After hearing Castèréde's Sonatine for Trombone and Piano the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen then Castèréde's Sonatine is one for you. Having won prizes in Piano chamber music harmony composition analysis and aesthetics in music whilst studying at Paris Conservatoire it is not surprising that the composer's Sonatine for Trombone and Piano is full of musically appealing features. Elements include exquisite use of ornamentation exploitingTrombone technique to its full potential and clever uses of shared melody between the Trombone and Piano. From the lively and harmonically rich first movement to the luscious melodies of the second this Sonatine provides an enjoyable listen and fun piece to learn for all trombonists.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for wind instruments are at the forefront of the repertoire  Morceau Symphonique for Tenor Trombone being no exception. After a prominent career as a flautist with the Paris Opéra Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Morceau Symphonique for Tenor Trombone and Piano. Addressing many technicalfeatures including flourishing semiquaver passages a wide range lyrical melodies unusual intervals chromaticism and complex rhythms  Morceau Symphonique is a challenging yet riveting and stirring piece for aspiring advanced Tenor Trombone players.

French composer and music teacher Bernard Crocé-Spinelli (1871-1932) entered the Paris Conservatoire at thirteen years old. He won many prizes at the institution with his first published and successful composition coming when he was just 21 years old.Solo De Concours for Trombone and Piano has also remained a popular piece in the repertoire. Crocé-Spinelli led a successful career as a composer and music teacher. His positions saw him compose many solos for competition and auditions including Solo De Concours for Trombone and Piano. Included in the syllabus at the ParisConservatoire this work addresses advanced features including complex rhythms semiquaver flourishes and chromaticims among other features. For all advanced aspiring trombonists Crocé-Spinelli's Solo De Concours is an excellent addition to the repertoire.

Composed in 1956 by Henri Tomasi (1901-1971) French composer conductor and winner of the Grand Prix de Rome in 1927 this Concerto for Trombone and Orchestra has a strong French signature and lasts 16 minutes. The first movement starts with the Trombone and ends with a waltz theme the second movement is built on an ostinato that makes the Trombone sound more lyrical. The third movement is based on the two first ones with South American rhythms and ends with a virtuosic part played by the Trombone.

French pianist, arranger, composer and conductor, Jean Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, In the Style ofDebussy, composed in 2002 for Trombone and Piano, being no exception. With a typical performance lasting about five minutes, Defaye's In the Style of Debussy reflects the compositional techniques of Claude Debussy by use ofchromaticism, evocative melodic passages, spread chords in the accompaniment and a calm nature. Defaye's passion to explore a variety of preceding composers is clear with In the Style of Debussy being a part of a series whichexplores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire, In the Style of Debussy by Jean Michel Defaye is essential. / Partitions classique / Cuivres et percussions / Trombone / LEDUC

This work was commissioned by Professor James Watson for the brass faculty of the Royal Academy of Music London. It was composed between January and May 2007. The first performance was given on 12 June 2008 by Blair Sinclair (to whom the work is dedicated) and Timothy End. It is the third in a series of six works for brass which began with sonatas for Bass Tuba and Piano (2006) and Bass Trombone and Piano (2006) and will conclude with two more sonatas (French Horn Trumpet/Flugel Horn) and a work for brass ensemble. All five sonatas will be published by Queen's Temple Publications during 2009.

20 Easy Solos with Piano Accompaniments-First Festival Solos: 20 easy Trombone solos with Piano Accompaniments. Carl Fischer presents a new collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. These solos are written by two of the most popular composers of music for students: Larry Clark and Sean O'Loughlin. The solos range in difficulty from grades 1 to 2 and are progressively arranged in the book. There is a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-version recordingsfor the student to use as examples as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files so that the student can print the solo they need for the accompanist. This collection of solos is destined to be on every state contest/festival required music list.

The majestic and expressive qualities of Baroque brass music have rarely ever been surpassed. This brilliant collection of 12 repertoire pieces arranged for Trombone with simple Piano accompaniments shows some of the most splendid music that has ever been written for the instrument. From pieces by Handel and Purcell The Baroque Trombone is a new and rewarding book of concert repertoire for the intermediate to advanced trombonist.

Alexandre Guilmant Morceau symphonique op. 88 et Morceau de lecture pour trombone et piano Editeur: Dominik Rahmer Doigtés: Klaus Schilde Alexandre Guilmant compte parmi les représentants majeurs de l?école de l?orgue romantique français et composa presque exclusivement pour son instrument. Le «Morceau symphonique» qu?il écrivit en 1902 pour le concours annuel de la classe de trombone au Conservatoire de Paris est une exception singulière. À l?instar de la «Cavatine» de Saint-Saëns (HN 1119), cette charmante pièce de récital entra rapidement au répertoire et compte aujourd?hui encore parmi les incontournables classiques du trombone. La présente et première édition Urtext repose sur l?autographe et la première édition. Elle offre en outre ? cerise sur le gâteau ? une pièce de déchiffrage composée par Guilmant pour les mêmes circonstances qui sommeillait jusqu?à présent dans les archives et qui fait ici l?objet d?une toute première édition.

Par ROMITI ATTILO. There isn?t any systematic biography about Attilio Romiti (Urbino, 29th April 1818 ?1899); by means of various sources we can outline a first profile that will have to be accompanied by further details: Romiti was a highly esteemed musician, composer, teacher and trombone player? is articulated in several movements among which stands out a Theme with variations and a dance movement; the solo instrument is able to express the whole range of his possibilities from the piano to the impervious difficulties. / Date parution : 2022-02-03/ Répertoire / Trombone et Piano

Concerto In F Minor by G.F. Handel is a piece transcribed for Trombone and Piano by André Lafosse soloist at the Paris Opera. Quite difficult for it to be played well this piece will require the skills and abilities of advanced players. This concerto is a really melodious piece to play in recitals. It is divided into four sections: I. Grave II. Allegro III. Sarabande – Largo IV. Allegro The Piano introduces first and the third parts which are quite slow compared to the second one and the final. G.F. Handel was a German composer famous for his operas oratorios and concertos.

French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass In the Style of Bach composed in 1990 for Trombone and Piano being no exception. With a typical performance lasting about 3 and a half minutes Defaye's In the Style of Bach reflects the compositional techniques of J. S. Bach by use of contrapuntal textures modulations to related keys long even quaver and semiquaver melodic passages and contrasts in dynamics. For all aspiring trombonistswishing to vary and expand their repertoire In the Style of Bach by Jean-Michel Defaye is essential.

pour trombone ténor et piano-?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music with performance suggestions and historical and stylistic commentary by noted scholars.

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Martin Gilles et éditée par Billaudot cette partition est idéale pour les joueurs de Trombone. Si l'instrumentation Trombone Et Piano (Tenor) correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Trombone Et Piano (Tenor) / Partition