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Opéra Full Score (7)
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Ocarina (7)
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Choral SSATB (7)
Livres (7)
Chanson (7)
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ENS::Ensemble (7)
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Quintette avec Piano (6)
Orchester (6)
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Conga (5)
Pocket, Study conductor (5)
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Violon, Cordes et Basse Contin… (4)
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Trompette 2 (4)
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SAM et Piano (4)
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Voix Et Orchestre (4)
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Melody line, Piano (4)
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Quintette à Cordes (4)
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2 Violons, Alto, Violoncelle e… (4)
Horn Ensemble (4)
Bagpipe (4)
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DVD Opera and Ballets (4)
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Clarinette 2 (4)
Soprano Saxophone and Piano (4)
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CD only (3)
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Xylophone (3)
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Choeur TTBB et Orgue (2)
Soprano voice, Organ (2)
Voix Moyenne et Orchestre (2)
Music Courses : Practice books… (2)
Soli, Gemischter Chor 1 & 2, … (2)
String Trio: 2 violins, viola (2)
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Ensemble Flexible à 5 Parties… (2)
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Musiclet Publications (2)
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Music movie (2)
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OPERA::Op‚ra (2)
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Baritone Saxophone (2)
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WIND 5TET::Quintette · Vent (2)
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Shade and Darkness (CASABLANCAS BENET)
Orchestra
[Score]
Unión Musical Ediciones
Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-co...
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Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-commissioned by the Centro Nacional de Difusión Musical and the Festival Internacional de Música y Danza de Granada. The work is inspired by Turner's famous painting of the same name, subtitled 'The Night Before the Flood', although this does not imply any programmatic or even less descriptive intention, beyond the composer's admiration for the painter, and for the richness of tones and chiaroscuro, subtlety in the treatment of pictorial matter, and the dynamism and emotional force present in his work, to whose depth John Ruskin alludes: 'Nuance is in Turner, first of all, a beautiful aid to the great impression to be conveyed, but it is neither the source nor the essence of that impression; it is little more than a visible melody... preparing the feelings for the reading of the mysteries of God.' The score, generous in expressive contrasts, explores the ductility and richness of possibilities of the strings, with a very diversified use of textures, densities and colours. The formal arrangement describes a wide ternary arc, consisting of two slow and often static sections - not without ominous foreboding - and a more lively central part, punctuated by occasional turbulence and dazzling flashes of timbre, culminating in a powerful climactic process. In the final bars the four voices of the classical quartet fleetingly emerge, as a tribute to Günter Pichler, founder and member of the Alban Berg Quartet, to whom the score is dedicated, and who conducted the premiere of the work in front of the Joven Orquesta Nacional de España on 24 and 25 June 2014 at the Auditorio Nacional de Música in Madrid and in the Patio de los Mármoles del Hospital Real in Granada. / Date parution : 2022-03-15/ Répertoire / Petit Orchestre
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Aaron Copland: The Music of an Uncommon Man: Score and Parts
Orchestra
Hal Leonard
Lessons and Activities Based on the Works of Aaron Copland-We are pleased to ann...
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Lessons and Activities Based on the Works of Aaron Copland-We are pleased to announce the launch of the Leonard Bernstein Young People's Classics a new series for the music classroom that presents essential selections from the Leonard Bernstein recorded library with units of study builtaround them. The first in this series features some of the more popular works of Aaron Copland including Fanfare for the Common Man and his ballets Billy the Kid Appalachian Spring and Rodeo.Makemusic listening engaging and active with beautifully-designed full-color listening maps easy-to-follow lesson plans and full-length recorded orchestral versions of Copland's music. Included in the Classroom Kit is the BernsteinCentury Copland CD featuring Leonard Bernstein conducting the New York Philharmonic. The Enhanced CD in the Teacher book contains audio folksong recordings full-color PDFs of the student booklet student handouts and bonusmaterials all for duplication or projection.Part II features an in-depth study of Copland's ballet Rodeo specifically ?Hoe-down ? based on the Artful Learning transformative learning system inspired byLeonard Bernstein. Working together in learning centers students engage in cross-curricular activities that are incorporated into the music lessons. Available separately: Teacher Book/Enhanced CD Student Book 5-Pak theBernstein Century Copland CD and a Classroom Kit (1 Teacher Edition/Enhanced CD 20 Student Books 1 Copland CD). Suggested for Grades 5-9.
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Schlußchor (Finale) 'An Die Freude' Aus Symphonie Nr. 9 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between...
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Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven 's Symphonies culminating in the Choral Symphony (No. 9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers andcritics alike and has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven ’s Nine Symphonies are available for sale./ Répertoire / Orchestre
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Rheinberger: Konzertouvertüren (Gesamtausgabe, Bd. 25) (RHEINBERGER JOSEF GABRIEL)
Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely be...
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Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre
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Symphonie Nr. 1 op. 5 (GADE NIELS WILHELM)
Orchestra
Barenreiter
Par GADE NIELS WILHELM. 'I can?t remember when another work made a more lively, ...
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Par GADE NIELS WILHELM. 'I can?t remember when another work made a more lively, beautiful impression on me? ? this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered Gade?s C minor Symphony at the Leipzig Gewandhaus. On 26 October of the same year the 26 year old Danish composer conducted the second performance himself and in the following year he was engaged as co-conducter of the Gewandhaus concerts. His first symphony, however, was to remain Gade?s greatest success: unique are its colourful instrumentation, atmospheric melodies and the characteristic sound world which we know as Nordic. This volume presents Gade?s opus 5 as volume I.1 of the Complete Edition ?Niels W. Gade / Works?, edited by Finn Egeland Hansen. The volume also contains a preface by Inger Sørensen as well as a separate discussion of the musicological reception of this central work. / Date parution : 2022-03-05/ Répertoire / Orchestre
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Un Oiseau des arbres de Vie (Oiseau Tui) (MESSIAEN OLIVIER)
Français
Orchestra
Leduc, Alphonse
Par MESSIAEN OLIVIER. Drawing its material from the tui bird from New Zealand, U...
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Par MESSIAEN OLIVIER. Drawing its material from the tui bird from New Zealand, Un oiseau des arbres de Vie (Oiseau Tui) was originally envisaged as the third movement of Éclairs sur l'Au-Delà..., Messiaen's last completed work. Despite having written all of the music in short score, the composer reluctantly decided to omit this remarkable movement from Éclairs at a relatively late stage. This realisation of Un oiseau des arbres de Vie (Oiseau Tui) is based on Messiaen's annotations in the short score, supplemented by precedents from the music of Éclairs and the composer's other final works. / Date parution : 2023-06-01/ Répertoire / Orchestre
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Joseph M. Martin: Sometimes I Hear God's Music: Orchestra: Parts
Orchestra
Shawnee Press
Uses: Music Appreciation General Festival EasterScripture: I Samuel 16:23; I ...
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Uses: Music Appreciation General Festival EasterScripture: I Samuel 16:23; I Corinthians 14:15This classic J. Paul Williams anthem is the first release in our “Legacy” series. Thisedition of the best-selling choral is presented with a newly engraved score complete with updates by the composer a fresh orchestration by Stan Pethel and offered for the first time in SSA and TTB voicings.
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Loslassen! Op. 386 (ZIEHRER CARL MICHAEL)
Orchestra
Doblinger
Polka Schnell G-Dur. Par ZIEHRER CARL MICHAEL. Die Aufnahme der Polka schnell ...
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Polka Schnell G-Dur. Par ZIEHRER CARL MICHAEL. Die Aufnahme der Polka schnell “Los-lassen” in das Programm des Neujahrskonzertes 1980 der Wiener Philharmoniker war willkommener Anlaß für die Erstellung einer kritischen Ausgabe in Partitur und Stimmen im Rahmen des “Diletto Musicale”./ Répertoire / Orchestre
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Loslassen! Op. 386 (ZIEHRER CARL MICHAEL)
Orchestra
Doblinger
Polka Schnell G-Dur. Par ZIEHRER CARL MICHAEL. Die Aufnahme der Polka schnell ...
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Polka Schnell G-Dur. Par ZIEHRER CARL MICHAEL. Die Aufnahme der Polka schnell “Los-lassen” in das Programm des Neujahrskonzertes 1980 der Wiener Philharmoniker war willkommener Anlaß für die Erstellung einer kritischen Ausgabe in Partitur und Stimmen im Rahmen des “Diletto Musicale”./ Répertoire / Orchestre
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Georg Friedrich Händel: Complete Concerti Grossi: Orchestra: Score
Orchestra
Dover Publications
Nineteen concerti in all. Includes Op. 3 and Op. 6 plus the 'C Major (Alexander...
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Nineteen concerti in all. Includes Op. 3 and Op. 6 plus the 'C Major (Alexander's Feast)'. Deutsche Hondelgesellschaft edition.
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Leroy Anderson's Irish Suite Part 1
Orchestra
Alfred Publishing
Les trois premiers mouvements de cette oeuvre emblématique sont maintenant disp...
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Les trois premiers mouvements de cette oeuvre emblématique sont maintenant disponibles dans une évaluation dynamique pour vos orchestres complets. Les principaux thèmes sont présentés avec l'ensemble de la couleur et l'invention frais de la partition originale. C'est la musique qui va ravir et de divertir un public de tout âge. C'est amusant autant à jouer car il est à écouter! / Orchestre
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Fuggitivo
Orchestra
[Score]
Wilhelm Hansen
Par SORENSEN BENT . When it comes to titles, almost all the works I have compose...
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Par SORENSEN BENT . When it comes to titles, almost all the works I have composed have found their title before or at the same moment I started them. That is why it was also surprising - not to say transgressive - for me that my work for 9 instruments for Ensemble MidtVest was completely untitled until the last bar. Then it dawned on me that the titlelessness was a natural result of the music's volatility. It was - and is - as if the music was constantly escaping from itself. The beginning of the work is definitely an escape into a new chapter, and that feeling runs through the entire work. In a longer section, the music flies towards a Barcarole, where the piano has a soloist role, and this is probably a result of my recurring dream of Venice - the gondolas in the swaying rhythms of the canals. Hence the Italian title, 'Fuggitivo' - fugitive. The work was composed for and commissioned by Ensemble MidtVest with support from the Danish Arts Foundation. / Date parution : 2023-10-31/ Répertoire / Orchestre
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Bach J.s. - La Passion Selon Saint-matthieu Bwv 244 - Score
Orchestra
Barenreiter
Bach, Johann Sebastian St. Matthew Passion BWV 244 - Tried-and-tested content of...
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Bach, Johann Sebastian St. Matthew Passion BWV 244 - Tried-and-tested content of the complete edition now in a soft-cover score - Extensive Foreword in German and now also in English How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text remains unchanged, whilst the Foreword has been revised and supplemented by an English translation.
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Complete Serenades In Full Score - Series II
Orchestra
Dover Publications
Certains de la musique la plus durable et populaire de Mozart a été composée ...
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Certains de la musique la plus durable et populaire de Mozart a été composée pour des occasions relativement mineurs - fêtes, mariages, et bien plus encore - y compris ces mouvements multi-pièces instrumentales. 'Eine kleine Nachtmusik', K.525, 'Posthorn' Serenade, K.320, la Sérénade en mi bémol majeur, K.375, la Sérénade en si bémol, K.361/370a, Sérénade en ré majeur, K.203 / 189 B, et plus encore.Réimpression de sélections de la série 9, 10, et 13 de Wolfgang Amadeus Mozart, Werke, Breitkopf and Härtel, Leipzig, 1880-1881. / Orchestre
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Les deux chasseurs and la laitière (opéra) (CLERC EMMANUEL)
Français
Orchestra
[Score]
Editions Buissonnieres
Par CLERC EMMANUEL. Tiré de deux fables de La Fontaine, cette très jolie comé...
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Par CLERC EMMANUEL. Tiré de deux fables de La Fontaine, cette très jolie comédie, dont le livret est signé par Louis Anseaume (le même qui a écrit Cendrillon) a offert à nouveau l'occasion à L'ensemble Les Monts du Reuil de continuer son exploration du répertoire de l'Opéra Comique et des fables. Ici, Louis Anseaume s'est inspiré de deux fables très célèbres de Jean de La Fontaine pour offrir à nouveau un livret de grande qualité. Emmanuel Clerc s'est emparé du livret pour écrire en 2012 une musique vive et descriptive./ Répertoire / Conducteur
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Des Kaisers Nachtigall (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Ballett-Pantomime frei nach dem gleichnamigen Marchen von Hans Christian Anderse...
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Ballett-Pantomime frei nach dem gleichnamigen Marchen von Hans Christian Andersen. Par HENZE HANS WERNER. / Répertoire / Orchestre
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Felix Mendelssohn Bartholdy: Konzert Für Violine und Orchestre: Orchestra: Score
Orchestra
Barenreiter
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 1...
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E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Complete Serenades In Full Score - Series I
Orchestra
Dover Publications
Deux volumes trésor de charme, pièces effervescents composés par Mozart dans ...
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Deux volumes trésor de charme, pièces effervescents composés par Mozart dans les années 1770 et 1780. Inclus sont les favoris tels que Eine kleine Nachtmusik, K.525, 'Une Plaisanterie musicale,' K.522, la 'Haffner' Serenade, K.250/248b, Serenata Notturna, K.329, et le 'Posthorn' Serenade, K 0.320.Réimpression de sélection à partir de Wolfgang Amadeus Mozart Werke, Breitkopf and Härtel, 1880-1881. / Orchestre
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Leonard Bernstein: Fancy Free: Orchestra: Study Score
Orchestra
Boosey and Hawkes
Ballet-Bernstein’s first composition in the genre Fancy Free composed in...
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Ballet-Bernstein’s first composition in the genre Fancy Free composed in 1944 became extremely popular. The story of the ballet is fairly simple and was later reused by Bernstein in On The Town his popular first Broadway musical. The story devised by Jerome Robbins takes place in New York City where three sailors on shore leave meet three girls in a bar who they dance with and end up fighting over. They soon realize they were foolish to let the women become between their friendships.The music is based on a considerable number of popular styles of the day. At the beginning you hear Big Stuff a popular hit Bernstein later recordedas a single and made famous by Billie Holiday. Bernstein’s music is comprised of a fusion of different genres from Latin-American to Popular and Classical to Jazz all of which are footprints in his inimitable style.Available here as part of the Hawkes Pocket Score edition (No.1135) is the Study Score for Bernstein’s popular ballet Fancy Free.
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The Symphonies (BEETHOVEN LUDWIG VAN)
Orchestra
Breitkopf & Härtel
Urtext based on the new Complete Edition (G. Henle Verlag) [orch]. Par BEETHOVEN...
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Urtext based on the new Complete Edition (G. Henle Verlag) [orch]. Par BEETHOVEN LUDWIG VAN. / Date parution : 2023-06-01/ Recueil / Orchestre
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Howl S Moving Castle Fantasy
Français
Orchestra
[Score and Parts]
-
Intermediate/advanced
Martin, Robert
/ Exemplaire Complet / niveau : Or:4 / Partition
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Tidsrum / Spaces Of Time: Orchestra: Score
Orchestra
Wilhelm Hansen
Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dati...
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Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dating from 1991. Programme Note Spaces of time is a 20-minute long one-movement orchestral piece “with piano” signifying that the piano not only as in my other orchestra works is part of the ensemble but also in a major passage attracts almost all attention. This passage is only one of the ´spaces of time´- spaces which give the work its title and represent individual musical perspectives. Relations of tempo and scale characterize such a space (besides the mentioned“piano-concerto” or other intrumental features) and in this way associate with say a small room - with close-ups of the musical objects - or perhaps to an infinitely great space - a cosmic one where all is far away and vibrating. One motive marked mainly by ascending stepwise movement unifies the spaces but the very varied scales may let the outines of the motive change between say 1/4-tone steps 1/2-tone steps diatonic and other scale steps up to such ambient steps that each one comprises almost a third of the total orchestral range. Very often 2 scales are woven together in a way that lets the “hidden tone” inside a major step in one of the scaels become a part of the other scale. By dynamic means one scale may be highlighted as a “figure” the other one as a “ground” in one passage - and vice versa. In this way a 12-tone chromatic scale may as well contain a Japanese 5-tone scale as a European 7-tone scale. In the final “space” the tones literally take leave of the listeners - by streaming down - as water sucked down into the ground by gravity - into the bass octaves and - into silence. Spaces of time was comissioned by “Suntory Hall” in 1990-91 (artistic director Toro Takemitsu) in October 1991 with Aki Takahashi (piano)
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The Complete Harry Potter
Orchestra
Alfred Publishing
L'assistant qui vit! Quelques-uns des thèmes les plus belles et passionnantes d...
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L'assistant qui vit! Quelques-uns des thèmes les plus belles et passionnantes de tous les films Harry Potter sont joliment disposés dans un travail accessible. (11:35) / Orchestre
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Symphonie No1 Op. 55 Complete (Rigide)
Orchestra
Novello & Co Ltd.
A beautifully-presented cloth-bound volume of Elgar's First Symphony Op.55. / Or...
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A beautifully-presented cloth-bound volume of Elgar's First Symphony Op.55. / Orchestre
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The Complete Harry Potter
Orchestra
Alfred Publishing
L'assistant qui vit! Quelques-uns des thèmes les plus belles et passionnantes d...
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L'assistant qui vit! Quelques-uns des thèmes les plus belles et passionnantes de tous les films Harry Potter sont joliment disposés dans un travail accessible. (11:35) / Orchestre
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Georg Friedrich Händel: Four Coronation Anthems: Orchestra: Score
Orchestra
Oxford University Press
These four splendid anthems were composed for the coronation of George II in Oct...
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These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the Priest has been performed at all subsequent coronations and Handel's other contributions to the royal occasion - Let thy hand be strengthened The King shall rejoice and My heart is inditing - have the same majestic grandeur with affecting contrasts between different sections of the sacred texts. The editor Clifford Bartlett has corrected various inconsistencies in Handel's score and completedetails of sources and editorial method additional performance notes and a critical commentary are included.
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Symphony No. 4: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Hawkes Pocket Scores HPS 1528-Completed in short score in 2006 the composer play...
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Hawkes Pocket Scores HPS 1528-Completed in short score in 2006 the composer played the symphony to his son Miko aj on the piano that summer commenting on many details. It fell to Miko aj to complete the orchestration following his father’s death in 2010.The impetus for the work came from the director of the Tansman Festival in ód birthplace of the naturalised French composer Alexandre Tansman. The work’s principal motives are based on letters taken from Tansman’s name. The 38-minute symphony is scored for large orchestra including quadruple woodwind and brass and prominent parts for piano organ and three bass drums.
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Satie Erik - Parade In Full Score - Orchestra
Orchestra
Dover Publications
Description Erik Satie: Parade Parade is a ballet with music composed by Erik...
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Description Erik Satie: Parade Parade is a ballet with music composed by Erik Satie and a one-act scenario by Jean Cocteau. Created in 1916 for Sergei Diaghilev's Ballets Russes and hailed as Satie s cubist manifesto.
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Erik Satie: Parade: Orchestra: Score
Orchestra
Dover Publications
Parade is a ballet with music composed by Erik Satie and a one-act scenario by J...
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Parade is a ballet with music composed by Erik Satie and a one-act scenario by Jean Cocteau. Created in 1916 for Sergei Diaghilev's Ballets Russes and hailed as Satie’s 'cubist manifesto.' Stripped of subjective emotion the work removes basic fragments of melody and simple harmonies from their conventional associations and recasts them in unexpected but logical patterns much as cubist painters exploded familiar forms into unexpected configurations.
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Thomas Borchersen: Jorden Rundt i 80 Dage: Orchestra: Vocal Work
Orchestra
Wilhelm Hansen
Jorden Rundt i 80 Dage er en spændende og farverig musical med skuespillere sa...
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Jorden Rundt i 80 Dage er en spændende og farverig musical med skuespillere sangere og stort orkester. Historien er Jules Vernes frit bearbejdet af komponist og sangskriver Thomas Bo Borchersen i samarbejde med sanger forfatter og instruktør Tine Olsen. I hæsblæsende fart må Phileas Fogg nå Jorden rundt for at vinde et væddemål men der bliver alligevel tid til at dvæle ved de mange oplevelser og personer som støder til selskabet på vejen. Historien er fortalt i 15 sange og kædet sammen af dialog så hele ensemblet kan folde sig ud i denne udødeligeklassiker. Fra forordet: Hovedformålet med musicalen er at vise bredden i musikskolen og forsøge at skabe nogle nye unikke muligheder for samarbejde mellem lærer og elevgrupper i det nye musikskolemiljø der er opstået efter musikskolesammenlægningerne. Vi mener at der er et stort og stadigt voksende behov for at samle musikskolen i store fælles projekter dels for at forbedre infrastrukturen i musikskolen men også for at få den helt nødvendige kommunikation til samfundet omkring musikskolen. Vi mener der et et stort behov for at få synliggjort arbejdet med talentmassen på musikskolerne og at store kompetent udførte projekter ofte er en mangelvare på mindre og halvstore musikskoler. - Musicalerne egner sig selvfølgelig til at blive opført på alle musikskoler - store som små men er især tænkt som en særlig oplagt mulighed for at få samarbejde imellem musikskolerne igang på tværs af kommunegrænserne. Arrangementenes sværhedsgrad er forsøgt tilpasset det gennemsnitlige elevpræstationsniveau for aldersgruppen 12 til 18 år på musikskolen. Det har været en af topprioriteterne at lave arrangementerne
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