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Musical course - Solfege
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Henri Challan: 380 Basses et Chants Donnés I: Vocal: Vocal Score
Musical course - Solfege
[Sheet music]
Leduc, Alphonse
Accord des 3 Sons - Textes-As one of the fundamentals in the study of harmony p...
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Accord des 3 Sons - Textes-As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Basses Et Chants Donnés during 1960 after a considerable amount of time working in the field. With Challan's experiences in mind  380 Basses Et Chants Donnés is very well-informed. The first volume provides 90 exercises in which the student can practice the basics ofthe realisation of figured bass. Challan's 380 Basses Et Chants Donnés is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.
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Linda Rann: Kodaly in the Classroom - Primary Set I: Classroom Resource
Musical course - Solfege
Hal Leonard
A Practical Approach to Teaching Pitch and Rhythm-Kodály in the Classroom is a ...
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A Practical Approach to Teaching Pitch and Rhythm-Kodály in the Classroom is a series of children's songs and teacher lessons sequentially organized to teach the basics of pitch and rhythm through singing and games for elementary students. The song material consists ofAmerican folk and well-known children's songs. Teacher lessons are easy to follow and do not require previous training in Kodály methodology. Also included are reproducible singer sheets and activities and a companion CDwith vocals and accompaniment only tracks. Primary (Set I) includes 30 songs for lower elementary students including: Charlie Over the Ocean Engine Engine Number Nine Michael Finnegan Who's That Tapping At The Window? LittleSally Water Hot Cross Buns and more! Available: Teacher Edition Performance/Accompaniment CD. For Gr. 1-3.
22.99 GBP - Sold by Musicroom UK
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Revue - Musicologies Nouvelles - Baccalaureat 2018
Français
Musical course - Solfege
Lugdivine
Confiée à des enseignants du secondaire et à des universitaires, la revue Mus...
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Confiée à des enseignants du secondaire et à des universitaires, la revue Musicologies nouvelles prépare aux épreuves de musique du baccalauréat. S?appuyant sur l?oeuvre de référence, les candidats doivent établir une comparaison et un élargissement vers d?autres ouvrages et ce, dans toutes les séries. De ce fait, chaque dossier comporte : l?analyse de l?oeuvre au programme ; un ou deux textes autour de cette oeuvre ; une analyse comparée ainsi qu?une fiche de synthèse, en grande partie écrite à partir des textes du dossier. Elle apporte parfois un complément sur des éléments absents, faute d?espace. Conseil méthodologique : lire d?abord la fiche de synthèse afin d?avoir une vue d?ensemble. Ensuite, travailler sur les textes ainsi que sur la fiche d?analyse comparée avant de revenir enfin sur la fiche de synthèse. Après Mozart l?an passé, Jean-Sébastien Bach ouvre le numéro avec sa Cantate BWV 106 « Actus tragicus ». La musique française est encore à l?honneur puisque Ravel revient avec le virtuose Concerto pour la main gauche, Debussy avec sa Sonate pour Flûte, alto et harpe ainsi que Germaine Tailleferre, la « Dame des Six »? Le jazz est également présent avec un dossier consacré à « Jazz et Orient » ainsi que quatre déclinaisons du standard Birdland. Musicologies Nouvelles - Baccalauréat 2018 Sommaire I. DOSSIER JEAN-SEBASTIEN BACH Frédéric GONIN De la rhétorique au service de la catéchèse et de l?exégèse : L?exemple de la cantate ?Actus Tragicus? (BWV 106) de Johann Sebastian Bach Laurence LE DIAGON-JACQUIN, Analyse comparée : J.S. Bach, « Es ist der alte Bund » / Darius Milhaud, ?chaos?, extrait de La Création du monde Laurence LE DIAGON-JACQUIN, Fiche de Synthèse : Cantate BWV 106 « Actus Tragicus », de J.S. Bach II. DOSSIER MAURICE RAVEL Danièle PISTONE, Ravel et l?esthétique de son temps Eric REGNIER, Maurice Ravel : Le Concerto pour la Main Gauche ou la transcendance de l?artiste Jean-Jacques VELLY: Ravel et l?orchestre Eric REGNIER, Analyse comparée : Maurice Ravel, Concerto pour la Main Gauche / Ludwig van Beethoven, Concerto N°4 op. 58, 3e mouvement Eric REGNIER, Fiche de synthèse : Maurice Ravel Concerto pour la main gauche III. DOSSIER CLAUDE DEBUSSY Muriel JOUBERT, La Sonate pour flûte, alto et harpe de Debussy : « un savant mélange de rigueur et de liberté » entretien avec le Trio Mélisande Muriel JOUBERT, La Sonate pour flûte, alto et harpe de Debussy : classicisme, impressionnisme et cubisme Jean-Louis LELEU, La Sonate pour flûte, alto et harpe de Debussy Présentation et notes analytiques Eric REGNIER, Analyse comparée : La Sonate pour flûte, alto et harpe de Debussy (1915) Johannes Brahms : Trio opus 40 pour violon, cor et piano (1865) Muriel JOUBERT, Fiche de synthèse : Sonate pour flûte, alto et harpe de Debussy IV. DOSSIER GERMAINE TAILLEFERRE Eric REGNIER, Aspects de l?Opéra en un acte entre 1890 et 1945 Stéphan ETCHARRY, Quatre Opéras bouffes de Germaine Tailleferre : pour une « Petite histoire lyrique de l?Art français, du style galant au style méchant » Relire la tradition opératique française au prisme du pastiche et de l?humour Mihu Iliescu, Fiche de synthèse : Dossier Tailleferre V. DOSSIER JAZZ ET ORIENT Emmanuel PARENT, L?Occident recréé par l?Orient Vincent COTRO, Jazz et Orient : Approche comparée des cinq pièces au programme Nicolas OLIVIER, Jazz et Orient :Dialogues de cultures singuliers -Ibrahim Maalouf, Rabih Abou-Khalil, Avishai Cohen, Jasser Haj Youssef, Marcel Khalifé Eric REGNIER, Analyse comparée : Jasser Haj Youssef Friggya / Claude Debussy, La Puerta del Vino Eric REGNIER, Fiche de synthèse : Dossier Jazz et l?Orient VI. DOSSIER BIRDLAND Ludovic Florin, Le « Birdland » de Weather Report et trois de ses avatars Eric REGNIER, Birdland, un standard traité avec fidélité Eric REGNIER, Analyse comparée : Birdland, par l?ensemble Hyperion et Swan Lake, par le groupe Madness Eric REGNIER, Fiche de synthèse : Dossier Birdland
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Jazz Course for All Instruments (GABRIC LUKAS)
Musical course - Solfege
[Sheet music]
Mel Bay
5 Simple Strategies for Developing Jazz Language and Fluency. Par GABRIC LUKAS. ...
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5 Simple Strategies for Developing Jazz Language and Fluency. Par GABRIC LUKAS. According to musician and musicologist Gunther Schuller, 75% of all harmonic movement in jazz consists of ii-V-I progressions. Consequently, for the jazz improvisor, it is extremely important to be capable of playing a coherent phrase based on any member note of the ii chord and its extensions, in any key. In this book, music educator and world-renowned jazz saxophonist, Lukas Gabric focuses on helping you develop this essential skill.The five strategies outlined in Jazz Course for All Instruments are specifically designed to enhance your vocabulary and fluency as a jazz improviser. In a key segment, Gabric explains how longer phrases can be generated by combining minimal source materials. He also seeks to further your transposition and memorization skills as well as instrumental technique?all of which are required for effective improvisation. For those familiar with other styles of music, this reasoned, incremental approach could well open the door to the exciting world of improvised jazz. / Date parution : 2022-02-03/ Théorie / Tout Instrument
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Programs A-Plenty: Classroom Resource
Musical course - Solfege
Hal Leonard
Customize Your Programs With Scripts for Every Occasion-You need programs? We've...
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Customize Your Programs With Scripts for Every Occasion-You need programs? We've got plenty! Here are twelve flexible programs designed to delight entertain and sometimes even educate your cast members and audiences. From January to December there is a program for each major holidaymarked on your school calendar. Programs A-Plenty provides all the dialog and gives suggestions for songs that could be incorporated in each program. Some of the songs may be new to you and others may already be in yourcast's repertoire. You can choose to perform one or more of the songs from the list or substitute for another song that best delivers the message you want to say. The key word is ?flexible.? We encourage you to takethe script provided and make the programs your own. Happy Holidays - every one of them! Holiday Scripts include: A Fun Festive and Fantastic Fall Festival; Grandparent's Day: It's All About You; Patriotic Program: I AmAmerica; Veterans Day; Thanksgiving Day; Winter Holidays: The Signs of Winter; Martin Luther King Jr. Day: We Are the Dream; Hip Hooray It's Valentine's Day!; Presidents' Day; Music in Our Schools; A Spring Sing!; An Earth DayCelebration. Available: Resource Book (with reproducible pages). Suggested for grades 2-5.
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M. Thompson: I Can Read Music (Introductie): Theory
Musical course - Solfege
[Textbook]
Chester
The simplest introduction to learning to read music. This book looks at basic mu...
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The simplest introduction to learning to read music. This book looks at basic musical theory - note names signs and symbols what they look like and what they mean.No musical knowledge is needed - ideal for children startingto learn to sing or play an instrument.
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Liebergen Patrick - Classics For Two - Vocal Duet (par 10 Minimum)
Musical course - Solfege
[Sheet music + CD]
Alfred Publishing
This collection of 10 masterwork duets from the Renaissance through the Romantic...
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This collection of 10 masterwork duets from the Renaissance through the Romantic Era offers outstanding vocal repertoire. Dr. Liebergen provides extensive performance information for each of these classic selections, plus several offer optional instrumental obbligati. Includes: Ave Maria (Caccini) * Laudamus te (Vivaldi) * Sweet Nymph, Come to Thy Lover (Morley) * Deh prendi un dolce amplesso (Mozart) * Pachelbel's Canon of Peace (Pachelbel) * Let's Imitate Her Notes Above (Handel) * Sonntagsmorgen (Mendelssohn) * Panis angelicus (Franck) * Sing with Festive Cheer (Salieri) * When at Night I Go to Sleep (Humperdinck).
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Jazz Transcription
Musical course - Solfege
Advance Music
Transcriptions are used to develop the ears, to derive technical exercises, and ...
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Transcriptions are used to develop the ears, to derive technical exercises, and for analysis to gain understanding of the theory and techniques used to construct phrases. The solo transcriptions are included as complete examples. / Tout Instrument
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Solo Time For Strings, Book 2
Musical course - Solfege
Alfred Publishing
Because a fine orchestra depends on fine players, Solo Time for Strings emphasiz...
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Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Formation Musicale
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Everyday Improvisation
Musical course - Solfege
[Book + CD]
Alfred Publishing
What a wonderful way to address the National Standards while using your interact...
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What a wonderful way to address the National Standards while using your interactive whiteboard! Integrate technology into your classroom with these well-constructed interactive lessons that provide a smooth and easy way to teach improvisation and composition to elementary students (grades 1--4). Each plan starts with a song, chant, or poem - provides prompts for active listening - invites students to improvise as a group and individually - and concludes with a rubric-measured assessment. Kids will have so much fun singing and moving to the songs, playing classroom instruments, and manipulating the cartoon-style graphics on the interactive whiteboard. / Formation Musicale
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