) * Chevaliers de Sangreal (The Da Vinci Code) * Corynorhinus (Batman Begins) * The Dark Knight Overture (The DarkKnight) * Days of Thunder (Main Title) (Days of Thunder) * Discombobulate (Sherlock Holmes) * Doomsday Is Family Time (The Simpsons Movie) * Dream Is Collapsing (Inception) * Drink Up Me Hearties (Pirates of the Caribbean: At World's End) * Driving Miss Daisy (Driving Miss Daisy) * Homeland (Main Title) (Spirit: Stallion of the Cimarron) * Honor Him (Gladiator) * In the Beginning (The Bible) * It's So Overt It's Covert (Sherlock Holmes: A Game of Shadows) * Krypton's Last (Man of Steel) * Life Goes On (A League of Their Own) * Maestro (The Holiday) * The Nativity (The Bible) * Now We Are Free (Gladiator) * Roll Tide (Crimson Tide) * Tennessee (Pearl Harbor) * This Is Clark Kent (Man of Steel) * This Land (The Lion King) * What Are You Going to Do When You Are Not Saving the World (Man of Steel). Hans Zimmer's film scores are bold and unmistakable. Over the course of his prolific career, he has provided music for some of the world's most beloved films, including Disney's The Lion King and Christopher Nolan's The Dark Knight. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles include 160 BPM (Angels and Demons), Ah, Putrefaction (Sherlock Holmes), All of Them! (King Arthur), The Burning Bush (The Prince of Egypt), Can You Hear Your Heart? (Winter's Tale), Cheldorado (The Road to Eldorado), Chevaliers de Sangreal (The Da Vinci Code), Corynorhinus (BatmanBegins), The Dark Knight Overture (The Dark Knight), Days of Thunder (Main Title) (Days of Thunder), Discombobulate (Sherlock Holmes), Doomsday Is Family Time (The Simpsons Movie), Dream Is Collapsing (Inception), Drink Up Me Hearties (Pirates of the Caribbean: At World's End), Driving Miss Daisy (Driving Miss Daisy), Homeland (Main Title) (Spirit: Stallion of the Cimarron), Honor Him (Gladiator), In the Beginning (The Bible), It's So Overt It's Covert (Sherlock Holmes: A Game of Shadows), Krypton's Last (Man of Steel), Life Goes On (A League of Their Own), Maestro (The Holiday), The Nativity (The Bible), Now We Are Free (Gladiator), Roll Tide (Crimson Tide), Tennessee (Pearl Harbor), This Is Clark Kent (Man of Steel), This Land (The Lion King), What Are You Going to Do When You Are Not Saving the World (Man of Steel). / TV, Film, Comédie musicale / Répertoire / Choeur
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Reginald Spofforth: Hail Smiling Morn: SATB: Score
Choral
J. Curwen and Sons
Hail! Smiling Morn (Roud Index No 1346) was written by Reginald Spofforth in 181...
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Hail! Smiling Morn (Roud Index No 1346) was written by Reginald Spofforth in 1810. It has been described as the ?most popular glee in the entire repertoire? and remains a much loved concert item amongamateur choral groups all over the English-speaking world. It is presented here for SATB choir with a Piano reduction for accompaniment purposes. Reginald Spofforth (1769-1827) was a British composer organist andteacher. He wrote several dozen songs glees and hymns but no instrumental music. His music was performed at Covent Garden and successfully published during his lifetime but most of it has now been lost. Hail! SmilingMorn is undoubtedly his best known work.
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Edward Elgar: Black Knight: Mixed Choir: Vocal Score
Choral
[Sheet music]
Novello & Co Ltd.
The Black Knight (Op.25) is a secular cantata for chorus and orchestra composed ...
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The Black Knight (Op.25) is a secular cantata for chorus and orchestra composed in 1893. It takes its text from a poem from H. W. Longfellow which is itself a translation of a poem in German by Ludwig Uhland. The choral parts act as a backing to the orchestra showing how Elgar was developing his orchestration techniques and talents although this development went unnoticed until the sudden success of the Enigma Variations in 1899. Edward Elgar (1857-1934) is one of England’s best-known and most-loved composers. He was self-taught as composer coming from outside the musical and social establishment which allowed his music to be fresh and unencumbered.
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Edward Elgar: The Snow: Upper Voices: Vocal Score
Choral
Novello & Co Ltd.
The decade between Edward Elgar’s marriage in 1889 and the publication of...
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The decade between Edward Elgar’s marriage in 1889 and the publication of his famous Nimrod Variations in 1899 was possibly the happiest period of his life: he was comfortably settled into family life but the burdens of national fame had not yet begun to take their toll. His beautiful and haunting composition The Snow dates from this time: as a relatively unknown composer he was free to work on what he liked and the growing popularity of competitive choral festivals led him to write a series of part-songs of which this is undoubtedly the best-loved and most performed today. The words come from a poem by his wife Alice and the workhas been arranged here by the composer for two Sopranos two Violins and the Piano.
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